The Gardener

My review was written in February 1981 after a screening at NY's Thalia theater.

Shot on location in Puerto Rico in 1972 under the title "The Gardener", "Seeds of Evil" is a failed indie horror film never widely distributed, and reviewed here for the record.

Uneventful story deals with Carl (Joe Dallesandro), a sinister but attractive young gardener whose wealthy His employers have a habit of suddenly dying. His current employer Ellen Bennett (Katherine Houghton) is stuck with an inattentive husband (James Congdon) and is attracted to Carl. Beautiful neighbor Helena (Rita Gam) also falls under the gardener's spell, leading ultimately to violenced and Carl's death. Writer-director Jim Kay unimpressively grafts onto this sexual attraction premise a ludicrous horror plot to which Carl's orchids and other flowers conspire to kill people. With no budget for special effects, film becomes camp in scenes of victims' terrified reaction shots to the innocent-looking (but supposedly lethal) flowers. At film's end the dying Carl turns into a human tree with makeup and design work that is laughable. Instead of being scary, film is simply pleasant, with endless scenes of the lead actresses chatting, going to a costume ball or just showing off their wardrobe.

Katherine Houghton (niece of Kate Hepburn and previously featured in "Guess Who's Coming to Dinner") is a very engaging personality here, surviving the lame material by playing each scene with spirit and no condescension. Rita Gam provides humor as her arch best friend. In his first starring assignment away from the Andy Warhol factory, Joe Dallesandro merely nonacts with a disinterested monotone delivery, but helmer Jim Kay does exploit thesp's male sex symbol status well in tasteful nude shots and arresting closeups. Tech credits (other than effects work) are professsional but undistinguished.

This film has 5+ names so it took me a while to find it streaming on Prime. It's a hard film to review because most of the actors are actually good? They're accomplished stage actors and you can tell. The beautiful elephant in the room is a shirtless Joe Dallesandro who slinks through various scenes like he's in a porno...but I'm blaming that on the unexperienced director since we know Little Joe can/could do more than that.

Unfortunately the story is incredibly boring. Even the lowest budget film can be a fun watch if the plot moves at a good clip but this just meanders along, making it feel interminable. It's good acting with bad writing and directing.

SEEDS OF EVIL is one obscure film and the better for it. I love watching films that have been, for whatever reasons, forgotten or simply dismissed with time. Watching them always brings a special kind of feeling: that your watching something few people have seen. On rare occasions I "discovered" a couple of hidden gems by doing this. But most of the time there's a good reason why so many films are forgotten: they're just not good on any level.

SEEDS OF EVIL is one of those obscure films people have forgotten and though it's not a true hidden gem, it's a real find nonetheless. There's something unique about it which I've rarely seen in any film I've seen up to now: it basically creates a new genre, of the psychic connections between plants and humans and the potential for evil. It's forward thinking enough to be seen as contemporary and yet the film has a quaint charm to it which reminds me of movies of the past.

Though made in 1975, SEEDS OF EVIL is decidedly straddled between the films of sex and gore of the 1970s and the spooky, non-violent horror films made just a decade ago (like THE HAUNTING or THE INNOCENTS). The sex is provided in the form of Joe Dallesandro, who's shirtless and wearing barely there hip-huggers, or just plain naked throughout the movie. And the quaintness is mainly due to the fact that there's little violence in SOE and the soundtrack is very flowery and has that "whoo-hoo-hooo" kinda of feel to it, which is probably more suited for a horror film of the 1950s or 60s than one from the 1970s.

The direction is not bad. The camera glides around smoothly. The film is never boring even though nothing much really happens in the movie. The 1970s fashion and interiors are a sight to behold. The acting is surprisingly good for this kind of film, with Rita Gam stealing the show. The exception being Joe Dallesandro. Joe is one bad actor. So much so that the director consciously avoided having Dallesandro acting on screen for extended periods of time. Dallesandro, with his compact and sculptured body, was simply used as "special effects" for the film. And the genre (psychic attachment to plants, also explored in THE KIRLIAN WITNESS in 1978) is an interesting one and though not 100% successful here, it does bring a fresh outlook to where evil might lurk.

Anyone looking for gore or violence, or female nudity will be sorely disappointed with SOE. But for fans of obscure films, even though there's nothing earth-shattering about it, SEEDS OF EVIL is a nifty little find.

Gardener is a 70s Horror Film starring Joe Dallesandro as the title character, a gardener with evil powers. More importantly, gardener who never wears a shirt with evil powers. Excited yet? The movie is very pretty, filmed in Puerto Rico. Very gorgeous shots of various flowers and our title character fill the movie. It's not very believable that Carl - The Gardener - can manipulate the flowers to drive his employers and friends crazy, and that's mostly because it isn't really explained. It just happens, and they expect us to believe it because the evidence is there. He comes, he goes, they go crazy. I want to say that this movie was made to exploit the young actor (at least young at the time), but he's never really explored. He has some exploitive scenes, like when he skinny dips and seduces various female characters, but he's really not "fleshed" out. LoL. Flesh. Our main character Ellen (played by Katherine Hepburn's niece Katharine Houghton) gets most of the screen time and she falls prey to Carl's powers of manipulation. The flowers in the house start to affect her other servants, her husband, and her best friend, who just wants to bed him. (Rita Glam, stealing every scene she's in) I obviously wanted to watch the movie for some eye candy, and I kinda' get it. Joe Dallesandro as Carl struts around the movie in nothing but a pair of tight camel skin pants. We get a butt shot and some ab shots, but nothing that I can't see on an episode of Desperate Housewives or Weeds. Still, the acting of our two main actresses, (playing the typical main character and main character's horny friend that pollutes so many other films) rises above B movie status and they take the ridiculous script so seriously that it elicits some unnecessary laughter throughout. Worth a watch for cult movie fans, and gay people, but don't expect too much. Just some flesh, flowers and HORROR!!!! heheh.

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I picked this movie up in the USED section at my local Record shop and I have to say, by the cover artwork and synopsis on the back, I was excited to take it home and pop it in. The whole project is really well-done in that way. But that's about it. The film was very 70's, which for me, is a good thing. For most viewers though, this would prove to be a cheesy example of an era that might be better off forgotten. The music is pretty bad and so are the clothes. It's not stylish, its like the Brady Bunch.

There is no good gore in this movie. The acting is decent and the guy who plays "The Gardener" is semi-creepy, but the plot just fails. It's not scary in the least bit and the only good scene in the film is the very last one.

I had high hopes, I really did. I wanted to like it more, and I still do. I've watched it three times now and I still fail to see how this is a horror movie. It's more like an off-beat romantic drama with a twist. If I had to compare it to something else, I'd say a mix between "Rosemary's Baby," "Play Misty for Me," and "Alice in Wonderland" (the live one) but not as good as any of those films.

4 out of 10, kids.