Las doce pruebas de Astérix

In the past couple of days I've been speedwatching all major cartoons of asterix and obelix, and I must say that this one is at par with the great classic ones of Disney. Sad that nowadays Disney renounced their old masterpieces, which is obviously a stupid (at the very least) thing to do. This is the best Asterix animation right until mansions of gods and might be even better. Highly recommended for all!

Most of the by now many Astérix adaptions are based on the comic albums, this film has its own script - maybe that's why it works better than the other ones. The story is much more fantastic and postmodern than usual and most of the gags center more on sight than on wordplay - which is a good thing for a movie. The comics are full of clever wit but that's hard to translate on screen. There's also much satire here; I especially liked the bureaucratic hellhouse. Some of the 12 labours are obviously better than others but that's OK too, the story is episodic enough anyway. The animation is just OK, a far cry from Disney or Miyazaki standards, but basically it does its job.

Once again, in the year 50 BC, the Romans are having the holy hell beat out of them by a small village of defiant Gauls, who have inhuman powers, thanks to a magic potion. Rather common, as we all know. Hence the rumor spreads among the fearful Romans, that those Gauls could potentially be gods (unlike in the comics, the Romans here aren't aware of the magic potion). Bad news for Emperor Julius Caesar, who offers chieftain Vitalstatistix a deal: the chief's most capable men (obviously Asterix and Obelix) must complete twelve tasks. If they fail, the village must give up their defiance. If they win however, Caesar will accept their divinity and relinquish his crown – or rather his laurel wreath. Hence, our heroes must run faster than Greek marathon-runner Asbestos, beat Verses (the Persian) at javelin, beat Cilindric (the German) at a fistfight, cross a lake that is the home of sirens, survive the hypnotic gaze of Iris (the Egyptian), eat an enormous meal at Calorofix' (the Belgian) tavern, make it alive through the "cave of the beast", retrieve Permit A38 in "The Place that sends you mad", cross a ravine filled with hungry crocodiles via an invisible tightrope, answer the question of an old man on the mountain, spend a night on the haunted "plain of the dead" and finally survive a fight in the Colosseum in Rome.

Let me start off by saying, in Germany the "Asterix"-comics always had something of a family-tradition. Many a dad bring brought home the newest "Asterix" to their kids and for many kids – including myself – that was pretty much like somebody else's Dad taking his kid to a baseball-game. Actually, there were usually two copies purchased: One to be read and kept in mint-condition, the other one to take to the local grilled chicken shop and read will eating, pretending the grilled bird was grilled boar. (Don't laugh: In Germany it was not uncommon to see people sitting in the "Hendl-Shop", a German version of KFC, chowing away while reading "Asterix" and it wasn't even considered bad manners).

Having dropped that nostalgic tit-bit, I'm not the first to point out that "The Twelve Tasks of Asterix" is considered by many fans the best of all the many cartoon-adaptation. For one, it's not an adaptation, but rather a story completely unrelated to the series. The first two movies, "Asterix the Gaul" and "Asterix and Cleopatra" kept close to the comic, but missed the satire and cultural references that made the comics appealing not only to kids but to adults as well. What came later was clearly produced entirely for kids.

"The Twelve Tasks of Asterix" on the other hand could be enjoyed by both young and old, in fact, seemed to have been geared more at an adult-audience. The scene with the nymphs was rather raunchy for "Asterix"-standards, the task in the Madhouse (a pun on modern bureaucracy) probably wouldn't even make sense to younger kids, while the task with the ghost-legion was rather spooky. The animation remains the most pedestrian of all Asterix-films, but it's the seemingly careless painted backgrounds that give the film its charm and (thanks to the xerographic process) almost psychedelic feel, that at times remind of Ralph Bakshi cartoons like "Heavy Traffic", "Wizards" or many other 'artsy' 70's cartoons.

Producers often don't seem to understand that cartoons and comics are two different medias, which have only one thing in common: they're both painted. That doesn't make them compatible or easily translatable, however. Most of the 'twelve tasks' (perhaps with the exception of Obelix versus the Belgian cook; in German called Mannekinfix) wouldn't work well on paper, nor would they fit into the Asterix (comic)-formula. This is probably the reason why "The Twelve Tasks of Asterix" work, while most other Asterix-cartoons fail at capturing the magic of the comics, or – at best – appear like a pale adaptation.

The third Asterix cartoon (there would be five more, including numerous live-action films and a computer-animated cartoon) would remain the last for almost ten years. After that, the cartoons took on another formula, which usually spliced the stories from various comics together and, as said, were mainly targeting a minor audience. Whether that was because "The Twelve Tasks" was a box-office bomb or not, I cannot tell – but like many other hardcore Asterix-fans I felt sorry that future films would take the direction they did, and that "Twelve Tasks" would remain a unique experience. And this uniqueness made it the ultimate Asterix-cartoon and possibly the dearest to the hearts of most lifelong fans.

7/10

The best Asterix film at the time of its release and certainly one of the best overall. "Twelve Tasks" was always a favorite of mine and watching it now, close to 20 years later, it's still as funny and imaginative as it ever was.

As an Asterix movie it's a bit of an anomaly. It isn't based on any of the comic-books (are they graphic novels?) and doesn't follow any of the continuity or logic of any of the other stories. But since it's by René Goscinny and Albert Uderzo themselves you could hardly call it unofficial.

Julius Caesar calls a truce with the village and says that Gaul can rule Rome if they can win Twelve impossible tasks in the vein of Hercules a few thousand years ago. If they fail, they must surrender to Caesar. But with Asterix and Obelix as their chosen champions do you really think they will fail? The plot lends itself to lots of visual humor and irreverent satire. How can a kid's animated movie have this much depth and wit and still be relatively unknown in the wider world of Toy Stories and Ups? It's insane.

Definitely a great treat for Asterix fans and the perfect way to introduce new people to the franchise.

This is the year 50 before JC. All the Gaul is occupied by the Romans. All the Gaul? No! A little village populated by some irreducibles Gallics resists again and always to the invader. This situation gets on Jules César's nerves who's starting to compare these Gallics as gods. To have proof of this, he sets them 12 works. Astérix and Obélix are chosen to take up the challenge... This animation film isn't an adaptation from one of Astérix' albums, it's an original screenplay that inspired from the Greek mythology with Hercule's works. The movie is a pleasant surprise because the animation is more careless than in Astérix' previous adaptations for the cinema, although it's a bit basic. Concerning these "works", of course they're fanciful and eccentric but they're irresistibe, varied, full of modern anachronisms (like the chips in the sixth work when Obélix must eat a pantagruelian meal). Besides, the anachronism is a common thing in Astérix' adventures.

The best moments of the movie are the pantagruelian meal, the sequences of the hypnosis and the crazy flat. At the end, in spite of tiresome sequences, peculiar to Astérix's adaptations, I think about the (useless) battle against the Romans at the beginning, the movie is a happy entertainment and the best animation film with Astérix.