The Four Musketeers

I am not a great fan of Dick Lester's films, because there are not my cup of tea, but I must admit that he has hos own trade mark. I could easily recognize any of his movies any time. my favourite is ROBIN AND MARIAN, which is also one of his darkest. and in this film, FOUR MUSKETEERS, you have many elements in common with ROBIN AND MARIAN. Visual and directing effects that are Lester's touch. I would have imagined him directing DON QUICHOTTE as Terry Gillima did. At last for him !!!! Yes I could say hat Richard Lester are quite similar in style directors.

Raquel Welch, Richard Chamberlain, Michael York, Geraldine Chaplin, Faye Dunaway, Charlton Heston, boy oh boy what a shining list of major stars of the 70's. The movie attracts my attention first because of the most-read French story, second the cast is absolutely another one. The chivalry tale is always the love of the directors and we have about 20 productions bearing the same name within the short movie history. The Spanish setting e.g. the fight in the old church is marvellous, I guess filming in Spain at that time didn't cost too much. Just look at the scheming and wicked black female spider Faye Dunaway is already a pure and high entertainment, and Michael York then looked really innocent and like loverboy.

Don't watch this movie alone. That is, watch Richard Lester's "The Three Musketeers" with it. The two are actually the same film, shot simultaneously (in fact, the cast thought they were making one long movie, to the extent that they were *paid* for one movie; they later sued, as well they should have). In fact, one who hasn't seen Lester's "Three Musketeers" might not understand this movie. Videos and DVDs should be released only in a double-box.

Most "Musketeer" movies are travesties loosely based on Dumas. The 1993 version with Chris O'Donnell is a case in point. It uses little more than the names of characters, and it's woefully inadequate.

The script-writer in Lester's "Musketeers" movies was George MacDonald Fraser, author of the "Flashman" series. And Fraser, unlike writers of all other "Musketeer" movies, seems to have read the book. Some of the wildest things in both movies (for instance, Buckingham's shrine to Anne of Austria) are actually from Dumas. The script, rambunctious and silly as sometimes is, is startlingly close to the book.

Rumor has it that Lester envisioned "Musketeers" as a project for the Beatles. If this is true, he's fortunate he lost them. The cast is uniformly wonderful. Oliver Reed, Richard Chamberlain, and Frank Finlay are perfect in their roles (Finlay is particularly marvelous as he, not a large man, is able to portray the huge, blustering Porthos). Michael York is a fun D'artagnan. Faye Dunaway and Christopher Lee are suitably evil. Rachel Welch, the Pamela Anderson of the late '60s, shows a flair for light comedy that was not often utilized (most of her other movies highlight her . . . ahem . . . other talents). Charlton Heston is the anchor at the center of the film as the scheming Richelieu. He doesn't have much screen time, but his presence dominates the movies, as well it should. Lester also has small parts filled with amazing talents, including Spike Milligan and Roy Kinnear. Keep your eye on a genuine Frenchman, Jean-Pierre Cassel, as the king (and, much later, in Lester's "Return of the Musketeers", as Cyrano); he's a delight in every scene.

Lester's locations are fabulous. His France looks lived-in. One gets the sense of a long, medieval period that has decayed by the time of D'artagnan in the early 1600s, and of a struggling monarchy dominated by the Cardinal trying to rebuild it. Even Cardinal Richelieu, who wasn't really evil, comes off as three-dimensional (compare Heston's subtle performance to Tim Curry's bizarre, anti-historical, one-dimensional inquisitor and fool in the 1993 version).

Being "The Three (Four) Musketeers", there are many sword-fights; Lester somehow is not a great action director, but he somehow manages to make each duel unique, and funny. In "The Four Musketeers" he's given us a duel on the ice between York and Lee that's very funny. And the climactic duel in a church is sublime.

In 1989 Lester released "Return of the Musketeers" with the same cast. Fraser's brief script for that movie (about 100 minutes) gives us the gist of "Twenty Years After", and is quite amusing and a good coda for the series (it's a shame Lester didn't get a chance to do "The Man in the Iron Mask" with a G. M. Fraser script and the same cast. The version with Jeremy Irons and John Malkovich will do, though it's darker and less loyal to Dumas).

On the whole, "The Three Musketeers" and "The Four Musketeers" are the best Musketeer movies ever made. They star men and women who were at the top of their profession at the time. The scripts are superb and there's not a wasted moment. Do not accept lesser substitutes.

FINALLY...a DVD release called 'The Complete Musketeers' that does justice to a proper transfer, in widescreen and looking better than when I saw it in the theater.

Watching 'The Three Musketeers' without seeing the 'The Four...' is like reading the Alexander Dumas novel; and stopping halfway through. It's a shame that it wasn't released as a roadshow 3 and a half hour film because that was the way it was originally meant to be experienced.

Phenomenal DVD package that contains both films...just the way it should be. And some very informative documentaries with the surviving cast.

9 out of 10! (Same as my rating for 'Three Musketeers')

Although filmed together, the producers decided to release this adaptation of the Dumas classic in two parts, with this being the sequel to the 1973 film. The first film meandered initially before the main story line of the queen's diamond kicked in. Here too the film gets off to a rambling start. Unfortunately, things don't quite come together like they did in the first film. There is less of a sense of fun here, as the mood has darkened, which is not a bad thing except that the narrative is not very well sustained. While Welch was the female focus in the first film, this one belongs to Dunaway, who is excellent as the evil Milady.