Symptoms

First of all I love pretty explicit and audacious lesbian vampire flick "Vampyres"(1974),but more rare and obscure "Symptoms" is even better and certainly different in tone.It's a very subtle,calm and restrained horror film with plenty of mysterious atmosphere.Helen Ramsey arrives back from Switzerland to her old-fashioned family home,accompanied by a friend Ann West.It quickly becomes clear that Helen suffers from a nervous disposition.At night both Helen and Ann hear voices in the house and Helen seems convinced that there is something in the attic,a trap door to which is in the ceiling in a corner of her room."Symptoms" is a genuinely frightening horror film about a woman slowly slipping completely into madness.The cinematography is striking,the interior sets are terrifyingly dark and the acting by Angela Pleasence is fantastic.I fell in love with this film and can't praise it enough.

A young woman called Anne (Lorna Heilbron) is invited by her girlfriend named Helen (Angela Pleasence) , who lives in an English country house , to stay there with her. The estate, however, isn't quite what it seems and neither is the friend who issued the invitation, as things go wrong when strange happenings start appearing at the woods and at the weird mansion .

An interesting and terrifying movie with tension, thrills, chills, suspense and an unexpected conclusion. It is an enjoyable film that owes a lot to ¨Polanski's Repulsion¨ and ¨Hitchcock's Psychosis¨by taking parts here and there , although , of course , inferior to these two great terror films that quickly established themselves as classics in its field and whose frames have been very imitated since . This Symptoms (1974) packs a chilling feeling of incipient madness that has seldom been realised with such imagination and skill , containing some hallucinatory and surprising scenes . Larraz's direction is slow but deliberate , never missing a chance of jolting the audience with a sudden shock . This disturbing horror movie was such a critical and public success at the time , but unfortunately after being forgotten , and nowadays recuperated from obscurity and considered to be a cult movie . Terrific acting from main starring Angela Pleasence who shows efficiently all the agony of a tormented mind in her eyes .Also very nice acting from his beloved friend Lorna Heilbron and the suspicious handyman played by veteran Peter Vaughn . Special mention for the thrilling and suspenseful musical score by John Scott.

This much-loved 70s shocker was professional and stylistically directed by Jose Ramon Larraz . Larraz who deceased in 2013 started in cinema world by casual way when he meets the famous director Josef Von Stenberg running a cinematographic course in Brussels . Larraz was a director of horror and erotic films and former comic book illustrator and fashion photographer . Worked in England as Joseph Larraz, and in Spain, using the pseudonym Joseph Braunstein . Larraz subsequently shot horror classics , cult obscurities , euro-trash , and even some sexploitation . As he filmed his first movies in England , plenty of terror , suspense and sex , such as ¨Whirlpool¨ (1970) , ¨Deviation¨(1971) , ¨La Muerte Incierta¨(1972) , ¨Scream or die¨(1973) and ¨Symptoms¨ with Angela Pleasence and Peter Vaughan . He also shot soft-cores and then Jose Ramón returns Spain filming horror and semi-exploitative movies such as ¨Estigma¨ , ¨Ritos Sexuales Del Diablo¨, ¨Al Filo del Hacha¨ and ¨Descanse en Piezas¨ , imitating the American Slashers of the 70s and 80s . His most successful film is this ¨Vampyres¨ about bloodsuckers who get victims to pull over hitchhiking , played by Playboy young models with sexy bodies , blending arty house , horror and erotic situations . Symptoms (1974) rating : Notable terror movie . Most hardcore Euro horror fans will appreciate the kinkiness of this film as that is what gives it its distinctive flavour . A compelling movie that's a must for connoisseurs of the cinema's darker corners.

Symptoms (1974)

*** (out of 4)

After spending time away from home, Helen (Angela Pleasence) decides to return to her country estate and she brings along her friend Anne (Lorna Heilbron). It doesn't take too long for Anne to realize that there's some secret that Helen is hiding. As the film moves along we start to realize that there's something supernatural or psychological going on.

Director Joseph Larraz's SYMPTOMS is a film that was released to Cannes and got a few positive reviews but the film pretty much disappeared outside of that. Over the decades people spoke highly of the film but it was nearly impossible to actually find it. In truth, the majority of people had never even heard of it. With that in mind, it's rather shocking to see that the picture actually lives up to the hype.

This film contains elements of Polanski's REPULSION as well as Hitchcock's PSYCHO. The lead character is quite an interesting one because she's just so strange and has such a blank look to her eyes that you can just feel that something is haunting her. What makes the film work so well is that we don't know if she's really being haunted by something supernatural or if it is all in her mind. The director perfectly builds up a very strange atmosphere and the back and forth elements of what's really going on perfectly plays out.

The film also benefits to some shocking violence. Not shocking as in gory or over-the-top but instead it usually comes out of nowhere and catches you off guard. As I said, some of these seem influenced by the "shock" murders in PSYCHO but it plays out very well here. The performances are also quite good with Pleasence, the daughter of Donald, really shining in a very laid back and quiet role. I really thought she did a fabulous job at showing that damage this character has had done to her. Heilbron is also good in her supporting part as is Peter Vaughn.

SYMPTOMS isn't a shock fest or in-your-face and fast-paced horror movie. It takes its slow, sweet time building up the character, the atmosphere and the outcome. It's certainly not going to be a film to appeals to everyone but it's certainly well-made and entertaining.

A considerable nonchalance fills the first long stretch of the movie, with nothing more than mere suggestions of anything peculiar dancing around the edges of the picture. At that, the marginal unease is built almost exclusively with out of place sound effects, John Scott's ominous score, or lines of dialogue that do not comport with the beautiful scenery and setting. So it is until just over one-third of the film has passed, as the eeriness begins to coalesce - first with more concrete notions of something amiss in the scenario, and at last with confirmation.

I appreciate the costume design. I think the concept is alright. However, I think the screenplay is regrettably thin, and hollow. Unconcerned pacing and piecemeal, light plot limit our engagement, and dialogue is often ham-handed and unconvincing. These qualities are echoed in the writing and orchestration of scenes, and the characterizations, to which little to no personality is imparted. All this works to restrict the cast, especially stars Angela Pleasence and Lorna Heilbron, from fully realizing the potential of characters. Heilbron is duly pleasant and uncertain as Anne, and Pleasence bears a dark intensity and disquiet as Helen; sadly, that's about all the more there is to be said. Whatever measure of nuance the leads are able to bring to their performances is effectively lost given the indelicate, feeble hand otherwise crafting the feature.

There are strong ideas here, and a strong cast. The end result just doesn't cut it. The atmosphere, thrills, foreboding, and broad entertainment we should get are greatly dampened by what feels like a weak, incomplete writing. I feel as indifferent to the film at its end as I did when I first began watching - save for that I'm also disappointed. There are worse things you could watch, and yet - a horror-thriller should get one's blood pumping to at least some small extent, but as it is, this simply doesn't. I hesitate to say that 'Symptoms' is outright bad, but it's not good, either.

An odd woman takes her girlfriend to stay at her place in the country, but a former girlfriend has something to say about that ...

Slow and creepy mystery. The atmosphere is set perfectly by photography and music, but especially through the overgrown lakeside estate from the early '70s, when locations were cheap. I'm not sure this is a horror - it does dabble in the ghostly, but really it's all about psychosis - although the gore is effective: films from this era relished their stabbing scenes, and the crunchy-cabbage sound effects in this one got me every time.

The lead actress is excellent, and the performances all round are good, but the big drawback is in the character of the odd-job man: the performance is a little awkward, and the purpose of the character turns out mundane, missing the opportunity to make this a true horror, where things turn inside out and the past becomes cosmic truth. Ahem. In the end it's just a tale of bloody madness temporarily disturbing the surface of normality.

Music sets the tone. Photography is mostly delicious, and the house and lake take on real character.

Overall: Nicely disturbing, but falls short.