Una familia afroamericana nueva rica que se muda a un edificio de apartamentos de lujo establece relaciones estrechas, aunque ocasionalmente díscolas, con los otros inquilinos.Una familia afroamericana nueva rica que se muda a un edificio de apartamentos de lujo establece relaciones estrechas, aunque ocasionalmente díscolas, con los otros inquilinos.Una familia afroamericana nueva rica que se muda a un edificio de apartamentos de lujo establece relaciones estrechas, aunque ocasionalmente díscolas, con los otros inquilinos.
- Ganó 2 premios Primetime Emmy
- 9 premios ganados y 31 nominaciones en total
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For the first few years, this had to be one of the funniest shows on C.B.S.. It pretty much took the concept of the show it came from, "All in the Family", and moved it uptown and instead of a bigoted middle class white man, we have a bigoted rich black man. George Jefferson proved that bigotry comes in all colors and sometimes his big mouth got him in trouble. However, just like Archie, beneath that gruff exterior was an old softy. I especially loved the episodes that showed that side of George. This show will always be one of the all time classics.
If the Television Hall of Fame selected television programs as a whole to win a gold plaque similar to Cooperstown N.Y. for MLB, or Canton Ohio for the NFL, "The Jeffersons" would be there front and center.
The long running CBS sitcom which aired from 1975 through 1985, won several Emmys, including Isabel Sanford for Best Lead Actress in a Comedy Series. To me "The Jeffersons" is one of television's top fifty All-Time Programs, and the best one with a predominately African American cast, better than "The Cosby Show" and "Sanford and Son". As a child it was a thrill to be able to watch this program when schoolwork or bedtime did not get in the way.
I now own the first two seasons of "The Jeffersons" on DVD, and I enjoy the performances of all the characters. The show is of course centered around bigoted and avaricious George (Sherman Helmsley), and his long suffering wife Louise "Weezy" Jefferson (Isabel Sanford), but the performances of the character actors are also well above par. Paul Benedict as George's goofy, bizarre neighbor, Ned Wertimer as the not so modest or polite (when it comes to tips) doorman, Mike Evans as wisecracking son Lionel, and Marla Gibbs as wisecracking live-in-maid Florence, and of course the interracial couple who are usually the butt of George's racist jokes, Tom and Helen Willis played by Franklin Cover and Roxie Roker. And of course don't forget going way back in the day when people born in the 1890's were alive, well and entertaining us all, Zara Cully as George Jefferson's quick witted Mother, Olivia. She was hilarious when seeking attention from George and Weezy she intentionally tackles herself to the ground in a season 2 episode.
But "The Jeffersons" at least the first two seasons centers around George and his vices, which often outweigh his virtues, similar to the Archie Bunker character introduced in the early 1970's. Like Archie George is set in his ways, avaricious, sometimes crude, and often bigoted. Like Archie he is a bigot without a mean streak. He is a lovable bigot, and his racist views are played out for laughs, but George is not a carbon copy of Archie. They're not twins. Archie makes fun of everyone that is not his race, religion creed, or sexual orientation. George sticks to the basics. Just make fun of whitey, and those whites that don't offer him anything in return for his efforts.
There are some whites like Wittendale, the banker who holds the key to George's future of a dry cleaning monopoly. George always wants to pander to this guy. However George has no use for "honkies" like Tom Willis and his black wife Helen. Like Archie Bunker he despises mixed marriages. (Although Archie is all for Irish marrying Italian). Mostly because Weezy has him on a short leash, George reluctantly accepts Tom and Helen Willis as neighbors and in-laws.
One major reason why Archie's ethnic and racial slurs often spiral out of control and George's doesn't is the nature of the women they're married to. Edith is tolerant, dingbatty, and naive, while Weezy is sharp, quick witted, and as shrewd as George. She puts her foot down faster on George, than Edith does on Archie. Edith tends to push Archie in the direction he's going, with some first class dingbat punchlines added in.
George is a little bit of a thing, with an obsession for power and control, much like Danny DeVito in the movies. He lusts for money and power, and he's got it, a wife a family and a full chain of cleaning stores. Archie doesn't have all this. Archie needs to shut other people down to better his own situation. George doesn't. George has money and power. However, like Archie he is set in his ways, and his lack of modesty always gets him into trouble.
What this show was missing was a crossover appearance by Archie and Edith from the slums of Flushing to the penthouses in Manhattan. Carroll O' Connor and Jean Stapleton never appeared on "The Jeffersons." "The Jeffersons" was not the greatest TV sitcom. "All in the Family" along with "Seinfeld", "The Honeymooners" and "Cheers" were better. However there was a certain charm with this show that lasted from the Gerald Ford through the second half of the Ronald Reagan presidency. This was one fine show.
The long running CBS sitcom which aired from 1975 through 1985, won several Emmys, including Isabel Sanford for Best Lead Actress in a Comedy Series. To me "The Jeffersons" is one of television's top fifty All-Time Programs, and the best one with a predominately African American cast, better than "The Cosby Show" and "Sanford and Son". As a child it was a thrill to be able to watch this program when schoolwork or bedtime did not get in the way.
I now own the first two seasons of "The Jeffersons" on DVD, and I enjoy the performances of all the characters. The show is of course centered around bigoted and avaricious George (Sherman Helmsley), and his long suffering wife Louise "Weezy" Jefferson (Isabel Sanford), but the performances of the character actors are also well above par. Paul Benedict as George's goofy, bizarre neighbor, Ned Wertimer as the not so modest or polite (when it comes to tips) doorman, Mike Evans as wisecracking son Lionel, and Marla Gibbs as wisecracking live-in-maid Florence, and of course the interracial couple who are usually the butt of George's racist jokes, Tom and Helen Willis played by Franklin Cover and Roxie Roker. And of course don't forget going way back in the day when people born in the 1890's were alive, well and entertaining us all, Zara Cully as George Jefferson's quick witted Mother, Olivia. She was hilarious when seeking attention from George and Weezy she intentionally tackles herself to the ground in a season 2 episode.
But "The Jeffersons" at least the first two seasons centers around George and his vices, which often outweigh his virtues, similar to the Archie Bunker character introduced in the early 1970's. Like Archie George is set in his ways, avaricious, sometimes crude, and often bigoted. Like Archie he is a bigot without a mean streak. He is a lovable bigot, and his racist views are played out for laughs, but George is not a carbon copy of Archie. They're not twins. Archie makes fun of everyone that is not his race, religion creed, or sexual orientation. George sticks to the basics. Just make fun of whitey, and those whites that don't offer him anything in return for his efforts.
There are some whites like Wittendale, the banker who holds the key to George's future of a dry cleaning monopoly. George always wants to pander to this guy. However George has no use for "honkies" like Tom Willis and his black wife Helen. Like Archie Bunker he despises mixed marriages. (Although Archie is all for Irish marrying Italian). Mostly because Weezy has him on a short leash, George reluctantly accepts Tom and Helen Willis as neighbors and in-laws.
One major reason why Archie's ethnic and racial slurs often spiral out of control and George's doesn't is the nature of the women they're married to. Edith is tolerant, dingbatty, and naive, while Weezy is sharp, quick witted, and as shrewd as George. She puts her foot down faster on George, than Edith does on Archie. Edith tends to push Archie in the direction he's going, with some first class dingbat punchlines added in.
George is a little bit of a thing, with an obsession for power and control, much like Danny DeVito in the movies. He lusts for money and power, and he's got it, a wife a family and a full chain of cleaning stores. Archie doesn't have all this. Archie needs to shut other people down to better his own situation. George doesn't. George has money and power. However, like Archie he is set in his ways, and his lack of modesty always gets him into trouble.
What this show was missing was a crossover appearance by Archie and Edith from the slums of Flushing to the penthouses in Manhattan. Carroll O' Connor and Jean Stapleton never appeared on "The Jeffersons." "The Jeffersons" was not the greatest TV sitcom. "All in the Family" along with "Seinfeld", "The Honeymooners" and "Cheers" were better. However there was a certain charm with this show that lasted from the Gerald Ford through the second half of the Ronald Reagan presidency. This was one fine show.
Very funny comedy of an affluent black family living the American dream in achieving success in their dry good business.
Sherman Hemsley and Isabel Sanford provided terrific chemistry as the husband and wife team. Sanford always knew how to crack those one-liners at a vulnerable but lovable Hemsley. Militant son Lionel was always good for a laugh and as the mother-in-law, Zarra Cully, proved that having the typical mother-in-law to deal with wasn't only an Italian or Jewish problem.
Franklin Cover and Roxie Roker successfully showed that with understanding, inter-racial marriages could work.
Sherman Hemsley and Isabel Sanford provided terrific chemistry as the husband and wife team. Sanford always knew how to crack those one-liners at a vulnerable but lovable Hemsley. Militant son Lionel was always good for a laugh and as the mother-in-law, Zarra Cully, proved that having the typical mother-in-law to deal with wasn't only an Italian or Jewish problem.
Franklin Cover and Roxie Roker successfully showed that with understanding, inter-racial marriages could work.
The Jefferson is the longest African-American comedy situation to date. It's a spin-off of the popular "All in the family". The Jeffersons is the most underrated comedy sitcom on television to some people. During its release in the mid 70s there were a few competitive shows like Good Times,What's Happening?,and Sanford & Son. But this show lasted the longest and enjoyed by both black and white audiences. This show was funny during its first six years (1975-81) till Embassy Television took over,and the show became boring. Lionel and Jenny made just occasional appearances on the show and Ralph still have his hand out for a tip. The writers were changed and the show lost a lot of its audiences. But what I enjoyed the most about the show was when George and Florence go at it. Though in the long run George always kept her as their maid. I think George like having Florence around because he enjoys having somebody to pick on. Which Florence at times outsmarts him. What I didn't like was that geek Lionel (Damon Evans) he seem so soft to me and wasn't confident and outspoken like the original Lionel (Mike Evans). The Jeffersons was a fun show to watch and although the show maybe somewhat forgotten everybody remembers the theme (Movin' on up).
Used to watch this show as a kid on Nick @ nite in the late '90s. Understandbly, most jokes were over my head, but I LOVED George Jefferson. Recently started watching some classic tv shows, and decided to give this a real shot when I found the entire series on Amazon. I absolutely love it. So much better than I remember. I'm seven seasons in, and the show has yet to lose me one bit. I highly recommend this show. Incredible cast, and created by the man who defined 1970s t.v. Norman Lear. Definitely worth a shot.
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- TriviaIsabel Sanford was the first black actress to win the Outstanding Lead Actress in a comedy Emmy award.
- ErroresNumerous times on and off throughout the course of the series, people make a left when they leave through the exit of the Jeffersons' apartment. The layout of the hallway has Harry Bentley's apartment at the end about a couple feet away at corner on the left side of the Jeffersons' apartment. So it means logically they are just walking right into the door of Bentley's apartment instead of going straight across to the elevator.
- Citas
Florence Johnston: How come we overcame and nobody told me?
- Créditos curiososSeries creators Don Nicholl, Michael Ross, and Bernard West are listed as "Nicholl Ross West" during the show's closing credits on numerous episodes.
- Versiones alternativasSyndicated reruns in the US are cut by 2 to 3 minutes. One particularly bad cut is of a key sequence in the first episode: after Helen and Tom leave George's apartment after being insulted, they are talking in the hallway, and the scene ends with them kissing. This was a controversial scene back in 1975, but its editing was so that stations and cable networks airing the show could fit in more commercials.
- ConexionesEdited into The N Word (2004)
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- How many seasons does The Jeffersons have?Con tecnología de Alexa
Detalles
- Tiempo de ejecución30 minutos
- Color
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