Wonder Woman

When I first saw this film, I was like many others and wanted to see Wonder Woman in her traditional garb and as a brunette. What we got was Cathy Lee Crosby, in her pre-That's Incredible! days. She wasn't the super heroine I had heard about, what she was was a "Girl From Uncle" rip-off.

Also of note, this was made during the period when D.C. Comics, the publisher of the "Wonder Woman" comic book had taken away her powers and made her into a non-super powered woman with the explanation that all the amazons had left Paradise Island for another dimension to replenish their immortality, leaving Diana behind. Within a year, the Amazons returned to Earth and Diana had regained her powers.

This failed TV movie pilot is a pop-cultural oddity: An adaptation of Wonder Woman based partly on the brief five-year period of the comic when the character temporarily lost her super powers, as well as her classic costume and she was re-imagined as a non-super-powered, mod-dressing Emma Peel-esque adventurer. This pilot is also partly a precursor of the direction that the Lynda Carter series would eventually take in seasons two and three: Diana Prince being revamped into a James Bond-like ace operative of an UNCLE-esque top secret spy organization.

When this pilot TV movie was in pre-production development, Wonder Woman in the comic books was still in her "mod girl adventurer" phase at the time and the producers seemed unsure which direction to take with the character in the pilot, ("Classic" or "Mod"?) so they tried to split the difference and try to give us a little bit of both worlds! For the purposes of this patchwork pilot, the producers transformed & transitioned Wonder Woman from being a "Girl Adventurer" to being a "Spy Girl". A blonde-haired (!) Cathy Lee Crosby tries her level best to make this awkward composite characterization of Diana Prince seem almost plausible. (The problem is with the script, not with the actress!) She even has a couple of witty Bond-esque exchanges; one where she coolly rebuffs the smarmy sexual flirtations of the villain's chief henchman (a wonderfully oily Andrew Prine) and one where she playfully mentions in passing her invisible plane to the main villain (a masterfully silky-smooth Ricardo Montalbán) in a flirty exchange!

Instead of either her traditional classic costume or one of her mod new outfits from the current-at-the-time comic books, the producers once again decided to "split the difference" by outfitting Crosby in a re-imagined costume that looks more like a mod track suit, than a superhero costume. It's functional, plausible, and mundane. It doesn't look awful, just dull. Just imagine if Superman instead of wearing his classic costume, was wearing a blue & red sweat suit with a small red "S" shield on the side of the chest and you'll get the general idea!

In another odd & awkward blending of the "classic" and "mod" directions, there is a new character, Diana's feisty sister, Ahnjayla, (played by Anitra Ford) who seems to be loosely based upon Diana's feisty sister from the comic books, Nubia, who was then-recently introduced into the comic's continuity when Wonder Woman was re-revamped back into her classic costumed super-powered super-heroine persona in the comic books once more. The pilot tries it's best to blend both the classical and modern directions, but never entirely succeeding with either direction. The pilot producers should have chosen either one direction or the other, instead of hedging their bets and trying to blend both, ending-up in giving us neither! One year later, ABC & Warner Brothers tried again with a second Wonder Woman pilot, this time starring a super-powered & a much more traditionally-costumed Lynda Carter. This new "back-to-basics" pilot was a hit and the Lynda Carter series ran for three successful seasons.

So, perhaps this failed pilot's longest lasting legacy is the "Spy Girl" motif: When ABC later cancelled Wonder Woman after it's first season for being a far-too expensive World War Two era period piece, CBS picked-up the show for seasons two and three, with the proviso that the timeline of the show be moved-up to modern day, to keep costs down and so, Diana was re-imagined as an ace secret agent, once again! This cost-effective secret agent makeover saved the series, so at least that aspect of this failed pilot was proven to be right in retrospect. Just put Cathy Lee Crosby in a traditional Wonder Woman costume and a brunette wig, (Or simply re-cast Crosby with Lynda Carter!) and you would have a typical Wonder Woman episode from seasons two and three of the Lynda Carter series!

While this is not vintage classic Wonder Woman by a long shot, it is an interesting time capsule of Wonder Woman in a flux state of transition and of a long-forgotten failed pilot, valiantly trying and ultimately failing to capture the best of both worlds of Wonder Woman.

I actually sat through this movie waiting for the real WONDER WOMAN to pop out at any second. She never did?!! At first, I hated this horrible-not-even-close version... But about 3 years later I read how they were trying to market towards the working women's lib instead of the "superhero" fanatics. So, I pondered on that for a while thinking that yes, it was & sometimes still is a male dominated world. On that note, I sat through the movie again... but, again, it wasn't good. It didn't suck! But it's not the Wonder Woman we all know, love, & at one time or another pretended to be. Or pretended to be Superman with Wonder Woman. If I sat through a film called "The Wonder's of a Woman" then I may have given the film a chance...But thats not what it is. This is Diana Price who is from Paradise Island. She is smarter, she is keen, & she is a knockout. But where is the leaps, the strength, the spinning around letting your hair fall gracefully down her back & then changing to the stunning costume (& always hoping she would wear the cape or the swimsuit!) Nope, not in this movie! She changes at the hotel! Sorry, don't think so!(4) Z.

I can remember watching this as a 12 year old and being quite exited by seeing Wonder Woman on TV. In fact, this was more like a spy thriller than a Super Heroine film. Cathy Lee's costume certainly was more modest than Lynda Carters. Also, Diana Prince seemed equally as strong as Wonder Woman, despatching the villains with ease, although Wonder Woman only just escaped when trapped in a room with slime dripping down the walls (never quite sure what that was supposed to do). There was added interest with Anitra Ford playing the role of an amazon 'gone bad'. I always thought it might have added a bit to the film when the two fought toward the end of the film if she had defeated Wonder Woman before handing the unconscious Wonder Woman over to the villain. Ricardo Montalban was possibly the most gracious villain of all time and looking back now, the film was a bit 'cheesy'.

As the previous reviewer has commented, fans of the "Wonder Woman" comic and the later effort by Lynda Carter will overall be very disappointed. Indeed, this is not the Wonder Woman we are used to (different 70's style "no cleavage" costume, blond hair) but Cathy Lee Crosby is indeed a wonder to behold. Having moved on from semi-pro tennis player with little acting experience, she holds her own well against foe Ricardo Montalban (although this "foe" has to be one of the most charming, non-threatening villains ever portrayed in a Super Hero film). Notable appearance by original "Price Is Right" gal Anitra Ford as a fellow Paradise Island "lady gone bad." Quirky highlights include a "James Bond" type arsenal of bracelets, a "hidden" not-so-magic lasso, and, low and behold, Wonder Woman actually checking in to a hotel (perhaps someone would notice she's really Diana Price?). And who could ever forget Artie Butler's catchy theme that sounds like it uses a Dentist's drill as the main instrument. Believe it or not, I do enjoy this TV Movie as an "alternative" Wonder Woman, but I'm just glad that ABC gave the Super Heroine another chance after this failed Pilot. The world may have never met Lynda Carter.