S*P*Y*S

Second lead pairing of Elliot Gould and Donald Sutherland (Little Murders saw them together, but with Sutherland in a support role) after the wonderful MASH in what was meant to be some sort of funny spy spoof. Alas, there is no Altmann magic with SPYS and this one sinks like the proverbial stone.

They play a mismatched spy pair who are forced to bond when sold down the river by their various agencies and thereafter chase after some micro-dots. The two still appear to have a kind of improvisational energy, but the material they are dished up to deal with, wouldn't pass muster in an average Get Smart episode. I have to say that I'm surprised the usually very competent direction of Irvin Kershner seems to have gone completely walkabout during the making of this feature. Poorly choreographed and lit action and slapstick scenes! It's difficult to believe this is the same bloke who helmed The Empire Strikes Back 6 years later. SPYS is also lumbered with a terribly annoying musical soundtrack.

In terms of laughs most discerning viewers should find any of the Roger Moore Bond entries much more amusing. And as for spoofs, the later arriving Austin Powers or Johnny English (hell, even the Casino Royale with Peter Sellers) have it all over this clunker. I would love to have been a fly on the wall to see how SPYS was received at Cannes.

SPYS is an aggressive laugh out comedy in the tradition of the old "Road" pictures that never really works. It has no real plot so to speak and relies on the chemistry of the lead actors of which there is plenty for its appeal. Wise cracks fly aplenty and barbs of witticism fill the air. This hit movie which was released in 1974 feels like a movie from the 80s. There is a certain fluidity of camera and mis-en-scene that MTV brought to the eighties movies that permeates the aurae of this movie. It feels like a 1985 movie SPYS and the likes that ruled the beat-box era. Laughs ring true after a very strong start but even a plot less seems or needs to deceive the audience into thinking it has a direction. The plot is silly if not confusing and just happens and the french actress Zuzou who was also a popular singer isn't very good. She just complicates matters. In all, not great but the ending is bitter-sweet and sharp on the money. You wish the movie itself had that kind of vive de joie.

S.P.Y.S (2 outta 5 stars)

Pretty lame spy "spoof" that put a kibosh on the possibility of Donald Sutherland and Elliott Gould becoming the greatest comedy team of the '70s. The guys are both great comic actors and they have loads of screen chemistry together. If you don't care much for either of these actors you will probably hate this movie... and if you are a big, big fan of either one of them... well, you probably still won't think much of it. Playing a pair of maverick secret agents forced to work together, they start out complaining and bickering but over the course of their adventure (some overly-complicated plot about assassinations, missing diamonds and foreign agents) they begin to get chummy. Sutherland and Gould have charisma to burn but the lousy, nearly joke-free script doesn't give them much to work with. I suppose if this has been a big box office hit they could have continued the franchise and gone on to bigger and better movies together... but, this tanked with audiences and I don't think they two have worked together since. Anyway, I have to add that I have always absolutely loved the last scene of the movie... as our two defeated heroes, in full-out charming rascal mode, skip off down a lonely road together and start singing:

Oh, we don't know what's comin' tomorrow, Maybe it's trouble and sorrow, But we'll travel the road Sharin' our load Side by side

You take it, brother! Through all kinds of weatherrrrr! Did You hear that, Lord? Whether the sky should fall Whether the skyyyyy should fallllll Just as long as we're together It doesn't matter at all...

Great wrap-up... too bad about the first 85 minutes.

The idea of teaming Donald Sutherland and Elliot Gould together in a movie must have seemed like a good idea after their success with MASH. Giving them a half decent script would have probably helped a lot though. Instead we have a half-baked spy spoof with our two heroes stumbling along from one situation to another. About the only decent thing going for this mess of a movie is the fact that it was shot mostly in France. Vladek Sheybal as the head Russian spy is also quite good(he just oozes Eastern European charm). Otherwise, some pretty stupid characters, a few decent explosions and a lot of running around. I hope Sutherland and Gould were well paid for this. Note to producers: If you're going to spoof a genre that is no longer in vogue, at least make it funny.

Look, this movie is a fun romp. Nothing more. Made to poke fun at an America stuck fast in the cold war. To judge it harshly is to not understand the decade it was created in. It's buddy film from the 70s. It's got two great stars in it and its filled with wonderful comedic moments and also some great character performances, too. It's a comedy and comedy is always subjective. Gould is at his smooth hipster best, and Southerland complements him well as the nerdier company-man partner. Watch it and enjoy to guys having fun making a movie in Paris during their heyday in 70s films.

If it were made today it would probably star Will Ferrel and Owen Wilson. And it would probably be just as fun.