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Friday Foster (1975) is a movie I recently rewatched for the first time in a long time on Tubi. The storyline follows Friday, a photographer, who has a friend and a client murdered by the same assassin. When she gets a photo of the killer the organization behind the assassin sets out to make Friday the next victim.

This movie is directed by Arthur Marks (JD's Revenge) and stars Pam Grier (Coffy), Yaphet Kotto (The Runningman), Godfrey Cambridge (Cotton Comes to Harlem), Carl Weathers (Rocky), Scatman Crothers (The Shining) and Eartha Kitt (Boomerang).

The music, attire, jive and cars in this are awesome. It was also fun to see a young Carl Weathers in this picture. The cast from top to bottom is absolutely awesome and very well selected. There's a great shower scene in this and the phone booth scene was excellent. I enjoyed the conclusion especially the final sequence with Weathers. Oh, and Eartha Kit is always a fun addition to any cast/movie.

Overall this isn't a perfect movie or Grier's best blaxploitation picture but it is definitely worth a viewing for fans of the genre. I would score this a 7/10 and strongly recommend it.

Friday Foster is probably the most fun of all the 70's Pam Grier flicks. Though not as good overall as Coffy or Foxy Brown, both had a certain amount of serious content; not Foxy Brown. Here Pam's intrepid reporter discovers a dangerous plot to eliminate black leaders. She's aided by Yaphett Kotto, hunted by Carl Weathers, and along the way she runs into Scatman Crothers, the guy who played the villan in Bucktown and the hero in Blacula, one of the cast of Across 110th Street and the bartender from the Loveboat. The film is light, but very amusing...I recommend it for Pam Grier fans.

Jack Hill's brilliant 'Coffy' is one of the 1970s best exploitation movies and remains the definitive Pam Grier role. It's such a pity that within two years Grier was forced into making something as mediocre as 'Friday Foster'. It's no wonder he career quickly went down the toilet after lame movies like this and 'Sheba, Baby'! 'Coffy' is a classic revenge movie and actually had some element of realism. Hill's next collaboration with Grier 'Foxy Brown' stepped away from that, and I didn't enjoy it as much, but compared to this it's a masterpiece. In 'Friday Foster' Grier is getting even closer to 'Cleopatra Jones' territory, but without the fun and style of that movie or its sequel. This movie actually has one of the best supporting casts of any blaxploitation film, but even that fails to satisfy. Yaphet Kotto plays Grier's detective buddy, and Julius Harris is her boss. Plus there's Scatman Crothers ('Black Belt Jones'), Thalmus Rasulala ('Blacula'), Godfrey Cambridge ('Cotton Comes To Harlem'), Paul Benjamin ('Across 110th Street') and Carl Weathers ('Rocky'), as well as Eartha Kitt, Isaac the bartender from 'The Love Boat' (Ted Lange) and even inexplicably 'Gilligan's Island's Thurston Howell III (Jim Backus)! As much as I love Grier and Kotto, 'Friday Foster's paper thin plot didn't hold my interest for very long and I was bored way before the climactic shootout. I regard this and 'Truck Turner' (which funnily enough also co-stars Yaphet Kotto) as the two most disappointing blaxploitation movies I've seen. If you want to see Pam Grier at her best watch 'Coffy', then follow it up with 'Foxy Brown' and 'Jackie Brown'. All three movies wipe the floor with this limp effort.

"Friday Foster" is certainly not as violent or as sexual as Pam Grier's most notable blaxploitation films, those being "Foxy Brown" and "Coffy". Still, "Friday Foster" is an enjoyable action romp for die-hard fans of blaxploitation films or Pam Grier. As the title character, Grier plays a photographer for a black fashion magazine who stumbles onto an assassination attempt on a prominent black politician at the airport. Soon she discovers a larger conspiracy out to eliminate other black leaders. The film features Yaphet Kotto as her do-good boyfriend, Carl Weathers as a menacing hitman, comedian Godfrey Cambridge as a gay club owner, Earth Kitt - purring as usual - as a fashion designer, and Ted Lange as a sweet-talking pimp. There are many other blaxploitation regulars scattered throughout the film. Grier naturally provides her obligatory nude scenes in obvious places. In this film; it's the shower, a jaccuzzi, and then a bed.

This film doesn't examine the dark side of street life, such as drug addiction or prostitution that was addressed in "Foxy Brown" and "Coffy", but it is still enjoyable if these films are your thing. There is still an abundance of funk music, crazy clothes & furniture, and that unmistakable 70's dialogue:

• "Is she crazy or something?" - "No, she's just all woman." - "Damn... I need a beer!"

"Friday Foster" is a worthy rental or purchase for the hardcore fans.

What I'm reviewing now was the very last movie Pam Grier made for American International Pictures. She plays the title character as a photographer for a magazine who's on assignment to shoot the arrival of the "black Howard Hughes" Blake Tarr (Thalmus Rasulala). Accompanying her on some of her assignments other than the one I mentioned above is private detective Colt Hawkins (Yaphet Kotto). I'll stop there and just say how fun I found the whole thing and why not with a cast that includes Eartha Kitt, Scatman Crothers, Jim Backus, Ted Lange without his mustache that he became famous for when he was cast in "The Love Boat" a few years later, a pre-Apollo Creed Carl Weathers, and Godfrey Cambridge several months before his untimely death. I can't admit that everything that happened made sense but I found myself smiling if not always laughing the whole time I was watching. So on that note, Friday Foster is well worth a look.