Bugs Bunny Superstar

A documentary feature-styled production that tells the story of Bugs Bunny, the world's most-beloved cartoon character. The entire group of Warner Bros. cartoons are the focus here as original animators, consultants and technical advisers are all interviewed and archive footage is displayed. Golden-voiced Orson Welles narrates and live-action film splits time with original cartoon shorts. Easily the best compilation from the Warner Bros. and their animation department. An interesting and absorbing history to a part of the cinema that many take for granted. 4 stars out of 5.

A great movie documentary telling of the early days of the Warner Brothers toon studios (think of "Termite Terrace" as you watch), along with nine great toon shorts the family will love for a long time to come.

This movie should be watched for on Showtime (or any of its other channels). Too bad it's not on video now--it should be taped!

I must agree, it's a family film that indeed shall be grater than any others that will proclaim so in future.

So long live BUGS...long live the MERRIE MELODIES...and LONG LIVE THE LOONEY TUNES!!

An agreeable 10\10 effort from the United Artists team.

I'm surprised to read so few comments about Bugs Bunny, Superstar. So I'll chime in. Besides, it'll give me som'in' positive to say. They're all here - not just Bugs. This nine-cartoon compilation also features Elmer Fudd, Tweety, Silvester, Henry-the-Chicken-Hawk, Foghorn Leghorn, Porky, Daffy. It's kind of a "Best of." I thought that it was very, very good. There is some narration by Orson Welles and the difficult-to-pull-off segue from cartoon to cartoon is filled by interesting home-movie-type, black-and-white glimpses of how it was where the comics were created - the people behind the characters - the artists, the musicians, the voice (singular - Mel Blanc). But imagine this: I didn't hear the word "computer" during the entire film! This is one of the few videos that I would actually buy - I could watch it over and over. Must be the kid in me. Speaking of kids, I'll bet there's generations of 'em, the majority of whom have seen Bugs, Elmer, Porky, Daffy, Tweety, Sylvester. But I'll also bet that the majority of CURRENT cartoons are NOT known from generation to generation. Might that be a testament to how deservingly enduring these Looney Toons are?

When I was five, I first saw the documentary "Bugs Bunny Superstar" and my parents made me a tape of it; unfortunately, we accidentally taped over the end. Now that I've seen the whole thing again - and that I'm old enough to understand what it shows - I can accurately comment on it.

It starts with a disembodied voice (actually Orson Welles narrating) showing photographs of the places representing the greatest minds: the Great Wall of China, the Taj Mahal, the Pyramids, the Parthenon, the Coliseum, the Eiffel Tower, the White House (well, not currently), Termite Terrace...wait a minute, Termite Terrace? Yes, Termite Terrace. For the uninformed, it's the back-lot on the Warner Bros. studios where they created the Looney Tunes/Merrie Melodies cartoons. So begins a cinematic trip down Memory Lane.

The movie consists of an interview with animator Bob Clampett explaining how they created Bugs, Daffy, Porky, etc. When I was really young, even though I saw the caricatures of Humphrey Bogart, Peter Lorre and Edward G. Robinson - plus the scenes from "The Jazz Singer" and "It Happened One Night" - I couldn't interpret anything from them, but of course now I can. It was especially neat to hear about the typical days in Termite Terrace; it all sounded really fun! But of course, the best parts are the nine classic cartoons included in the movie to affirm what Clampett says. All released before 1948, they give one a true sense of old-time cinema (especially with Bugs Bunny at the Oscars). As it is, this documentary's 1975 release brings to mind the '50s nostalgia that had swept the country, as displayed by "Happy Days". While the stuff portrayed here is pre-'50s, it still makes one nostalgic for the old times. You're sure to have a real hare-raising time! There's also an interview with Friz Freleng, some footage of Mel Blanc, while Elmer, Sylvester, Tweety, and Foghorn also appear in the cartoons.

One more thing. When MGM released "Bugs Bunny Superstar" on video in 1988, they also released the video collections "BUGS!" (whose cover showed Bugs holding an Oscar), "DAFFY!" (showing Daffy wearing sunglasses), "PORKY!" (showing Porky driving a fancy car), and "ELMER!" (showing Elmer sitting in a director's chair). In keeping with the documentary, they all contained cartoons released before or during 1948 (e.g., "Bugs Bunny Gets the Boid", "The Great Piggy Bank Robbery", "Baby Bottleneck" and "Good Night, Elmer"). I wonder why MGM released them onto video.

This superb compilation, appropriately narrated by another American cultural giant, Orson Welles, features the best of the 1940s Looney Tunes output, not just Bugs, but Sylvester, Tweetie, Daffy, Porky and Foghorn: 'What's Cookin' Doc', 'A Wild Hare', 'A Corny Concerto', 'Rhapsody Rabbit', 'I Saw A Putty Tat', 'Walky Talky Hawky', 'My Favorite Duck', 'Hair Raising Hare' and ''Old Grey Hare' (see my individual reviews).

As a piece of cultural history, this semi-documentary is inadequate - there is no attempt to explain the subversiveness of these irreverent, flippant, violent, beautiful cartoons in the context of Disney-dominating ick-animation and gloomy, propaganda-laden World War Two - to which many of these cartoons tacitly refer, revealing complicated truths other 'real' films couldn't dare, such as the barbaric effect fighting barbarians can have on 'our' side; there is no analysis of the glorious pretention-pricking of both Hollywood and high culture, or Bugs' androgynous proteanism, or how the cartoons retained a level of fresh invention while seemingly locked in repetitive formulae; of the powerful psychoanalytic premisses of each short, in which a wild, elusive, lawless animal stands in for our stifled desires, especially as World War Two gives on to the post-war world of Joe McCarthy and chums.

Rather, the in-between nostalgic bits celebrate harmless anecdote and japery, putting animation on its proper, neutered level. The cartoons themselves triumphantly bely such a project.