Sugar Hill

Sugar Hill is that rare mixture of 70's blaxploitation and horror that started in movies like Blacula, Scream Blacula Scream, Blackenstein, and others. It is a pretty neat little film with some good horror sequences of zombies in graveyards and zombies administering revenge. The revenge is based on a woman who loses her boyfriend to thugs wanting to buy his business. He is beat to death and Marki Bey(who by the way is VERY easy to look at)seeks the help of an old voodoo woman(played by the woman that played Mrs. Jefferson on the Jeffersons)that helps her reach the spirit world. She sells her soul for the help of the zombies. The next part of the film deals with the revenge sequences for each individual in the mafia-like gang. The murders are chilling, well-executed(no pun intended), and have a pinch of humour as well. The acting is decent for this kind of film. Vampire star Robert Quarry, having to fill a contract obligation, plays the heavy with his usual charm and wit. The scenery and sets are very good too, but remember this is the 70's...the music is something and the clothes are like WoW! All in all a good zombie flick.

A good exploitation film that mixes the usual elements with voodoo and zombies. It was actually surprisingly light on the gore and violence and had zero nudity, but the story and the characters were interesting enough. The "eye" effects for the zombies made them stand out from other movies.

Baron Samedi almost stole the show from the beautiful Marki Bey . . . almost.

The grandmother from the Jeffersons, Charles Robinson from Night Court, Robert Quarry from Count Yorga and Richard Lawson (father of Bianca Lawson from Buffy-TVS) all star.

Langston (Larry D. Johnson) is the owner of a successful nightclub and he proposes his girlfriend, the photographer Diana "Sugar" Hill (Marki Bey), to get married with him. However the kingpin Morgan (Robert Quarry) and his henchmen kill Morgan when he does not accept his offer to sell the nightclub. Sugar Hill seeks out the voodoo priestess Mama Maitresse (Zara Cully) to revenge the death of her beloved Langston. Mama summons the Lord of the Dead, Baron Samedi (Don Pedro Colley), who offers a horde of zombies to Sugar Hill take revenge. In return, she offers her soul to him. She lures Morgan while his gangsters are murdered one by one by the zombies. Meanwhile his former boyfriend, Detective Valentine (Richard Lawson), investigates the gruesome deaths of Morgan´s mobsters and suspects that the killer is using voodoo to kill them.

"Sugar Hill" is a funny and cult low-budget zombie film with Blaxploitation to the best. The plot is highly entertaining and the make-up is great, with creepy zombies with half- Ping-Pong ball on each eye. My vote is seven.

Title (Brazil): "Os Zumbis de Sugar Hill" ("Sugar Hill´s Zombies")

When her boyfriend is brutally murdered, after refusing to be shaken down by the local gangsters running their protection racket, Sugar Hill (Marki Bey), decides to call upon the help of aged voodoo queen Mama Maitresse; Sugar entreats her to call upon Baron Zamedi, the Lord of the Dead, for help in gaining a gruesome revenge.

Whether or not this is a blaxploitation horror film, I have no idea. There is definitely a theme of the black heroine (a poor man's Pam Grier) taking on white crooks. And the police detective has a pretty impressive fro going on. But the line between blaxploitation and a film that just happens to have black stars is a blurry one in the 1970s...

What I do know is that this is a fun picture from Sam Arkoff and AIP. Not particularly scary and never taking itself too seriously, we get about half a dozen people attacked (one at a time) by a zombie horde. And these are real zombies -- the voodoo kind -- not those flesh-eating zombies that have taken over the horror world today.

Not the best film, not the worst, but definitely one that probably gets overlooked too often and is worth a peek for those who are into the voodoo zombies and already saw the bigger name films like "White Zombie" or "Serpent and the Rainbow". I get the impression that this film was an influence on Adam Green's "Hatchet" series, though that may just be my imagination.

Interestingly, despite being made after George Romero's "Night of the Living Dead", this film finds its roots more in the racially-inspired zombies of the 1940s and 1950s. Namely "King of the Zombies" (1941), "I Walked With a Zombie" (1943) and "Zombies of Mora Tau" (1957).

"Sugar Hill" has a lot of what made "Foxy Brown" so compelling, but adds an interesting plot device for a novel twist. I've seen lots of black gangster films where black heroes (and anti-heroes) get over on The Man and The Establishment, but "Sugar Hill" is the only film I've seen where horror monsters (as opposed to gun-play and car chases) are the vehicle for social justice. Of course, there could be others. I don't get out much. (And no, I don't count "Zombie Nightmare", which is a vanity project, not a movie.)

The heroine of the story loses her man to the predations of the local Mob when the Mob moves in on their nightclub. In order to exact revenge, she manages to contact a local voodoo cult (because in this film's social milieu, all black people in the South maintain contact with their pagan cult roots, don'chaknow) and convince them to aid her cause. Hilarity ensues.

On the plus side: the makeup effects for the zombies were novel and extremely effective - I've never seen any other film use 'brass eyes and cobwebs' effects and bluish "bad skin" tints like this. Someone did a wonderful job coaching the extras on how to be convincing as cold, soulless, remorseless, shambling piles of ex-humanity. And they are framed and filmed and lighted in setups out of your worst nightmares. The setups for each of the revenge scenes are well done, and there is a lot of variety in the scenarios, as well as some macabre humor - the 'death by massage therapy' scene managed to be both funny and appalling at the same time, which is a great trick.

Also on the plus side: The actress playing Sugar is very striking and carries the movie effortlessly. She's convincingly merciless and cold as she delivers judgment on each of her foes, and obviously relishes her revenge. The actor playing Samedi seems familiar; I think he shilled for "7-Up" some years ago. He's got a wonderful, deep, rich patois that resonates in the viewers' solar plexus. His sadistic glee and delight in the suffering and terror he inspires in his prey is enough to make you seriously considering defecting to the ranks of the "voodoun."

On the minus side: Once Sugar gets the voodoo revenge ball rolling, it's just too damned easy for her - there is no struggle, or suspense at all. In "Foxy Brown", the heroine suffers rape and beatings and humiliation before she turns the tide on her enemies, and it makes the story more compelling because of it. Even in a Jim Brown "Slaughter" film, Jim had to sweat some to win the day. For that matter, Bruce Lee took some serious hits in his various fights for justice and revenge. But here, the Mob guys are dumb as toast and go down before the voodoo onslaught like mice under a field mower.That turns the film from a heroic struggle to an exercise in righteous sadism against a bunch of mannequins.

And traditionally in films and literature, if the protagonist messes with "Dark Forces" to exact their revenge, they have to pay a price themselves. But Samedi just goes out and tears Sugar's foes apart like an obedient supernatural Pit Bull and it doesn't cost her a thing, at least not overtly. The protagonist's desire for revenge and/or justice is much more convincing if the story shows them paying a real price to achieve it. So again, the film is less than it could be; instead of making Sugar Hill's story a tale of revenge no matter the cost, it becomes an plodding exercise in vicarious power fantasy and butt-kicking.

But still, it's a powerful experience, if only due to the fortunate accident of the makeup and the charisma of the two lead black actors. I'm glad I managed to catch it on Showtime, and if I ever see it on DVD for a reasonable price, I'll probably pick it up for my collection.