Phyllis

I'm very much working from memory but there was a time back in the70's when I was as happy viewing this MTM comedy as its more celebrated originator and first spin-off series, "The Mary Tyler-Moore Show" and my personal favourite "Rhoda". The few times I remember in "TMTMS", she was almost the anti-heroine, the snobbish, bitchy next door neighbour whom you wondered how even St Mary could befriend. Only occasionally did she show her human side which probably made it difficult for the show's writers to centre her as a watchable character in her Jen show.

For what it's worth, I certainly remember enjoying the show on the sporadic occasions it turned up on British television in the mid-70's. Clovis Leachman was great in the title part, her face capable of going from happy to sarcastic in the one line. I was never comfortable when her daughter got air-time with her own brand of spoilt second-hand sardonic-ism but her genial but occasionally caustic middle-aged parents and her acid-tongued grandmother Dexter made good foils for her, the latter perhaps prefiguring the similar character who stole the show years later in "The Golden Girls". It perhaps said something about the star- power of the show that the episode I remember best is the one where Tyler-Moore guest- starred, perhaps to try and boost the ratings.

Perhaps I'm remembering thus show as better than it was but I'd sure like the opportunity to see it again although its short-lived TV shelf-life makes that only a remote possibility. One thing it did have was a great bitter-sweet theme tune which arguably captured the title character's personality in one pay-off finishing line better than two full series of half- hour shows!

The character of Phyllis was not originally designed to be a leading role; rather she was a self-centered, opinionated, overbearing cameo character of sorts to add a zany counter to the tranquil Mary Richards. She was silly, but not really likable. Once the character had to stand on her own, she had to be toned down and made more appealing, thus losing the truly funny quality she added to the Mary Tyler Moore Show.

With the exception of Mother Dexter, her supporting characters did not do the necessary job of balancing the character of Phyllis, and the show often looked strained and weak. The show seemed to mirror the character of Phyllis in that it did not seem to know where it was going or what to do with itself after the pilot episode. The 'wacky' photography studio was dropped for the dull politician's office thereby dooming the show to current political topics and satire - but without the proper characters to pull it off. Nothing felt right and the second season was worse than the first.

I so wish Phyllis had stayed in Minneapolis!

Of all the characters on THE MARY TYLER MOORE SHOW the least likable was possibly Phyllis Lindstrom. Played by Cloris Leachman (brilliantly) she was a pretentious know-it-all, who patronized Mary Richards (Ms Moore), acted like Rhoda Morgenstern (Valerie Harper) was a weird social misfit, and managed to annoy or confuse the other regular in the cast. Only once, when she learned that her unseen husband Lars had an affair (or sorts) with Sue Anne Nivens (Betty White) did Phyllis become sympathetic. Suddenly we felt she was human after all. But the character constantly ended with mud in her face in most of her appearances, and so she was a welcome member of the cast.

After RHODA spun off THE MARY TYLER MOORE SHOW it was thought that shows about the other characters might work. Actually the hour series LOU GRANT turned out to be successful too. But PHYLLIS was a harder nut to sell to the public. Rhoda Morgenstern was sympathetic because she was trying to find a husband and trying to survive her mother (Nancy Walker). Lou Grant (Edward Asner) was an experienced newspaperman, whose marriage had fallen apart. But PHYLLIS had no likable characteristic. This, of course, made a spin-off with her as the central character seem a hard sell.

The plot took Phyllis to California. Lars has died, so Phyllis takes her daughter Beth (Lisa Gerritson) with her and settle with Lars mother (Jane Rose) and her second husband, a Judge (Henry Jones). Also in the household is the Judge's mother (Judith Lowry). The first episodes were about her setting up her new home and her new job. But the job was with a woman named Julie Erskine, played by Barbara Colby. Unfortunately the talented, subtle, likable Ms Colby was killed with a boyfriend in an unsolved murder just a week or so after Phyllis began. The role was re-casted by Liz Torres.

Colby's murder would have been a serious problem for any show to get out of. That the producers and writers tried to continue the role show a willingness to wait and see if the public would accept the change. Fortunately the show managed to pull in a regular audience each week, partly because of the character played by Judith Lowry. The 80+ actress played a caustic tongued lady who did for Phyllis in this show what Rhoda had done in THE MARY TYLER MOORE SHOW. The part was a bit role, but like Henry Winkler's Fonzie on HAPPY DAYS it gradually expanded. Even when Phyllis went out of her way to be nice to her, Ms Lowry cut her down to size. She even filled out background about her youth. In one episode she shocks Henry Jones by openly suggesting that the great romance of her early days was with President Warren Harding!

As a result the show went through it's first season, and seemed to be headed to success. However it decided to change the location of Phyllis's job, changing from the business that was run by Torres (formerly by Colby) to being an assistant to a city councilman. The episode where Phyllis landed this job was quite humorous in another way: the councilman whom Phyllis initially goes to see about the job is John Ritter, who is in the midst of a news conference denying allegations of improprieties. She tries to start her duties, only to find Ritter asking her to help shred some files. As he tries to do this the police arrive to drag him off. Fortunately another councilman turns up who needs an assistant.

The second season seemed destined for success, and the beginning of a long run. In December 1976 Lowry's character married her current boy-friend (not a relative of Harding, by the way), in an full episode. Within two months Lowry died (so did Burt Mustlin, the elderly actor who played her bridegroom). Unlike Colby's character, which had not fully developed when she died, Lowry's had been developed. There was a taped introduction to an episode by Leachman, in honor to Lowry. It was moving. Unfortunately there was little time to figure out how to fill Lowry's big shoes (or remove the growing taint of a "Phyllis" curse). The show was not renewed for another season. Well, two seasons for a weakened spin off is not bad...and it was a better show than AFTER M.A.S.H. was.

The "Mary Tyler Moore" spinoff, "Phyllis", is often hounded as a failure where spin-offs are concerned. Actually, it is a very funny show and, if it hadn't followed up such an astounding breakthrough show as its predecessor, it would have been quite successful. Though the character of Phyllis, by far the most interesting character on MTM, was changed somewhat in her switch to her own show, it was only to make her character more likable, which worked most of the time and was a very pleasant experience to finally see the softer side of that downstairs bubblehead. The ensemble cast of the first season was wonderful (and would have been even more so if Barbara Colby hadn't have been murdered after the third episode. She was terrific as Phyllis's boss Julie Erskine.) Henry Jones is especially good, as are Jane Ross and Richard Schaal. And, of course, Cloris Leachman is a treasure. The real problem was in the show's second season, when Phyllis changed workplaces to the downtown city building, where the characters were far less interesting and oft times depressing. The ratings show it, too, because in its first season, "Phyllis" was in the Top Ten, higher than "Rhoda" or "MTM". But in its move to the second season, it did very poorly, hence its cancellation. It's a show that tried hard, so give it a chance. You won't be too disappointed!

The sitcom Phyllis had some good moments and some good episodes but I found it odd that on Mary Tyler Moore Show we heard Phyllis joke about her never seen husband Lars and his family being Norwegian immigrants who spoke with heavy accents yet on this spin-off the Lindstroms were not immigrants and had no foreign sounding accents!