2 profesores visitan una excavación arqueológica cerca de un parque de caravanas. Entre personajes excéntricos y humor sexual, el lugar de las caravanas se hunde, lo que lleva a una actuació... Leer todo2 profesores visitan una excavación arqueológica cerca de un parque de caravanas. Entre personajes excéntricos y humor sexual, el lugar de las caravanas se hunde, lo que lleva a una actuación de striptease en lugar del cabaret previsto.2 profesores visitan una excavación arqueológica cerca de un parque de caravanas. Entre personajes excéntricos y humor sexual, el lugar de las caravanas se hunde, lo que lleva a una actuación de striptease en lugar del cabaret previsto.
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Opiniones destacadas
The story works well. It is essentially a series of sketches about various people at a campground, but the story threads form a cohesive whole.
Some characters work better than others. Ian Lavender and Adrienne Posta as a young couple with a huge dog don't seem to have been given any jokes. Their scenes are pretty limp and peter out with no punchline. This brings down the pace of the film.
The characters played by Bresslaw, Rowlands and Sims develop nicely as the film progresses. Sims starts as a battle axe but becomes more sympathetic.
The scenes with Jack Douglas and newcomer Windsor Davies as mates on a fishing holiday (with Davies hoping to hook some dolly birds) work well, and are funny. Davies does the impossible - successfully stepping into the Sid James role. Newcomers Carol Hawkins and Sherrie Hewson acquit themselves well as the young women unfortunate enough to have them in pursuit.
Kenneth Williams and guest Elke Sommer are archaeologists studying the old cesspool. Their bits are classic Carry On and very funny. Sommer fits in seamlessly and is the series' most successful guest star.
Kenneth Connor as the lusty owner of the camp site and Peter Butterworth as the scruffy odd jobs man are great too.
Liz Fraser returns after many years' absence but only has a small role.
Look out for Larry Dann as the main university student in the film. Dann had appeared in Carry On Teacher (1959) as a student, and this film saw his return. He went on to roles in England (1976) and Emmannuelle (1978), then was a long running regular in police TV series The Bill.
There are some truly funny gags, fun performances, and great double acts: Windsor Davies and Jack Douglas, Kenneth Williams and Elke Sommer, Peter Butterworth and Joan Sims. These were great comedy teams. Elke especially did a great job; it was her first Carry On, and she was just splendid-likable, funny, with great delivery and a cheeky smile.
There are some truly funny moments: Peter Butterworth trying to coax Kenneth and Elke to hire his caravan, Elke looking for scrubbers, the striptease-lots to choose from.
Even the theme music makes me laugh; it's such a cheeky and funny tune-perfect for the film.
I've always loved the way that shower door suddenly developed a glass panel at the top, that caravan site really was advanced!
9/10.
Even so, CARRY ON BEHIND manages to recapture the old-fashioned humour and hijinks of the series at its best. It's all rather lowbrow, of course, with silly jokes and sillier characters, and yet I somehow loved it all the same. It may be that the remaining cast members seem to give it their all, realising that the shared weight of the film's success is on fewer shoulders. So Bernard Bresslaw, Peter Butterworth, Joan Sims, and Kenneth Connor in particular give it their all, and then some.
The newcomers to the series aren't so bad either. Jack Douglas and Windsor Davies have a little double act going which makes up for wit with sheer energy. The person who really feels missed is, and I say this to my surprise, Barbara Windsor, because the women they bring in to replace her just aren't very good. I did like Elke Sommer (LISA AND THE DEVIL) though; she might be an imported Euro-star, but she gives it her best with the rest of them and her character is oddly appealing; she allows Kenneth Williams to shine for sure. Ian Lavender is also good value, although it's a shame that they bring Liz Fraser in, age her with an unappealing haircut, and then keep her off-screen for a very long time.
Highlights of this film include the Mynah bird, the clever and unexpected climax which recalls the set-piece glory days of old, the water main hijinks, the shower stalls, and every scene with Peter Butterworth, who really is at his best here. Plus, the scene between him and Sims late on in the production is unexpected and probably the most moving moment ever seen in a Carry On movie.
Sid James and Babs Windsor might not be along for the ride this time around (they were busy working abroad), and Charles Hawtree is also notable by his absence, but even without these stalwarts of the series, I had a great time: Carry On regulars Kenneth Williams, Joan Sims, Bernard Bresslaw, Liz Fraser, Patsy Rowlands, Kenneth Connor, Peter Butterworth and Jack Douglas ably represent the old guard, while new faces include TV talent Windsor Davies (It Ain't Half Hot Mum) and Ian Lavender (Dad's Army), sexy German actress Elke Sommer, and dolly bird Adrienne Posta (Adventures of a Taxi Driver/Adventures of a Private Eye).
Between them they deliver the goods: Williams falls in a cesspit, Sommer takes a shower and flashes her butt, desperate middle-aged married men Davies and Douglas lust after bikini babes Carol Hawkins and Sherrie Hewson (of Coronation Street fame), Bresslaw goes in search of a foul-beaked Mynah bird, Posta wears a preposterous blonde wig (surely that wasn't her real hair?), Butterworth gets romantic with Sims, and Connor accidentally books a stripper for his caravan camp cabaret act! It might no be all that sophisticated, but its good for some guffaws and a fair few 'phwoars'.
Still, like wine, old jokes can still be good. What makes this movie so enjoyable are the many excellent actors with their impeccable delivery. And the movie always stays slightly naughty and mischievous without ever becoming sleazy.
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- TriviaThe film ran over time due to the poor weather conditions and went over the original budget. This was unheard of in previous "Carry On" movies, where the budget and filming schedules were very strictly controlled.
- ErroresWhen Prof. Anna Vooshka asks Arthur if he has any crumpet, the reflection of the boom operator is seen on the caravan, behind her.
- Citas
Prof. Anna Vrooshka: Tomorrow, we are poking holes all over caravan site.
Prof. Roland Crump: I don't think they would like that at all.
Prof. Anna Vrooshka: It's ok, we are poking early.
- Créditos curiososOpening credits: All Characters and Events in this film are fictitious. Any similarity to actual Events or Persons, Living or Dead, is purely coincidental.
- Versiones alternativasAs with many Carry On films the BBFC required cuts for an 'A' (PG certificate). One of these was to shots of topless nudity during the film wrongly shown by Professor Crump in the opening lecture scene. The producers successfully appealed to censor Stephen Murphy and the cuts were rescinded, though a cut was made to brief shots of Linda Upmore's jiggling breasts when Crump notices her through a caravan window. Later releases feature the same print.
- ConexionesEdited into Carry on Laughing: Episode #1.1 (1981)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Der total verrückte Mumienschreck
- Locaciones de filmación
- Bad Godesberg Way, Maidenhead, Berkshire, Inglaterra, Reino Unido(opening scene of the minibus on the roadway advertising Professor Crump's lecture)
- Productoras
- Ver más créditos de la compañía en IMDbPro