Zorro

For us that grew up in the '70's... THIS was our Zorro film!

It was kinda campy, but then again... so was Batman reruns. Watching it again now, it's hard to compare with films made nowdays, but I still enjoyed it. This time around I got the subtle jokes (Zorro sticks his foot in front of Garcia and says, "Have a nice trip").

The common themes of Zorro are there - The freeing of the slave labor, the little boy that assists Zorro in slapping the soldiers around, the priest, the Diego character. Also all the familiar swordfighting cliches (i.e, the candle cut, the jump up on the table).

I recently found this at Wal-Mart for $4.99, so I bought it not expecting much. From the moment I heard the silly Zorro theme song, I knew that this was the Zorro movie from my youth!

Get this and enjoy it!

Yes - I actually like the strange song featured throughout this film.

As others have commented - growing up in the seventies, this was THE Zorro film, probably my favorite Zorro film... slightly campy, but thoroughly entertaining - reminiscent of the Three & Four Musketeer movies, also from the early seventies.

Alain DeLeon is as good as can be - the film covers all the classic Zorro elements and delivers far better than average fight scenes - especially the finale. Simply fun to watch.

One warning: I purchased a cheap VHS copy and was very disappointed to find it re-edited from the original (which I remember very clearly) - a few scenes are completely botched. Where's the DVD release... with extras?

Tongue in cheek romp, clever action shots, slap stick comic relief, silly theme song, great scenery and lavish costumes, what more can one ask from a $1 DVD?

I found this DVD in the dollar bin at Big Lots along with several others. The rest were not saving, but Zoro is a keeper.

The interplay between Zoro (Alain Delon) and Col. Huerta (Stanley Baker) is excellent. They spar verbally in the first half of the film, which climaxes in a long sword fight between the two. Incidentally, Stanley Baker died the year after completing Zorro, at age 49.

Ottavia Piccolo plays the female role to perfection.

It's not the slickest Zorro movie ever, or the most faithful version of the Zorro legend, but Alain Delon's "Zorro" is a lot of fun. In a way, its lack of polish works in the movie's favor and gives it a certain amateurish energy and charm, like an energetic high school play.

Alain Delon makes an appropriately aristocratic Diego, and he (or his stuntman) provide an athletic, agile Zorro. The villain, Colonel Huerta, is grandiose in the comic book tradition, and Moustache as Sergeant Garcia is nice and bumptuous. The heroine, Hortensia (wow, what a name) is adequate, and the mute servant is good for a few laughs.

The only complaint I have with this movie is that Zorro theme music. If you've seen the movie, you know what I'm talking about - it's this weird upbeat pop song that they play almost every time Zorro is onscreen: "Here's to you and me / Flying high and free / La la la la la la / Now that Zorro's back!" Now I can't get that song out of my head!

Falling in between Guy Williams' and Antonio Banderas' renditions of the legendary masked figure is this oddball, campy, yet somehow still watchable Spanish-made entry. Delon wears the cape and the mask this time around and does an admirable job for the most part. He disguises his way into the role of governor to a South American province which is riddled with corruption, much of it at the hands of slimy colonel Baker. While Delon (who, in his prime, was one of the most gorgeous men ever created) does well as Zorro and looks dashing in his costume--his blue eyes jutting from behind the mask, he wildly overplays the foppish role of the governor. It's meant to be funny, but it falls short of humorous and winds up rather annoying. In fact, a lot of the humor doesn't seem to translate from what the Spanish consider funny to what American audiences will enjoy. For example, the film offers up a goofy, dim-witted mute, a rotund, hairy guard whose pants rip open and a little "Buckwheat"-style kid for comic relief. None of these is remotely amusing. The strength of the film lies in the animosity and rivalry of Delon and Baker (put to good use as the villain.) The movie is helped immeasurably by some gorgeous locations and a lot of authentic and regal settings. The costumes tend to be pretty decent as well. Also, there are several elaborate stunt sequences. These aspects cover up some of the lack of budget in the picture. Piccolo, as the heroine resembles Linda Blair, excepting that Piccolo can actually act. She makes a lovely damsel in distress. The story is really a duel between the two men. First it's a battle of wits and then an extended, well-executed and staged battle of swords. This creative, elongated battle is the highlight of the film. Unfortunately, the very, very end of the film is choppy, disjointed and unsatisfying. The theme song (heard over and over) is sung by Oliver Onions (!) and should be used in CIA interrogations. It's hellacious lyrics, vocals and music attack the brain and cling on for hours and hours after the film has been viewed.