Especialista en el crimen

Thunderbolt and Lightfoot (1974) isn't perfect, but it has a lot going for it. The pairing Eastwood and Bridges is great, these aren't the same kinds of actors, and yet their on-screen relationship works well. Supporting character actors George Kennedy and Geoffrey Lewis round out rest of the heisters, and Gary Busey makes an early appearance in a small role. Also of note is the striking Montana scenery, quite unseen on film, this movie does an admirable job showcasing it. What I'm really surprised about is how no one else seems to have noticed a couple of things about this film.

First: The title of this film, and its two main characters are an homage to a pair of famous 19th century highwaymen who called themselves respectively `Captain Thunderbolt' and `Captain Lightfoot'. This isn't the last time Hollywood film criminals would be named after real life bandits. In the film `The Way Of The Gun' the characters are called `Mr. Parker and Mr. Longbaugh' which of course were the real names of Butch Cassidy and The Sundance Kid! Also of interest is the fact that Geoffrey Lewis appears in The Way Of The Gun!

Second: Those interested in a companion piece to this film might consider watching `Thelma and Louise' which mirrors the on-the-road relationship of this film very closely. Though the plot is different, the relationship with the landscape and the emphasis on two characters is strikingly similar. In short a good film, worth watching!

The film has a fairly leisurely pace to it, it's a bit of a slow burn for sure, but a very welcome one. There are so many interesting and enjoyable things in this film. It's part road movie and part heist film really. It's a fun film with Jeff Bridges playing a fairly eccentric and irreverent young character and Clint playing the more experienced and relaxed tough guy role. George Kennedy is also very good, and the film definitely finds it's share of funny moments. Michael Cimino was an interesting writer/director who in fact credits Clint Eastwood with giving him his directorial start with this film. Eastwood was apparently given the right by the studio to fire Cimino early on in the filming of this, but obviously never chose to do so. He co-wrote a couple of the earlier Dirty Harry scripts and then wrote and directed this film entirely. Cimino preferred to take his time in delivering his films, especially his early ones where he was given more control over them. In doing so, he really created a few films with some very interesting, well developed and not so standard characters. This is a very strong directorial debut. It really is too bad that Heaven's Gate was later considered a failure for him to some degree, as it seems after that film and he has talked about this, that he was no longer given the same kind of control over his filmmaking that he had previously enjoyed. I would've liked to see a lot more of his cinematic visions in full. Cimino was definitely an interesting, somewhat unique and patient artist. Hollywood studios on the other hand, sadly have rarely been patient with many artistic filmmakers.

7.5/10.

I remember watching this movie for the first time in the early eighties. I was still in elementary school but I still vaguely recall a scene where a young woman on a bicycle gets ambushed by Red Leary and gets away by clawing his cheek. Exciting stuff when u see a breast pop out on screen for the first time! If i'm not mistaken this would have been right before the scene where Jeff Bridge's character meets up with Red to go pick up the large caliber weapon. Where's the scene in the US DVD release? Other than the missing scene the movie was fun to watch again 30 years later. The cars and the print shirts, Jeff Bridges is simply awesome as a hippie drifting in the 70s. Clint Eastwood moves through the movie with a shattered shin and bad shoulder and still able to kick everyones ass when he has to. Awesome!

Like a tribute to Butch Cassidy and the Sundance Kid, Thunderbolt and Lightfoot were a contemporary edition of the duo.

Thunderbolt (Clint Eastwood) met Lightfoot (Jeff Bridges) quite serendipitously. Thunderbolt was running from his would-be killer only to be saved by the fast driving Lightfoot. Their fortuitous meeting started a friendship between the two that was like journeyman and apprentice for thieves.

The young Jeff Bridges stole every scene he was in. He had the boyish young looks and the bubbly personality to go with them. Eastwood was... well he was Eastwood. You don't get much range from him. He's stoic, few-worded, and gruff. I think Eastwood is at his best when there's another star there for contrast. This crime and friendship story had some funny moments, intense moments, and even somber moments. The story and acting were great. This was a quality film.

I think this movie gets lost in all the commercial Clint Eastwood vehicles,it far surpasses most of his 70's attempts. This is mostly due to Cimino's script and Bridges acting and honest words.This is far more than a buddy picture,rather one of the greatest love stories on film(all homosexual connotations aside),taking the male relationship in film to new levels because of the contrast of characters and there immediate like for one another.Skipped is most of the bickering used in lessor buddy flicks instead great interaction between the two and Clint still gets to shine as one of the coolest tough guys of the 70's.Great cinematography coupled with beautiful backdrops and a fine supporting cast make this a must see.