Hombre sin memoria

This little seen thriller is a solid entry into the giallo canon that was directed by Duccio Tessari (who did the equally good "The Bloodstained Butterfly") and written by Ernesto Gastaldi (who is the iconic writer of the giallo genre).

The narrative features an interesting narrative hook (a man can't remember who he is and now thugs are after him for something he hid... and he doesn't know where it is, let alone *what* it is). Unfortunately, the film doesn't utilize its intriguing plot premise to the fullest, with essentially the amnesia element pushed aside for most of the movie, and instead relies on more conventional means of telling the story. Fortunately, the writer manages to more successfully integrate the amnesia element towards the end which allow for a few plot twists, but not to the degree it could have achieved.

The direction is fine but nothing exemplary, and the performances are all solid but not particularly memorable. In other words, everything is competent and efficient, but it doesn't really standout from the majority of thrillers that saturate our viewing repertoire.

However, it certainly is an above average example of the giallo genre, with narrative that is better than most gialli and even has a terrific climax, but it's also certainly not a classic film in any respect.

Highly recommended for giallo fans, a solid recommendation to thriller aficionados, but others may wish to simply view a better example of the genre, such as "Deep Red".

Also, the film references Stanley Donan's film "Charade", see if you can catch it...

This Giallo is practically unknown, and that's a real shame as Puzzle is an outstanding example of the genre. Director Duccio Tessari made the excellent Giallo 'The Bloodstained Butterfly' three years before this film, and the two share the same keenness to buck as many plotting trends as possible; as while this film firmly fits into the Giallo in terms of style, the plot takes the focus away from common Giallo elements such as sex and murder and puts it more on the characters and an intriguing plot involving amnesia. The film is also known as 'Man Without Memory', and that is down the fact that the central character, Peter, has lost his memory. He's being treated in a hospital, and it's not long before a mysterious stranger turns up and accuses Peter of double-crossing him. We later learn that peter is really Edward, and he's married to the beautiful Sara. He finds out about his wife and travels to Italy in order to meet up with her; although she has chiselled out a new life for herself which involves a male friend named Reinhardt, and a young kid with a crush on her...

Director Duccio Tessari uses the first half of the film to get the plot basics in place, and as a consequence it's not always exciting. However, the director manages to hold the audience's attention long enough for the film to begin revealing itself in the second act. Puzzle was scripted by Giallo luminary Ernesto Gastaldi, and the film represents one of his best works, which says a lot considering the other films he penned. While the plot does take a while to get going, once it does the film becomes a real thrill ride, and this both offsets the sombre tone of the first half and is hugely entertaining. The main influence would appear to be the American classic 'Wait Until Dark', although the film doesn't take too much from the Audrey Hepburn film. The acting is above average, with Senta Berger, Luc Merenda and Umberto Orsini delivering fine performances in the central roles. The ending is superb and ensures that the film ends on a high, as a chainsaw revs into action and the film makes up for its lack of bloodshed. Overall, I really hope that Puzzle gets a wide release soon as this is a film that really deserves to be more seen!

Puzzle aka Man without memory aka Uomo senza memoria, L' (1974)

Eight months after a near fatal car crash in London, Peter Smith (Luc Merenda)is still unsure of his real id, the only clue he has is the car was rented to someone by that name, the name he now goes under. His doctors say that through his sub conscious he is deliberately hiding his past, out of fear. He is introduced to a man, Philip, who claims his real name is in fact Ted and who claims that he, Ted/Peter is a conman, Ted/Peter can neither corroborate or deny the accusations, one thing for sure though is the man has a grudge against him, they go to Peter's apartment to discuss matters but Philip is shot and killed by an assailant with a rifle on the building opposite, Peter then receives a telegram which claims to be from his wife who lives in Portofino, Italy, and after hiding the body flees the scene.

Sara his wife (Senta Berger) has put her missing husband behind her now and has moved on to a new friendship with Daniel Reinhardt (Umberto Orsini), the local swimming coach , she has also befriended one of his pupils, Luca, a keen swimmer and amateur photographer who has a bit of a crush on her. On the eve of her husband's arrival she is attacked and drugged in her own home by an unseen assailant but the motive is unclear as nothing was taken, the police are baffled. On his arrival Peter is unable to recognize his estranged wife and is prompted by a red haired stranger as to her identity. Sara regails their past to an inquisitive Ted, she tells of their whirlwind relationship, and the fact that she never really knew what business he was in, just that it was secret work that may have involved antiques. "Who am I ? He pleads…"a dirty rotten bastard " she replies and every one seems to agree!. Ted/Peter is shocked to find out that Sara had not in fact sent the telegram, Ted tells her they may be in danger and that the killer has arranged it that way, but what is his motive? Puzzle shies away from the usual clichés of the genre and in so doing it turns out to be a rather slow and plodding affair, who the killer is? is always an important part of any Giallo and there are many suspects in the film, is Sara somehow involved?..is she really his wife…is he really Ted?…could it be the red haired stranger who introduces himself as George (Bruno Corazzari) who claims to have saved his life, could it be Daniel, the friend of Sara or perhaps the mysterious blonde Mary (an underused Anita Strindberg) or could it even be the helpful policeman?…well to anyone with a knowledge of Gialli, it will be pretty obvious. Puzzle isn't bad in any way, it just doesn't excel or excite, the way a Giallo should, the second half of the film is better when the pace builds but if feels more like your regular crime film as opposed to that of a Giallo, the performances of the three main leads are all good but there is a distinct lack of great set pieces but the best kill is saved until the end when the real killer is revealed. The film does however seem to foreshadow scenes from both TCM(1974) and The Shining(1980). Not essential Giallo by any means but an enjoyable way to pass 90 mins.

Duccio Tessari's "L'Uomo Senza Memoria" (aka. "The Man Without Memory" / "Puzzle") of 1974 is not (yet) a very well-known Giallo, but it sure is a great film worthy of more attention. For the great Giallo-genre, especially in the mid-70s, this film bares very few murders and little bloodshed, but that does in no way lessen its value as a terrific Thriller that no Giallo-buff, or even suspense-fan in general should miss. Especially to those who set the main value on the mystery aspect of a Giallo, this is an essential film. The title "The Man Without Memory" fits the film perfectly, of course, as the central character (superbly played by Luc Merenda) is a man who suffers from amnesia. Yet the aka. title "Puzzle" fits the film just as well, as this is indeed a highly compelling and intelligent puzzle, which is capable of stunning the viewer from the first minute.

Edward (Luc Merenda) has lost his memory. Without knowing why, he is being followed by people, who insist that he owes them something. He finds out that he has a wife in Italy, who turns out to be the beautiful Sara (Senta Berger). This is only the first step into his mysterious past, however... I do not want to give away too much about the plot, since this is an ingenious puzzle that all fellow Giallo-buffs should experience entirely for themselves. The film is excellent and stunning in its mystery and suspense, beautifully shot and accompanied by a great score. The performances are superb. Luc Merenda, star of Poliziotteschi such as "The Violent Professionals", was the perfect choice to play the lead here, and beautiful Senta Berger is sexy, lovable and great in the role of Sara. The cast furthermore includes the wonderful Anita Strindberg, who was part of many memorable Gialli, such as "The Scorpion's Tail", "Lizard In A Woman's Skin", "Who Saw Her Die", and, most notably in Sergio Martino's Poe-inspired masterpiece "Your Vice Is A Locked Room And Only I Have The Key", which is a strong contender for my personal all-time favorite Giallo. Strindberg only has a small role here, but she is doubtlessly great in it. The cast furthermore includes Umberto Orsini ("Violent City") and Genre-regular Bruno Corazzari ("The Strange Vice Of Mrs Wardh", "Seven Blood-Stained Orchids",...). "The Man Without Memory" is a very intelligent and enthralling film that deserves more attention, and that no Giallo-lover can afford to miss! Highly recommended!

I was just amazed when I finished watching this Italian thriller. Inspired in quite a few American and European movies of this kind, it gets you intrigued from the start till the end. Strange events, mysterious characters, (including the main one who is an amnesic man who doesn´t know who he is or why someone is trying to kill him), the right rhythm and really thrilling moments make this movie one of the best Italian thrillers I´ve ever seen. Absolutely recommended.