Luna negra

In the mid-70s when this film was made there was - in the real world - a 'battle of the sexes' with militant feminism in full swing (if not an actual 'war', there was a lot of bruised feelings and anger in the air - witness works of fiction like 'Who needs men?' and 'The Woman's Room'); the student riots of the late 1960s were a fresh memory, as were images of Vietnam (and for British viewers, the latest IRA atrocities). Black Moon may not 'make sense', but it's more understandable as a dream, from beginning to end (forget the idea that any of it is meant to be set 'in the near future'), by a pubescent girl, subconsciously worried by the apparent war between the sexes and disturbed by her budding sexuality (note the juxtaposition of the idealised vision of heterosexual love, presented by music from Wagner's Tristan und Isolde first heard on the car radio, quickly followed by the shocking images of war).

As mentioned elsewhere, this is beautifully filmed, and IMHO captures beautifully the quality of dreams where one event follows another in a 'stream of consciousness' manner (yet with certain obsessive themes), and the dreamer does everything as if it were the most rational thing to do (as one does in a dream). On first viewing I suspected this film to be a rather self-indulgent exercise, but there's a strangely compelling quality about both the narrative and the beauty of the actual cinematography. Highly recommended.

It played here in Berkeley in the late 1970's at the repertory UC Theatre (now defunct of course), I saw it in Cologne in 1976, but it doesn't seem to have been picked up by any US distributor and it is not and has never been available on VHS, Laserdisc, or DVD anywhere in the world, AFAIK. And I have never seen it on cable tv (Sundance, IFC, you listening?).

A neo-surrealistic fantasy, it was promoted in newspaper ads in Germany as The Movie Where Animals Talk to People!

Weird and wonderful from beginning to end, IMHO. An old woman sitting at her kitchen table talking to a rat sitting on it. An 8 year old or so boy and girl playing in the yard and suddenly breaking into the complete love duet from Tristan & Isolde. Joe Dallesandro of Andy Warhol/Paul Morrisey movies, and lots more. I can't remember it very well at this point, it's been a quarter of a century since I saw it.

The number one film on my want list.

Imagine, if you will, that someone had taken all the brain-damaged noodlings of softcore pornographers and decided to make a movie of them, omitting all the nudity and sex. You'd have something about as stupid as this movie. On film, it's a waste of celluloid, on DVD, it's a waste of silicon, on cable, it's a waste of bandwidth. In whatever medium it's a waste of your time. And nothing more.

This is, in short, exactly the sort of film that gives European filmmakers bad reputations, and which makes film buffs look stupid when they try to maintain that it's not a brain-dead collection of semi-arresting images. Fans of this film describe it as a metaphor, an allegory, a symbolic representation of something else. But like Burbank, there is no there there in this film. It probably has something to do with coming of age, but the "something" it has to "do" with is so blurry that it's just not worth the bother of bringing it into focus.

The film does have one redeeming feature: it makes you feel like going out and doing something useful in the world to make up for the 100 minutes you totally wasted watching it. Also, you probably didn't commit any felonies while watching it. And when not committing a felony while watching it is a film's major justification, you know it has to suck beyond belief.

It's a war-torn world in some sort of war between the sexes. Lily barely escapes a male military squad and finds a mysterious community living in a country mansion. They have lots of animals, lots of naked children, and an unicorn. There are a beautiful man, a pretty woman, and a bed-ridden old lady who seems to be their leader.

This is an experimental sci-fi film from French director Louis Malle. It's a lot of weirdness. I'm not sure about anything in this film. Lead actress Cathryn Harrison is not really acting as much as just existing in this weird world. She's very pretty but her range is somewhat limit. She is either a pissed off teen or a tensive teen and she alternates between the two. I don't know what else to say about this. I wish I knew the point Louis Malle is trying to make.

I must say, seeing this film was like an adult orientated verison of Alice in Wonderland; the material is dark and surreal as the music is eerie to set the mood of the film. The story revolves around a girl 'Lily' who finds herself stuck in a strange and bizarre world between fantasy and reality. Such events occurred in this film contains a talking unicorn, a teenager breast feeding an old woman (and later a unicorn?) and a naked children, frocking around the meadow as if nothing were watching them. Not since 'Eraserhead' have a seen such a bizarre, disturbing and fascinating work of art. A must see indeed for those of you who Cherish rare pieces of work like this.