Fawlty Towers

If you were to look up some of the most hysterical moments on the BBC, you would no doubtably come across two names. Those names would be John Cleese and Ricky Gervais. While Gervais recently found comedy through his program called 'The Office', Cleese has been providing wit, wisdom, and down-right hysteria for the past several decades. While away from his namesake (Monty Python), you can find Cleese comfortable in several other roles that showcase his bubbling talent. One of those programs just happens to be the funniest bit of crumpet called 'Fawlty Towers'.

Remembering this show when I was a child and was on our local PBS station, I eagerly bought it when it was released on DVD about a year ago. Since then, I have watched random episodes here and there but never fully taking in the enjoyment from watching it all. So, today I decided to sit down and watch this series from beginning to end and I have yet to finish laughing. If this program doesn't define comic genius, I don't know what does. Never have I witnessed a show that has continually been fresh, hysterical (I cannot use that word enough), real, and outlandish all at the same time. Normally, with our current television programming, you need to pick or choose which it will be, but thankfully 'Fawlty Towers' is all of these and many more.

Cleese remains in top form as Basil Fawlty, the owner/manager of the B&B that just happens to have his hands and over-worked imagination in everything. With the aid of his helpers Manuel (he's from Barcelona) and Polly (co-writer Connie Booth and ex-wife of Cleese), Cleese always seems to find himself in a heap of trouble with his wife Sybil (the dragon of the hotel). Armed with physical humor and a snake-like banter, we witness everything from a dead body, hotel inspectors, a failed anniversary party, a moose head, and a Himalayan rodent of sorts happen to this simple, everyday, B&B. This is not only a few of the episodes you will find in the complete set, but also the daily stress that Basil finds himself falling into daily.

This series, again, is hysterical. Cleese is the master of his trade while proving that he can manage any task thrown in front of him. While some will argue that he overshadows the rest of the cast, I would say 'hogwash' to that. My two favorite characters in this series were Major and Manuel. The comedy that they provide cannot be found on television today. All I need to say is thank God for the BBC.

Grade: ***** out of *****

Just saw again the first four episodes of John Cleese's wonderful, wonderful Fawlty Towers, the dysfunctional hotel run by the inimitable Basil Fawlty (Cleese), and his battle-wagon wife, Sybil (Prunella Scales). Amazing how many belly laughs and guffaws the show can still inspire, and this is probably my third or fourth viewing (still, it's been years).

Even more amazing is the short documentary on the realBasil Fawlty--Donald Sinclair, manager and owner of the Gleneagle, an ex Navy commander who (as Ray Marks, present manager of the Gleneagle puts it) thought running the Gleneagle "would have been a wonderful job, if it wasn't for the guests. The guests spoiled his job."

According to legend, the Monty Python troupe once booked rooms at the Gleneagle, in the seaside town of Torquay; they still remember some of the things Sinclair did to them there. Pythoner Eric Idle carried an alarm clock inside his briefcase at the hotel reception; when Sinclair heard the ticking he said "My God, there's a bomb in there!" and threw it off a cliff. Later, Pythoner Terry Gilliam sat down to a meal and ate American style, cutting up the food first before picking up the pieces with his fork; Sinclair, passing by, picked up Gilliam's knife and snapped "we don't eat like that here!"

Eventually the entire Python troupe moved to another hotel--all except Cleese, who stayed. Apparently, he thought there was an idea for a TV show here somewhere.

It wasn't only the Pythoners that suffered; one guest asked for a drink at the bar, to which Sinclair replied by slamming down the grill and saying "the bar's closed." When his friend invited him to a nearby hotel to drink, Sinclair informed him that if he isn't back by 11 pm, the front door will be locked. He comes back late, and just as Sinclair threatened, the front door was locked. "This is ridiculous," he said, "my wife and daughter are in there," and started banging on the door; a light turned on in a window, and Sinclair popped his head out and said "I told you I'd lock the doors by 11!" The guest replied: "If you don't open the doors I'm going to knock them down!" Three or four minutes later, Sinclair opens the door, lets him in, bangs the door behind him loud enough to, as the guest put it, wake everyone in the hotel, and yells "Don't let that happen again!"

Sinclair was also hard on the hired help. He hated builders, and would yell and curse at them; one Greek waiter was so fed up with Sinclair's treatment of him he jumped into a taxi and demanded to be driven to London. Rosemary Harrison, who once worked for Sinclair, describes how when one waiter, tired of waiting for Sinclair to make the tea, took a teapot meant for another table. Sinclair stopped the serving of breakfast and "went up and down the tables like a policeman, questioning the guests. He came across a set of teapots at a table for two. He realised because of their size they were meant for a table for four, and he asked the guests for a description of the waiter."

Sinclair was apparently so appalling that when his wife had to go out shopping, she would lock him up in their room, and say to the staff "don't let him out, he's only going to upset you." Ian Jones, owner of the nearby Coppice Hotel, said "fugitives from the Gleneagle used to come knocking on our door, pleading accommodations."

He was, as Cleese would put it, "the most wonderfully rude man I have ever met."

Fawlty Towers is one the best, most popular but sadly slightly overshadowed comedies in Britain. it has the ingredients for perfect comedy and contains perfect characters. It is about this misanthropic arrogant man, Basil Fawlty, played brilliantly by the genius John Cleese, who is totally in the wrong job. He runs hotel and is rude to nearly everyone within a ten mile radius of him, but determined to make a success of his business. His wife Sybille played by Prunella Scales, whom he despises to the nth degree because she rules him with a rod of iron. Then there is Polly the waitress played by Connie Booth, the most intelligent character in the show who always ends up sorting out all the problems and keeps the hotel running. There is Manuel played by Andrew Sachs, the lovable gormless Spanish waiter who Basil bullies and tries to kill in nearly every episode. Other additional characters are the batty Major Gowen played by Ballard Berkeley, the dotty old ladies Miss Gatsby and Miss Tibs played by Renee Roberts and Gilly Flower and Terry the chef played by Brian Hall. All played very well.

One thing this programme didn't do like others is go on for series after series and eventually become far-fetched like several British sitcoms seem to do (cough, Last of the Summer Wine). It only ran for two series and left the audience starving for more. I think that it was a wise move not to do more, even though I would have loved it if they had. This is probably what John Cleese might be best remembered for in Britain, he not only stared in it he wrote it as well with wife Connie Booth. He based the character on a hotel proprietor in while staying at a hotel in England with the Python Gang.

I have no issues with this show at all, brilliant work. This kind of stuff needs to be treasured in Britain because it captures British humour perfectly. Whether you know the show or not, treat yourself to a DVD of series one or two (or both if want) and enjoy. And to those of you who haven't seen it before, I guarantee that you'll be in stitches within the first ten minutes of any episode.

QUOTE:- Basil Fawlty (trying to start his car)-Come on! Come on, start....START YOU VICIOUS BASTARD!

This is probably one of the best situational comedies ever made and in my opinion few other television programs compare to it. It is hard to say what is so good about this little show as the main character is a rude prick, the story lines are rather simplistic, and the characters pretty much cardboard cut outs of class stereotypes (this is a British show after all), but each episode is a nearly perfect choreographed dance of escalating frustration with an impeccable touch of absurdity.

From brick walls appearing in doorways to mishaps during fire drills, from guests dying overnight to getting the right food for a gourmet, from class issues to just plain old mayhem this show has got it all. It is all in a meager 12 episodes, but that is what makes each episode absolutely priceless with hardly a dull moment. A classic in every sense of the word. 10/10

Not rated, suitable for everyone.

Of all you'll ever see on the telly or the silver screen this has got to be the best. If you don't own this series you'll regret it - for if you rent it you'll be hard pressed to return it and everything you rent will be downhill afterwards.

Donald Sinclair goes into history as the most brilliantly rude hotelier ever and John Cleese and then spouse Connie Booth go into history as the best sitcom writer duo ever. The teleplays were meticulously written and rewritten and the acting is better than superb.

This series has been voted best television series of all time so many times now it's not funny. Odds are you will never laugh as hard as you do when you see this. And you won't tire of it quickly either.