Tormenta diabólica

This is a prime example of the type of film that haunted and disturbed me greatly when I saw it as a child. I had nightmares about a demonic Ernest Borgnine for months. Viewing it now I find it still holds up relatively well as a fairly well done 'satanic 70's horror' escapade. A disturbing nightmare of imagery and sound to invade your dreams...forever. And very impressive make-up Fx for the time. Who else grew up in the 70's haunted by the strange and dreamy horror films of the time? How does that "shape" childhood? I suppose one is influenced by whatever time they grew up in, but there was no other time like the 70's.

The plot of The Devil's Rain is very simple. It concerns the Preston family and a book their ancestors stole decades ago from a devil worshiper named Jonathan Corbis (Ernest Borgnine). Corbis has spent centuries trying to locate the book and will stop at nothing to obtain it and use its power.

What Works:

• What a Cast! The Devil's Rain is the Airport (or at least The Love Boat) of horror movies. Just take a look at the cast - Ernest Borgnine, Tom Skerritt, Eddie Albert, Ida Lupino, William Shatner, Keenan Wynn, and, although very brief, John Travolta. I'm amazed that the producers could get all of these people to appear in what is essentially a low budget horror film.

• Borgnine the Goat. This is where a lot of people seem to have problems with The Devil's Rain. They seem to find the sight of Borgnine with goat horns too funny to take seriously. I look at it just the opposite. I've always found it a disturbing, well-done visage. The whole idea that someone could literally transform into a demon is frightening to me. And the make-up is very nicely done. I've seen a lot of big budget films that didn't have special effects half as convincing as what's found here.

• Melting Bodies. Another special effects moment that is a winner as far as I'm concerned. Sure, the bodies look like they are spewing forth melted orange and lime sherbet, but I still find it effective. I've seen any number of melting body scenes over the years, but the ones in The Devil's Rain are among my favorite.

What Doesn't Work:

• Did I Miss Something? The movie gives no introduction as to what is taking place at the beginning of the movie. The viewer is literally dropped into a scene with people and actions that are a mystery. It's almost like the first half of the movie is missing.

• Silly Story. If you try to think too hard about what's going on with the plot, it can make your head hurt. My suggestion is to just enjoy the cheese and forget about trying to make sense of it all. Don't over-analyze it, just go with the flow.

In the end, I realize that The Devil's Rain really isn't that good of a movie, but it's just so much cheesy fun that I can't help but rate it as high as I do. It's a movie that could have only been made in the 70s. It seems to me that anyone with a half-baked idea and enough money could see their vision on the big screen. Many of today's horror movies are so glossy and over-produced that all the fun has been sucked out of them. And, for me, much of the appeal of horror movies is having fun.

Two good brothers,(first William Shatner and after Tom Skerritt) and the evil warlock Corvus(Ernest Borgnine) battle each other in order to take a diabolic book in possession by damned family Preston. Tom Preston(Tom Skerritt) helped by a doctor(Eddie Albert) front for satanic cult leader Corvus who need blood sacrifices and he's willing to fight for his life against the masked, robed and blinded cult members. Corvus in a desperate bid to take over the ancient book, orders his minions to kidnap the Tom Preston's wife(Prather). Only one man can prevent the hellmaster from succeeding, though may be too late.

The picture displays lots of creepy moments. Bizarre, tense, controversial and with eerie scenes about practices of devil worship and satanism ritual .Production values and set design are highlighted by the usual cool scenarios, as exterior in a wood village, as colorful interior. Make-up and visual effects provide some much needed jolts. Some of the effects are little dated now, but director Robert Fuest builds intrigue and tension through a stately pace. Top-notch casting, in this otherwise average production. Ernerst Borgnine as Corvus relishes his showy role. Borgnine's acting, assisted by a witchcraft expert, is one of his strongest in an unconventionally nasty role. Furthermore, extraordinary secondary casting, Keenan Wynn as the sheriff, Ida Lupino as Mrs Preston and John Travolta film debut. Film editing by Michael Khan, Spielberg's usual editor. Rare musical score and dark and luxurious cinematography by Alex Philips Jr.

The picture is professionally directed and gruesomely related by Robert Fuest. He's a nice horror movies filmmaker, such as proved in 'Abominable Dr Phibes(71) and Dr Phibes rises again'(72); 'Soon the darkness and Final programme' among them. Rating : Passable and acceptable. The tale will like to horror pictures enthusiastic and William Shatner fans.

A hidden gem of a movie from the 1970's (d. Robert Fuest) with a plot twist at the end. This isn't as much a horror film as it is an Occult/Fantasy film - there are elements of horror but the film was done at a time when Satan worshipping was in the news and people were afraid of what they didn't understand.

As the title sequence suggests this film has William (Cpt James T. Kirk) Shatner and Ernest (Dutch Engstrom from "The Wild Bunch" or Dominic Santini from "AirWolf") Borgnine facing off against each other, Shatner is the God loving Mark Preston while Borgnine is the reincarnated leader of a Satanic cult, Jonathan Corbis. John (Danny "Grease lightening" Zucco) Travolta makes a brief appearance as 'Danny', a brain washed occultist (this is Travolta's feature film debut). The opening credits confirm that Anton LeVay (the Church of Satan himself, who also has a cameo later as a Minister at the Church) was drafted in to act as Technical Adviser. It was this fact that sparked interest in the movie for me; I know of LeVay's work so I figured this movie would either be crammed full of relevant references or a vehicle to his churches glamorisation.

The Movie: Straight from the off you are thrown into the action without explanation or a lead up to events - while this was confusing it grew on me as it saved a lot of unnecessary spiel. We learn straight away that Shatner's parents in the film are being held hostage in exchange for a book which Shatner is hiding. A fake version of Shatner's father attempts to convince him to bring the book to Corbis (Borgnine) but the wax-fake creation soon melts in the rain (There's a lot more 'melting people' action later on in the film). Shatner goes to confront Borgnine's church which is situated in a run-down rural town. Shatner states that his God will protect him from any temptations that Borgnine's could offer and sets a challenge that if he visits the church and is unaffected he can take his kidnapped parents, if not he has to hand over the book and his soul.

The Book: Written in human blood it dates back to simpler times when Corbis was trying to separate settlers and convince them to join his Satanic cult. Anyone joined Corbis signed their name in the book in blood and are thus linked to the cult/book forever. Corbis is found out as a Satanist/Witch and burned at the stake, before being enveloped by flames he curses Shatner's family line as it was his wife that sold out the cult. The book is the final piece of a jigsaw that Corbis needs to gain his full powers and to unleash the "devil's rain".

Back to the Movie: Shatner fails at his challenge (even with his amulet of protection) and is turned into a Satanist. This means it's left to his brother (Tom Preston AKA Tom "Top Gun" Skerrit) and sister-in-law (Julie Preston AKA Julie Prather) to rescue him, low and behold they have brought a doctors with them too (Dr Sam Richards AKA Eddie "Pod Clock from the Borrowers" Albert). By coincidence Julie has had dreams about the impending events so she tries (but fails) to be a navigator through the chaos. Brother Tom is pretty poor at his rescue attempts too and ultimately fails and is almost turned into a Satanist too. Dr Richards is the saviour, while it seems that he has dropped a clanger in bringing the book with him and leaving it on the floor of the alter while stealing an urn of souls. In actuality it's the urn that has the power rather than the book by itself; by getting Preston to smash it he is able to save the day.

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The movie is dated - when you see how young the starring cast is you'll realise. There is a lack of gore but I can only surmise that this was on purpose to get an already risky satanic film past censors. The Satanists are easy to spot; they have blackened eyes and wear black robes. When they are killed instead of bleeding good old claret they ooze a mix of yellow, green and blue blood. This was confusing at first, the Satanists already lumber around like alien zombies so when I first saw the multi- coloured life liquid spill out of them I wasn't sure if it was a statement about Satanists or if it was for the censors. As well as the multi coloured blood, the Satanists melt when they die. It isn't mentioned whether the people were melting because the Satanical spell had been broken or because God (other Deity's are available) was washing away evil from the lands much like a Noah (and the Arc) scenario. The melting and the colourful blood are good FX for the era (1970's) but look a little old now.

Borgnine's character is inherently a bad guy (or baaaaad guy) and he is the main vehicle for the film, his delivery is top class (even as a half-man/ half-goat Baphomet!) and is as convincing as a lot of the other top films he's been in. Shatner is no lame duck, but then again he's no acting phenomena, Shatner plays the role like only Shatner can - Shatneresque. The rest of the cast are good, a little over hammy in parts but not enough to detract from the performance. As well as Borgnine, Shatner, Travolta, Skerrit, Albert, Prather and LeVay you will also find Ida Lupino playing Mrs Preston, Keenan Owens playing Sheriff Owens and Diane Le Vay (Mrs Church of Satan) playing Priscilla Corbis. With LeVay pulling the strings as a Technical specialist ask yourself, do you really think good will triumph here?

Thanks for reading :)

The Devil's Rain! is a movie that could only have been made in 1975, uniting old Hollywood royalty, television stars, the visionary director of The Abominable Dr. Phibes and the Church of Satan in the Mexican desert.

It is not a perfect movie. You can't even say that it has plot holes, as that would require something of a coherent plot — a fact director Robert Fuest was all too aware of. On the sparkling commentary track which accompanies the new blu-ray release from Severin (picked up from the Dark Sky DVD release), he speaks about discussions with the writers (Gabe Essoe, James Ashton and Gerald Hopman, whose only credit is co-producing Evilspeak, so one assumes that he is Satan) where they assured him that the script made perfect sense. While Fuest claims that he did what he could to clear up his issues with the film, what emerged was a movie that effectively decimated his promising directorial career.

But you know what? I embrace plot holes the way some critics hold dearly onto their Criterion collection films and back issues of Premiere. There's no way I can be objective about The Devil's Rain! The only box it doesn't check for me is a disclaimer stating that it's based on a true story.

The film begins with close-ups of Bosch's painting The Garden of Earthly Delights, along with the wails of the damned as they gnash their teeth in Hell. Then, we're dropped into the lives of the Preston family, who have suffered under a curse for hundreds of years.

Turns out that at some point in the 18th century, the family screwed over Jonathan Corbis (Ernest Borgnine, Escape from New York), a Satanist who was eventually burned at the stake. He had a book containing the souls of all he had damned, which was stolen by Martin Fyfe (William Shatner, who I don't need to tell you anything else about). Before he dies, Corbis vows revenge on the Fyfe family, which changes its name to Preston. He's been stealing them one by one, selling their souls to Satan and trapping them in the devil's rain. They then become living wax figures with melting eyes and black robes.

That's how we meet Steve Preston, the leader of the family, who has escaped Corbis to warn his wife (Ida Lupino, an actress (and director) known for noir classics like The Bigamist and On Dangerous Ground. She often referred to herself as the poor man's Bette Davis, as she was often offered the parts that Davis had turned down. She refused those parts so many times that Warner Brothers suspended her, so she used that time to learn the craft of directing on set. As roles for her slowed, she became the second female director admitted to the Director's Guild, following Dorothy Arzner, the sole woman director of Hollywood's "Golden Age.") and son, Mark (also Shatner). As the old man tells them to give the book of souls back, he melts in the rain.

So what does Mark do? Well, he takes the book directly to Corbis, challenging him to a battle of faith in the desert. That battle quickly turns into Mark trying to escape, but Corbis' disciples are too much for him. He shows a cross to the priest, who transforms it into a snake before using a ritual to erase Mark's memory in preparation for a major ceremony.

Oh the 1970's — when your main character gets wiped out minutes into a movie because he has to leave town for a three day Star Trek convention in New York. That really happened and I have no idea if that was the reason why Shatner goes from hero to geek in such record time.

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