Infierno en la torre

The Towering Inferno is the best execution of the disaster formula of the 70s. Get an all-star cast and put them into a B-movie disaster scenario. In this case it's a massive fire in a recently constructed skyscraper. The developer (William Holden) cut corners which allowed the fire to start. His son in law (Richard Chamberlain) was an electrical subcontractor for the building. Paul Newman is the architect that designed the building, Steve McQueen is the fire chief who arrives at the scene, yada yada. The back story isn't really that interesting. The main attraction is the disaster, and although it's a bit of a slow burn in the beginning, things soon heat up (ok no more fire puns). The set pieces and action sequences, all made with very good practical effects, still hold up today. Nothing feels cheap about it. And the cast is good enough to keep the movie going along unlike The Poseidon Adventure where stars Gene Hackman and Ernest Borgnine play guys who just yell all the time. Paul Newman and Steve McQueen are, in a word, cool. They aren't just A-list actors, they're stars. None of the disaster movies had the star power this movie has. The supporting cast of William Holden, Faye Dunaway, Fred Astaire, etc. is also impressive. Richard Chamberlain in particular is great, it's impossible to like him at all. And that's where The Towering Inferno succeeds. It's the most engaging, least hammy of all the disaster films in the 70s, and it is worth the watch.

A newly built state of the art high-rise is hosting a big society gathering when a fire starts up on the 81st floor...

Warner Brothers & 20th Century Fox were both keen to cash in on the success of 1972s The Poseidon Adventure, Warner's buying the rights to The Tower, and Fox buying the rights to The Glass Inferno, both novels about burning skyscrapers and seemingly ripe for a big screen adaptation. Enter producer Irwin Allen who smartly suggested that both studios should come together and produce one blockbusting genre defining film. Splitting the cost down the middle, The Towering Inferno was born and went on to make over $100 million across the globe, a very impressive take for its time, and certainly a shot in the arm for disaster genre enthusiasts.

The Towering Inferno is far from flawless, it contains some cheese sodden dialogue, and the film's running time doesn't quite do the film any favours. However, the film's strengths far outweigh the handful of negatives that are often used to beat it up with. The sets are fabulous (Academy Award Nominated) and all to perish in the fire, the cinematography from Fred J Koenekamp (Academy Award Winner) is lush and puts the fire in the eyes, while the score from John Williams (Academy Award Nominated) is suitably poignant and edgy. What about the action sequences? The set pieces? With many of the illustrious cast doing their own stunts! All impacting sharp on the ears thanks to the brilliant sound from Soderberg & Lewis (Academy Award Nominated), with the cast itself a reminder of a wonderful time when only the big names were considered for the big projects, McQueen, Newman, Holden, Astaire (Academy Award Nominated) & Dunaway rolling off the tongue like a who's who of entertainment heavyweights.

Some say that The Towering Inferno finally killed off the ailing disaster genre, no it didn't, it crowned it, and all the others that followed were merely trailing in its wake. The Towering Inferno is a spectacular production that positively booms with high entertainment values, no expense is spared in the pursuit of entertaining the masses, it's thoughtful in texture and it teaches as it plays and it remains to me a wonderful archaic gem. 9/10

Your typical dumb disaster flick, produced by the king of the genre, Irwin Allen, made notable by the presence of Steve McQueen and Paul Newman who finally agreed to share the screen as equals, something they almost did in "Butch Cassidy and the Sundance Kid." The ever competitive McQueen made his film debut with a bit part in "Somebody Up There Likes Me" in which Newman starred, and one of his ambitions was to finally get top billing over his number one rival. Even with the so-called "diagonal billing" employed in the film and its advertising (with Newman's name elevated slightly above McQueen's), those of us who read from left to right can see that McQueen got his wish. He also got the best role. He's the firefighter, a tight jawed man of action, while Newman is saddled with the less sympathetic role of the architect. But the real star is the burning building. It burns, and impressively at that, but there's something very claustrophobic about this situation which results in less action than Allen's previous smash, "The Posiedon Adventure."

But the acting is better. In addition to McQueen and Newman, the cast includes Richard Chamberlain (particularly good), William Holden, Faye Dunaway, and Fred Astaire. That's an improvement over Carol Lynley and Eric Shea, both of whom Gene Hackman had the misfortune of emoting with two years earlier. Whatever one thinks of this particular genre, "The Towering Inferno" is probably the best of the bunch.

"Grand Hotel"-styled disaster epic that, along with the original "Airport" and "The Poseidon Adventure", became a monstrous money-maker which dominated not only economically, but also critically. "The Towering Inferno" is an intense affair as a high-rise skyscraper in San Francisco seems to be a state-of-the-art marvel, but sometimes things are not as perfect as they seem. There are still flaws in the building and naturally a small spark in a utility room will lead to an overwhelming night of terror and heroism. A who's who cast in Hollywood at the time makes up the mind-blowing list of performers. Paul Newman, Robert Vaughn, William Holden, Faye Dunaway, Steve McQueen, Susan Blakely, Richard Chamberlain, Robert Wagner and Jennifer Jones all make lasting impressions. However it is Fred Astaire (in an Oscar-nominated role of a lifetime) and then-Buffalo Bill superstar O.J. Simpson (showing the style, grace and power that he showed on the playing field here in his debut screen performance) that stand out and create a higher dimension to an honestly corn-filled story. A terribly difficult production to pull off due to the very large scope involved. The technical effects compete well with the all-world performers to make a stunningly impressive movie. Near the top of the usually ho-hum genre of the period. 4 stars out of 5.

Steve McQueen and Paul Newman are in a movie together, and it's not a racecar movie? Well, in the 1970s, it was a big fad to make big-budget disaster movies with a large cast. The Poseidon Adventure, Earthquake, and the Airport movies make up a classic niche genre, in which The Towering Inferno garners a top spot.

This one deals with a burning building, a skyscraper to be exact. Hence, the "towering" inferno. Countless characters are introduced to the audience, given reasons to become attached, and then placed in dire peril. Who will make it out alive? This film's all-star cast includes Steve McQueen, Paul Newman, Fred Astaire, Richard Chamberlain, Jennifer Jones, Faye Dunaway, William Holden, Susan Blakely, O. J. Simpson, Robert Vaughn, and Robert Wagner. Paul is the architect who built the titular building, but Bill is the builder who oversaw costs and decided to cut corners by cutting safety measures. Fred is an old conman who's out to swindle Jonsey, and Richard is Bill's scoundrel son-in-law married to Susan. All the cast is gathered together at the opening night party at the top floor when the trouble starts. At first, it's just a small electrical fire (thanks to Richard's shoddy work), but when it gets out of control, Paul insists they call the fire department and end the party. Bill doesn't want to send everyone home, because he knows if he did, it would result in a very short movie with no special effects.

Most of this movie is excellent, so if somehow it's slipped past you, reserve a special movie night and rent it. Paul Newman gets to enjoy a break from his typical bad boy roles, and Steve McQueen looks very authoritative (and cute) in his firefighter uniform. Fred Astaire received his only Oscar nomination for this movie, and Jennifer Jones made her comeback and final film as one of the more memorable characters. Faye Dunaway has some tender moments with her boyfriend Paul, and she looks really beautiful in her bronze dress. The downsides are William Holden, who seems like he'd rather do anything than read his lines in front of the camera, and Richard Chamberlain - did his character have to be that much of a jerk? As one of the best pictures of 1974, don't let Bill's bad acting put you off.