Las doce pruebas de Astérix

I've been laughing at "The Twelve Tasks of Asterix" for about 20 years now. Early on, I laughed hardest at the slapstick comedy segments. Now, I laugh hardest at the history-based jokes and sly sexual references. So you see, like all the best children's entertainment, this can be enjoyed on several different levels - some for the kiddies, some for the adults.

(The slapstick comedy is still cool to my adult self, by the way. Nothing beats watching an unruly mob of Gaulish villagers tear through a phalanx of hapless Roman dudes...)

The plot is very episodic, centering around the efforts of wily Asterix and oafish Obelix to perform twelve tasks and, if successful, become gods in the eyes of the Romans. Inevitably, some of the tasks are more interesting than others. The best one is set in the Place That Sends You Mad, a spot-on satire of bureaucracy and red tape. Probably the lamest task involves alligators and an invisible string, but even that's okay.

The animators did an excellent job capturing the style of the Asterix comic books. Oddly enough, though, the quality of the drawing is variable. Sometimes the characters look quite rough and sketchy, and other times the lines are much cleaner. However, the task set in the Beast's cave is undeniably very well-animated and even a bit creepy.

The ending is outrageous, and therefore brilliant. It brings the Asterix saga to a satisfying close (of course, the little guy's adventures continue in various formats). Speaking of the ending, pay especially close attention to Caius Tiddleus's cup when he's getting tickled by the priestess in the closing moments. It's a good, naughty sight gag.

This movie was my first exposure to Asterix, and thus I have a soft spot for it. Sentiment aside, though, I do think it's easily the best of the Asterix films, and is only rivaled by the very best comic adventures. Hey, I honestly haven't got tired of it during these twenty-odd years of occasional viewing - that's about the best endorsement I can give a film!

In the past couple of days I've been speedwatching all major cartoons of asterix and obelix, and I must say that this one is at par with the great classic ones of Disney. Sad that nowadays Disney renounced their old masterpieces, which is obviously a stupid (at the very least) thing to do. This is the best Asterix animation right until mansions of gods and might be even better. Highly recommended for all!

Most of the by now many Astérix adaptions are based on the comic albums, this film has its own script - maybe that's why it works better than the other ones. The story is much more fantastic and postmodern than usual and most of the gags center more on sight than on wordplay - which is a good thing for a movie. The comics are full of clever wit but that's hard to translate on screen. There's also much satire here; I especially liked the bureaucratic hellhouse. Some of the 12 labours are obviously better than others but that's OK too, the story is episodic enough anyway. The animation is just OK, a far cry from Disney or Miyazaki standards, but basically it does its job.

The best of the several movie adventures of Asterix, Obelix, Vitalstatistix and Co., our heroes are given a series of increasingly difficult tasks by Caesar, with the future of the village at stake - ranging from crossing a ravine by an invisible bridge ("Which you do not see over there") through avoiding the lures of the sirens, combating a champion javelin thrower and getting a permit for the next task (something that will strike a chord in anyone who's ever had to face red tape) to facing a celestial challenge by a god who asks them to... actually, that last one is so funny you have to see it for yourself.

There is a book out, but it's the adaptation of the movie, making "The Twelve Tasks Of Asterix" the only one to date actually written for the screen first. Perhaps the makers of the later animated movies and the live-action ones could take the hint? (Or is adapting them properly beyond 'em?) Sheer pleasure throughout, with moments that still make me laugh years after seeing it and some surprisingly strong satire, all the movies should have been like this. Right, let's tie up the bard and bring on the boar...

Once again, in the year 50 BC, the Romans are having the holy hell beat out of them by a small village of defiant Gauls, who have inhuman powers, thanks to a magic potion. Rather common, as we all know. Hence the rumor spreads among the fearful Romans, that those Gauls could potentially be gods (unlike in the comics, the Romans here aren't aware of the magic potion). Bad news for Emperor Julius Caesar, who offers chieftain Vitalstatistix a deal: the chief's most capable men (obviously Asterix and Obelix) must complete twelve tasks. If they fail, the village must give up their defiance. If they win however, Caesar will accept their divinity and relinquish his crown – or rather his laurel wreath. Hence, our heroes must run faster than Greek marathon-runner Asbestos, beat Verses (the Persian) at javelin, beat Cilindric (the German) at a fistfight, cross a lake that is the home of sirens, survive the hypnotic gaze of Iris (the Egyptian), eat an enormous meal at Calorofix' (the Belgian) tavern, make it alive through the "cave of the beast", retrieve Permit A38 in "The Place that sends you mad", cross a ravine filled with hungry crocodiles via an invisible tightrope, answer the question of an old man on the mountain, spend a night on the haunted "plain of the dead" and finally survive a fight in the Colosseum in Rome.

Let me start off by saying, in Germany the "Asterix"-comics always had something of a family-tradition. Many a dad bring brought home the newest "Asterix" to their kids and for many kids – including myself – that was pretty much like somebody else's Dad taking his kid to a baseball-game. Actually, there were usually two copies purchased: One to be read and kept in mint-condition, the other one to take to the local grilled chicken shop and read will eating, pretending the grilled bird was grilled boar. (Don't laugh: In Germany it was not uncommon to see people sitting in the "Hendl-Shop", a German version of KFC, chowing away while reading "Asterix" and it wasn't even considered bad manners).

Having dropped that nostalgic tit-bit, I'm not the first to point out that "The Twelve Tasks of Asterix" is considered by many fans the best of all the many cartoon-adaptation. For one, it's not an adaptation, but rather a story completely unrelated to the series. The first two movies, "Asterix the Gaul" and "Asterix and Cleopatra" kept close to the comic, but missed the satire and cultural references that made the comics appealing not only to kids but to adults as well. What came later was clearly produced entirely for kids.

"The Twelve Tasks of Asterix" on the other hand could be enjoyed by both young and old, in fact, seemed to have been geared more at an adult-audience. The scene with the nymphs was rather raunchy for "Asterix"-standards, the task in the Madhouse (a pun on modern bureaucracy) probably wouldn't even make sense to younger kids, while the task with the ghost-legion was rather spooky. The animation remains the most pedestrian of all Asterix-films, but it's the seemingly careless painted backgrounds that give the film its charm and (thanks to the xerographic process) almost psychedelic feel, that at times remind of Ralph Bakshi cartoons like "Heavy Traffic", "Wizards" or many other 'artsy' 70's cartoons.

Producers often don't seem to understand that cartoons and comics are two different medias, which have only one thing in common: they're both painted. That doesn't make them compatible or easily translatable, however. Most of the 'twelve tasks' (perhaps with the exception of Obelix versus the Belgian cook; in German called Mannekinfix) wouldn't work well on paper, nor would they fit into the Asterix (comic)-formula. This is probably the reason why "The Twelve Tasks of Asterix" work, while most other Asterix-cartoons fail at capturing the magic of the comics, or – at best – appear like a pale adaptation.

The third Asterix cartoon (there would be five more, including numerous live-action films and a computer-animated cartoon) would remain the last for almost ten years. After that, the cartoons took on another formula, which usually spliced the stories from various comics together and, as said, were mainly targeting a minor audience. Whether that was because "The Twelve Tasks" was a box-office bomb or not, I cannot tell – but like many other hardcore Asterix-fans I felt sorry that future films would take the direction they did, and that "Twelve Tasks" would remain a unique experience. And this uniqueness made it the ultimate Asterix-cartoon and possibly the dearest to the hearts of most lifelong fans.

7/10