92 in the Shade

This film right here! Great cast, but the movie is a snoozefest, a total bore!!

Author Thomas McGuane wrote and directed this noticeably laid back, fairly endearing combination of comedy and drama. Real life good friends Peter Fonda and Warren Oates set off sparks as Fonda plays Tom Skelton, a bum from a rich family who decides to get into the fishing guide business. He's soon locking horns with a world weary veteran of the trade, Nichol Dance (Mr. Oates), but vows to make a go of things, with his live wire grandfather Goldsboro (Burgess Meredith) helping a great deal in getting things going.

While the resolution to this film didn't really wrap up individual character stories to this viewers' satisfaction, "92 in the Shade" is overall a nice 91 minute long diversion, touching upon themes like class distinction and the generation gap. Shot by Michael C. Butler ("Jaws 2"), it's a gorgeous picture to look at. Set and filmed in Key West, Florida, it helps one to experience the flavor of this seaside environment. The music score by Michael J. Lewis also helps tremendously in this regard. The film gets serious without ever becoming overly melodramatic, and its comedy content is indeed pretty funny. Mostly, it works as a series of character vignettes, with an extremely rich cast making the most of their colorful roles.

Fonda and Oates are backed up by such sterling actors and actresses as Margot Kidder (as Toms' sweet and sexy girlfriend), Harry Dean Stanton (as Nichols' associate), Elizabeth Ashley (as Stantons' wife, an attractive but unbalanced woman given to parading around in front of others in a cheerleader outfit), William Hickey and Louise Latham (as Toms' parents), and Sylvia Miles (as Goldsboros' secretary). Among this bunch of heavy hitters, Meredith tends to steal the show - that is, until Joe Spinell turns up late in the film as Ollie Slatt, a goofy tourist looking to charter a boat for a day. He's also quite amusing.

Recommended mainly to admirers of the cast, "92 in the Shade" is uneven, but fun as well.

Seven out of 10.

If you are into bell bottoms, hipsters, and quirky characters, this is your movie. Peter Fonda as usual, sleepwalks through the scenery. Warren Oates is his off kilter self, and Harry Dean Stanton is along for the ride. The supporting cast is uniformly eccentric. Unfortunately the story plays like an instructional fishing film. There are more than a few tedious moments. If you have the patience to listen carefully, some of the dialog is amusing, but not enough to sustain momentum. Ultimately, the film must be regarded as nothing more than a curiosity, with absolutely no surprises from the plot, and a very predictable ending - MERK

Thomas McGuane had a little Hollywood vogue in the mid-1970s, with this movie and "Rancho Deluxe" the same year, then big-budget "Missouri Breaks" the next. The latter film was famously a victim of Marlon Brando's disinterest in following the script, which of course made the writer unhappy. All of these movies were commercial disappointments, so the vogue came to a fast end.

Today "Breaks" has its defenders (though I think it's still a very mixed bag), "Rancho Deluxe" looks like an underrated minor classic of the period, and "92 in the Shade" (which shares some of the same cast as "Rancho") remains a misfire you keep hoping will be better than it is. The typically blank, low-energy Peter Fonda aside, it's got a theoretically fine cast. But the movie just never quite works in translating McGuane's distinctive literary sensibility to the screen--and that is because McGuane as film director (for the first/last time) has no idea how to stage scenes or pace the whole. There's no variation in tone, no overall suspense or tension, which is unfortunate because the very heart of his writing is its loopy mixture of wacky humor and narrative intrigue. None of that comes across here, despite characters and incidents that ought to work.

The film just pokes along neutrally from one sequence to another, getting no particular flavor from the Florida coastal setting, generating no sense of peril even though it ends in violence (and both Warren Oates and Burgess Meredith in unusually negative, unsympathetic roles). The characters are superficially colorful but fail to come alive; Elizabeth Ashley's wife (to Harry Dean Stanton, much better used in "Rancho," which she was also in) never transcends caricature, and Margot Kidder's girlfriend is just The Girl. These are actors with so much personality, it's amazing that the film manages to make them uninteresting. It's not a terrible film, but McGuane's inexperience means the dominating tone isn't his eccentric authorial one, it's the default competence of his crew, who pretty obviously made most of the technical decisions themselves for lack of much directorial guidance.

Anyway, watching this in close proximity with "Rancho Deluxe" and "The Missouri Breaks" (both of which I'd originally seen in the 70s) underlined that "Rancho" remains the one movie that did Thomas McGuane justice. (Admittedly, I haven't seen "Tom Horn"--but I have seen "The Sporting Club," unfortunately, and that's as much a misfire as "92," although in a much more bombastic, self-important way.)

I rented this film one hot NYC summer night and fell in love with it. Some of the characters are a little cartoonish but overall it is a good piece worth seeing that exemplifies the beauty of a US state that I have never been to. Wonderful cast that includes Peter Fonda, Burgess Meredith and Warren Oates as an insanely territorial fishing guide. Also stars Margot Kidder when she looked good and Harry Dean Stanton as a melancholy side kick to Warren Oates. Classic all American cast from the seventies. I enjoyed this film because it is a fair portrayal of the working life of a fishing guide and the Florida landscape. It has the same qualities that I enjoyed from Fonda´s later effort Ulee´s Gold. Film is highly recommended.