El carnaval de las águilas

The film's opening title card read: "Nebraska, 1926" and shows the old black-and-white Universal Pictures logo presentation, which features an old early 20th Century plane flying around the orbit of the planet earth . The Second Greatest Flyer in the World . The war was over - and the world's greatest flyers had never met in combat . But Waldo was going to change all that - even if it killed him . The era the picture is set in is mostly the ¨Roaring Twenties¨ , specifically the period is between 1926 and 1931 , in which bitter pilots are reduced to defying death in air flying circus such as Waldo Pepper (Robert Redford) , Axel Olson (Bo Svenson) and Ezra Stiles (Edward Herrmann). As a disillusioned biplane pilot named Waldo who had missed flying in WWI takes up barnstorming and later he carries out a movie career in his quest for the glory he had missed . After that , the pilot-become-barnstormer gets hired as a stuntman for the Hollywood movies . Eventually getting a chance to prove himself in a film depicting the dogfights in the Great War . Waldo believes the honor of the best WWI fighter pilots and he deems to be the German Ernst Kessler (Bo Brundin) who is working in Hollywwod as an aerial stunt .

This attractive drama about flying results to be an elegiac homage to WWI fliers . It features impressive vintage aircraft flying sequences made by expert stunts and professional pilots . However , there are no studio takes in airplanes , all close-ups of actors being airborne were done for real, sometimes with George Roy Hill, a former Marine pilot himself, flying the airplane while directing ; as scenes with Robert Redford and Bo Svenson climbing out on the wing were done without any security harness or parachutes . The film reunited three successful Hollywood professionals of the sixties and seventies : actor Robert Redford , filmmaker George Roy Hill , and screen-writer William Goldman , the latter Oscar Winner for ¨The Sting ¨. All of them got a big hit with ¨Butch Cassidy and Sundance Kid¨ . Breathtaking as well as overwhelming flying sequences , intelligent plot and brilliant scenes are major assets in this stunning flick . Robert Redford gives one of his best acting , along with Bo Svenson and Bo Brundin ; both actors are Swedish . The notorious secondary player Geoffrey Lewis also gives an admiring interpretation , as always . The movie represents an early screen role of actress Susan Sarandon , the film was one two 1975 movies that Sarandon appeared in that were released in that year , he other one was The Rocky Horror Picture Show (1975) which is considered to feature Sarandon's breakthrough film role . The yarn features actress Margot Kidder who became famous for starring in the "Superman" franchise with Christopher Reeve .

Colorful as well as evocative cinematography by the great cameraman Robert Surtees , a photographer expert on super-productions . Lively and enjoyable musical score by Henry Mancini , Pink Panther's composer . The movie is pretty well but had a commercial flop . The motion picture was compellingly directed by George Roy Hill . This is third and final of three films that as an actor, Robert Redford made with director George Roy Hill, he first two were The Sting (1973) and Butch Cassidy and Sundance Kid (1969) . George Roy Hill had a long career from the fifties until the eighties with hit smashes such as ¨The world according to Garp¨ , ¨Slap shot¨, ¨Butch Cassidy¨, ¨The Sting¨ , ¨Hawaii¨ , ¨The world of Henry Orient¨ and commercial failures such as ¨The little drummer girl¨ , ¨A little romance¨ , ¨Slaughterhouse five¨, ¨Throughly Millie¨ , ¨Toys in the attic¨ , ¨Period of adjustment¨ and this ¨The great Waldo Pepper¨ ; however , the latter being today better considered than old times . Rating : 6,5/10 Above average . Worthwhile watching .

This movie is made by some of the same players that made Butch Cassidy and the Sundance Kid (Writer, Director and Actor). Unfortunately, it doesn't have nearly the acclaim. Perhaps because the ultimate tone of the movie is darker, the movie still captures that fun that permeates Butch Cassidy.

In terms of the aerial stunts and flying sequences, not only does the hold up to the modern movies like 'Flyboys', it is in fact, much better. Visually just as complete, you also know these are the real deal.

The script is brilliant. At the end of this film, one is forced to wonder why this level of movie so rarely is ever seen today.

You can read the other reviews for plot points, and details. Suffice to say that if you are a fan of movies with planes, actions, love, tragedy cool war history lover, or Hollywood of the early thirties, you'll eat this movie up.

Now lets get a DVD of this that is worthy!

Robert Redford got one of his best roles in The Great Waldo Pepper which was directed by George Roy Hill who did right by him with Butch Cassidy And The Sundance Kid and The Sting. It does a wonderful job of capturing a bygone era of the Twenties when after World War I, the airplane was a big toy played with by some big kids.

The airplane got invented just in time for use in the war to end all wars. But no one figured out quite what to do with it. In point of fact it didn't have the capacity to drop bombs on the enemy to do that much damage. In the trench warfare days the real function was scouting those enemy lines to see and report on troop dispositions. But the other side did the same thing. So when they met dogfights happened. They were colorful and exciting, but didn't really do much militarily.

Aces got their reputations like the real life Baron Von Richtofen and Hermann Goering and the fictional Ernest Kessler as played by Bo Brundin here. Waldo Pepper in the Great War came up too late to show his stuff even though his former squadron leader Geoffrey Lewis says he was the most natural flier he ever saw. He had a brief encounter with Brundin days before the Armistice where Brundin let him off. He never got a chance to prove himself.

Now he proves himself every day in the various flying circuses doing daredevil stunts. People who fly do it for the love it and won't be happy going 9 to 5 on the ground. Redford is at the height of his abilities and this is his frustration that he never got to show his stuff in the arena where it really counted. Redford did a wonderful job in fleshing this aspect of his character.

But his world is changing, if the military has put aviation on hold there are lots of commercial uses. And a guy named Herbert Hoover who Secretary of Commerce at that time spearheaded the creation of the Civil Aeronautics Agency to regulate air traffic. Airplanes would be hauling mail and people and would soon be large enough to haul freight. Not a world that calls for daredevil daring.

The Great Waldo Pepper is one of Robert Redford's best films and roles. The Great Robert Redford has this part really nailed down. Some other folks in the cast are a tragic Edward Herrmann who hasn't got the skill as a pilot that Redford has and shows it. Susan Sarandon plays a budding wing walker who also perishes tragically in one of her early roles. George Roy Hill assembled a great supporting cast to back up Redford.

In the end it's Redford who makes The Great Waldo Pepper great.

Anybody who likes old airplanes, stunt flying or just plain adventure and an interesting story should like this early Robert Redford film.

Redford plays the "The Great Waldo Pepper" as he barnstorms from place to place in the early 1900s. You see some wonderful bi-planes and the interesting characters who flew them. The most flamboyant person in this story is "Axel Olsson," played by Bo Svenson. He and Redford are intense competitors and the competition between the two is fun to witness, especially with humor thrown into the mix.

This film is noted for sporting a very young and beautiful Susan Sarandon who makes a very memorable exit from the film! Except for an excessive amount of usages of the Lord's name in vain, this would have been an excellent family film. Other actors whose names you might recognize in here are Edward Herrman, Georffrey Lewis and Margot Kidder.

I first saw this film in the theater almost 30 years ago and have caught it a few times on TV since. Finally, I was able to find a DVD copy on E-Bay (apparently it is not currently available on DVD through normal means) and I am glad I did so. This movie has stood the test of time. It is both fun to watch and has some depth to it - it is not just a piece of fluff.

The casting is excellent - not a single actor is unfit for the part. Redford's looks and charisma, coupled with the fact that while he is still pretty young he does have a few visible age lines, make him perfect for the part of a debonair flyboy, ten years removed from World War I, who is stubbornly resisting the increasing regulation of flying as a profession. Bo Svensen is a great complement as the slightly older, more experienced, and more even-keeled Axel Olsson. Geoffrey Lewis' Newt Potts, Pepper's old squadron commander, represents the future that Pepper is trying to avoid. Ed Herrmann is the embodiment of the "seat of your pants" spirit of the early aircraft producers. Phil Bruns is a convincing "carnival barker" as Doc Dillhoeffer. And the Swedish actor Bo Brundin puts in a great turn as Ernst Kessler, German fighter ace turned barnstormer, who has long since realized that the bravery and chivalry he found in the air (both among comrades and opponents) is rarely found on the ground.

Kessler is based on Ernst Udet, the second-highest scoring German ace of WWI. Udet barnstormed after the war, had a shortened version of "Lola" painted on his Fokker D-VII, and had a fight similar to the epic battle that is an important subplot in the movie. Thus it is a nice touch that Udet is shown in the opening photo montage. (It's also good that no sequel was made - I'd hate to see the Kessler character return to Germany, join Hitler's Luftwaffe and commit suicide.)

This is also notable, on a personal level, as the first place I ever saw Susan Sarandon. I've been a fan ever since. Hell, she still looks great.

The flying sequences are magnificent. There's no CGI here, folks. These are real aircraft - beautiful replicas of Curtiss Jennies, Standard E-4's, and of course the Sopwith Camel and Fokker Triplane (plus a few others) - doing real stunt flying. The talented stunt pilots are credited under the umbrella of Tallmantz Aviation, which I'm guessing was formed by legendary stunt pilots Frank Tallman and Paul Mantz. Tallman himself flew in this film (and died in a crash three years later; Mantz died making "Flight of the Phoenix," another of my favorite flight movies, in 1965.) And the climactic sequence, while it may seem unlikely to some, is actually based (perhaps loosely) on a similar incident that occurred during the filming of either "Hells' Angels" or "Wings" in the late 1920's. The only possible anachronism that I can spot is Kessler's stunt plane, which looks a little too advanced for 1928. But I could be wrong there.

Beautiful aircraft, great flying sequences, fine acting, and even a real plot - what more could you want?