Hombre sin memoria

Luc Merenda has amnesia. He woke up from an auto accident about a year ago and has been unable to remember anything about his life. He had identification on him, but nothing can be found about his past. His psychiatrist introduces him to someone who claims to know him, but he immediately attacks Merenda demanding to know where the stuff is. Someone shoots and kills him through Merenda's window.

Merenda learned a bit from the guy. He learned that his name is actually "Ted Walden" and that he has a wife waiting for him in Italy. When someone sends him info about his wife and a train ticket, he goes to see her.

His wife is Senta Berger. She's assumed for the last year that Merenda ran out on her. She learns of his imminent arrival, but someone breaks into her house ... but doesn't take anything. When Merenda arrives, he's confronted by Bruno Corazzari who claims they are friends and partners in a shady deal that was to net them $1 million. The problem is that Merenda has the goods, and if he doesn't start remembering, the big boss will come after all of them.

After this fairly compelling setup, this film settles into a long rut before livening up for a delightfully absurd climax involving Chekhov's chainsaw and a villain undone when the rug is literally pulled out from under him. I think anyone watching this will know who the main villain is long before the film bothers to tell you, but it's a mildly entertaining diversion. It's pretty tame for a giallo, especially one this late in the cycle, but Duccio Tessari delivers this one just fine.

Anita Strindberg has a tiny, but fairly significant role.

This little seen thriller is a solid entry into the giallo canon that was directed by Duccio Tessari (who did the equally good "The Bloodstained Butterfly") and written by Ernesto Gastaldi (who is the iconic writer of the giallo genre).

The narrative features an interesting narrative hook (a man can't remember who he is and now thugs are after him for something he hid... and he doesn't know where it is, let alone *what* it is). Unfortunately, the film doesn't utilize its intriguing plot premise to the fullest, with essentially the amnesia element pushed aside for most of the movie, and instead relies on more conventional means of telling the story. Fortunately, the writer manages to more successfully integrate the amnesia element towards the end which allow for a few plot twists, but not to the degree it could have achieved.

The direction is fine but nothing exemplary, and the performances are all solid but not particularly memorable. In other words, everything is competent and efficient, but it doesn't really standout from the majority of thrillers that saturate our viewing repertoire.

However, it certainly is an above average example of the giallo genre, with narrative that is better than most gialli and even has a terrific climax, but it's also certainly not a classic film in any respect.

Highly recommended for giallo fans, a solid recommendation to thriller aficionados, but others may wish to simply view a better example of the genre, such as "Deep Red".

Also, the film references Stanley Donan's film "Charade", see if you can catch it...

Luc Merenda suffers from amnesia.His memory is fragmented but he seems to remember that he was once married to Senta Berger.When he returns to her his past partners in crime appear and want to get the money he has hidden somewhere...Superbly shot Italian giallo with violent and exciting finale which includes chainsaw vs chair duel.Luc Merenda is a pretty good lead and Senta Berger makes for a beautiful heroine and there's also a smaller role for genre regular Anita Strindberg.There are several suspenseful moments in "Puzzle",so fans of Italian gialli won't be disappointed.The film lack sleaze and high body-count,but overlook that and you have one of the best Italian giallos of early 70's with lovingly breezy Gianni Ferrio score.8 giallos out of 10.

This fine Giallo tells an unusual story in an unusual way, and even though not much happens in the first half of the film, director Tessari manages to grip the viewer's attention from the beginning through stylish directing and really thrilling and creepy moments. In the second half, as the plot thickens and the parts of the puzzle begin to fit into a whole (i.e. as the main character starts to remember more and more of his past), there are also some fairly violent scenes, e.g. as a villain falls over a cliff or beautiful female lead Senta Berger swings a chainsaw. But, most importantly, even though the plot is a quite complicated net of strings that has to be lead together to the climax, the story remains plausible until the end, which isn't always the case in films of this genre.

Apart from the convincing performance by Berger, Luc Merenda is also well casted in the title role, as is Umberto Orsini in the main supporting role. Look out for Giallo regular Anita Strindberg in a small but crucial role. The lush sound track is also very cool and adds to the viewing pleasure. The only shame is that, as with too many other Italian films of the 1970s, this memorable Giallo is quite rare and hard to get. Rating: 8 out of 10.

This Giallo is practically unknown, and that's a real shame as Puzzle is an outstanding example of the genre. Director Duccio Tessari made the excellent Giallo 'The Bloodstained Butterfly' three years before this film, and the two share the same keenness to buck as many plotting trends as possible; as while this film firmly fits into the Giallo in terms of style, the plot takes the focus away from common Giallo elements such as sex and murder and puts it more on the characters and an intriguing plot involving amnesia. The film is also known as 'Man Without Memory', and that is down the fact that the central character, Peter, has lost his memory. He's being treated in a hospital, and it's not long before a mysterious stranger turns up and accuses Peter of double-crossing him. We later learn that peter is really Edward, and he's married to the beautiful Sara. He finds out about his wife and travels to Italy in order to meet up with her; although she has chiselled out a new life for herself which involves a male friend named Reinhardt, and a young kid with a crush on her...

Director Duccio Tessari uses the first half of the film to get the plot basics in place, and as a consequence it's not always exciting. However, the director manages to hold the audience's attention long enough for the film to begin revealing itself in the second act. Puzzle was scripted by Giallo luminary Ernesto Gastaldi, and the film represents one of his best works, which says a lot considering the other films he penned. While the plot does take a while to get going, once it does the film becomes a real thrill ride, and this both offsets the sombre tone of the first half and is hugely entertaining. The main influence would appear to be the American classic 'Wait Until Dark', although the film doesn't take too much from the Audrey Hepburn film. The acting is above average, with Senta Berger, Luc Merenda and Umberto Orsini delivering fine performances in the central roles. The ending is superb and ensures that the film ends on a high, as a chainsaw revs into action and the film makes up for its lack of bloodshed. Overall, I really hope that Puzzle gets a wide release soon as this is a film that really deserves to be more seen!