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First seen in a Shaw Bros. pic, the re-modeled flying guillotine returns in this superb fighting fantasy that is also titled MASTER OF THE FLYING GUILLOTINE VERSUS THE ONE-ARMED BOXER.

A non-Shaw, independently-produced production, this delivers everything a martial arts fan could want.

Director Jimmy Wang Wu, who also stars as the One-Armed Boxer, gives the fight sequences enormous energy and invention and layers in a little sadism when necessary.

The electronic, 70's-style score brings a surreal quality to the film.

Kang Kam as the bushy-browed "Master" is superb, making us believe that he is an old man with a lethal handicap.

Numerous other Shaw and Wang Yu regulars pop up, too.

The flying guillotine itself is more functional and exciting to watch than before. The head-ripping it performs is adroitly staged.

Although BEACH OF THE WAR GODS is my favorite pic of Jimmy's, this is, nevertheless, perfect.

This one has to be seen to be believed! Jimmy Wang Yu, star of the Aussie cult classic 'The Man From Hong Kong', writes, directs and stars in this movie, which is one of the most entertaining martial arts movies ever made! The movie opens with wily old blind man Fung Shen Wu Chi (Kang Kam) receiving a message via carrier pigeon from his favourite nephews Tiger and Dragon telling him that they have been killed by the one armed boxer (Wang Yu). Now how they could write this message AFTER they had been killed is still a mystery to me, but this is the kinda movie where you just don't ask questions! So the old man goes off to avenge their deaths, armed with his secret weapon, a flying guillotine. This is a kinda hat box on a rope which he swings. It lands on people's heads and he decapitates them! He also likes to throw explosives at his enemies just to keep them on their toes. Anyway, he travels to a fighting tournament hoping that they one armed boxer will show. Of course he does and we eventually get an exciting climactic battle between the Master Of The Flying Guillotine and the One Armed Boxer. But before that we see a lot of the competitors having individual fights, the most memorable being the "swami master" from India. He's played by a Hong Kong actor in black face, and every time he comes on screen there's sitar music playing just so we know who he is I suppose. The swami has a special talent - he can make his arms extend. This makes for some supremely silly moments which are just hilarious. In fact the whole movie is hilarious. I loved every minute of it! If you like Kung Fu you MUST see this! Highly recommended fun!

After hearing that his two disciples have been killed by One-Armed Boxer Liu Ti Lung (Yu Wang), blind Ching master Fung Sheng Wu Chi (Kang Chin) vows to avenge their deaths. Travelling to a martial arts tournament where Liu Ti Lung is expected to attend, Fung Sheng Wu Chi proceeds to whip the head off anyone unfortunate enough to only have one arm (rather strangely, the town where the competition is being staged seems to have a surfeit of one-armed men!).

Ordinarily, a fight between a sighted one-armed man and a blind guy would be a pretty lame affair (and the outcome inevitable: in the land of the blind, the one-armed man is king!), but in the world of martial arts movies, such a battle proves less predictable and hugely entertaining, the One-Armed Boxer scooting up walls and delivering mighty blows, the blind fellow using his extra-sensory powers to fling his 'flying guillotine' with deadly accuracy.

But this isn't the only amazing duel on offer in Master of the Flying Guillotine: the tournament consists of several equally astounding one-on-one battles between a wide variety of foes, each with their own distinctive fighting style. Thai boxer Nai Men (Chien-Po Tsen) does a funny dance routine before each fight, kung fu babe Shao-Tieh (Chung-Erh Lung) uses her Eagle Claw to tear the clothes off her monkey style opponent, Daredevil Lee Sen pokes out the eyes of the resilient Iron Skin, Japanese fighter Win-Without-a-Knife Yakuma actually uses a knife to win, and Indian Yoga Tro La Seng extends his arms to incredible length. The fights are well choreographed and wonderfully vicious, with broken limbs, gougings, and impalements galore.

There are also some cool fights outside of the arena, the best being between Liu Ti Lung and Nai Men in a small hut with a searing hot floor, and Tro La Seng against Liu Ti Lung, who smashes his opponent's telescopic arms.

Eventually Fung Sheng Wu Chi tracks down Liu Ti Lung and the scene is set for the final battle, the One-Armed Boxer having laid a few traps for his bitter foe. As the pair duke it out in a coffin shop, spring loaded hatchets are activated by our one-armed hero, giving him an advantage over his head-snatching enemy. After lots of craziness, including a fun moment where Fung Sheng Wu Chi goes one better than Linda Blair by doing a 720 degree head turn, the blind man is hurled through a window to land dead in a coffin.

With so much inventive action and so many colourful characters, Master of the Flying Guillotine is a hugely entertaining old-school kung fu classic, essential viewing for any self-respecting fan of the genre.

A justly famous martial arts epic from the post-Bruce Lee, pre-Jackie Chan period, "Master of the Flying Guillotine" knows how to satisfy its audience. Writer / director / star Jimmy Wang Yu delivers tons of violent action at a breakneck pace; once his film has reached its fever pitch, he simply does not allow you to catch your breath.

The story takes place against a historical backdrop. Set in 1730, it tells us that Han revolutionaries are rebelling against the tyranny of their Manchurian oppressors. One such revolutionary is "The Teacher", or "The One-Armed Boxer", played by our star / director. Presiding over a martial arts school, he incurs the wrath of a demented, aged "monk" (Kang Chin) who seeks revenge for The Teachers' killing of his disciples.

However, not all that much time is devoted to story. Instead, Jimmy concentrates on his set pieces, and they truly are invigorating. One major sequence of the film focuses on a tournament that is observed by The Teacher, who declines to participate himself. Meanwhile the blind monk goes around killing *anybody* he runs into that has only one arm, creating some priceless black comedy. He is truly psychotic, and an extremely formidable opponent. His killing device of the title is quite an inventive touch, and it's a hoot to watch this thing decapitate its victims. One of the handful of villains giving our hero trouble is an Indian with extendable arms (I kid you not). This is a VERY amusing sight gag.

"Master of the Flying Guillotine" begins on a very atmospheric note, features a highly enjoyable music score, parcels out its gore carefully, and also has a disarming sense of humour to let you know that it's never taking itself too, too seriously. The performances are right on the money and effective, with Chin stealing the show as the main villain. This is a true tour de force for Jimmy as a filmmaker and fighter.

Eight out of 10.

This is a sequel to director Yu Wang's 1971 film One-Armed Boxer (Dop bey kuan wan). Fung Sheng Wu Chi (Kang Kam), as the master of the flying guillotine, is a blind Ching Dynasty assassin, with a directive to quell potential rebels. After his two disciples were killed by Tien Lung (Yu Wang), the one-armed boxer (in the prequel), Fung has sworn revenge.

Although many rightfully consider this film a masterpiece, if you're not much of a fan of martial arts fight sequences in films, you probably shouldn't bother with Master of the Flying Guillotine. That's because there isn't much screen time taken up by anything else. Beside the fights, there is very little action or dialogue. Every fight in Master of the Flying Guillotine is engaging, but the last two are probably the best. These are two of the best fight scenes I've seen in any film.

We know right out of the gate that Master of the Flying Guillotine is going to be something special. The opening cinematography is beautiful, the introduction to Fung captivating, and we're quickly introduced to an ingeniously odd and sinister "growling/grinding" musical leitmotif for Fung, which is achieved by slowing down a musical recording (it's actually a song by the German band Neu!) As a leitmotif, the music reappears whenever Fung reappears, with all the impact and then some of Darth Vader's leitmotif music in the Star Wars films.

There are two factors that make this film so remarkable overall. The first is the fantastic and brutal nature of the martial arts. In a lesser film, the fantasy aspects could easily be unintentionally funny. Here, they're just enthralling. Every fighter has some unique style and/or skill, and the extended "kung fu gladiator" tournament focuses on these, to our benefit. The second, less obvious factor, is the depth of characterization and implied, complex plot and backstory achieved by Yu Wang solely through the fight sequences. Even though 90-something percent of the film is just fight sequences, nothing is lacking.

A 10 out of 10 from me.