Mussolini ultimo atto

I finally had the privilege of seeing THE LAST 4 DAYS a few months ago, and I was blown away by how amazingly well done it was. The film stars the great Rod Steiger as Benito Mussolini, who faces his last 4 days of life. The film features great Ennio Morricone music, superb direction and great performances all-around by an allstar cast.

Rod Steiger is INCREDIBLE as Mussolini. He faces his last days on earth having to make several major decisions as his life and nation fall apart around him. I can't describe his performance; it's just powerful and incredibly believable. Franco Nero is great, too, as an Italian partisan officer who is assigned to kill Mussolini. Lisa Gastoni is excellent as Mussolini's wife, who like any loyal wife, wants to be with her husband through the thick and thin. Henry Fonda is very good in a small role as Cardinal Schuster, who tries to help Mussolini but ultimately fails. Watch also for: Giuseppe Addobbati, Andrea Aureli, Bruno Corazzari, Marco Guglielmi, Tom Felleghy, Luciano Pigozzi, John Stacy and finally Giacomo Rossi-Stuart as an American officer assigned to apprehend Mussolini.

The direction is tight and spectacular. Carlo Lizzani brings every aspect to the movie to life. The paranoia and confusion of Italy falling apart to stunning life. There is not a wasted frame in this movie, and the pace is set perfectly. The editing is also very good, -- especially in the scenes where Mussolini is jumping from flashback to current time -- are shocking realistic. Ennio Morricone's score is haunting and really penetrates you.

I saw this movie as a copy of a copy of the Lightning Video. The print is relatively clear, especially for a 3rd generation copy, and I don't believe anything has been removed. If there is any missing footage, it doesn't show in the editing. The credits are letterboxed about 1.85:1. See an original video; don't be lazy like me and settle for somebody else's dub. The visual quality is essential to the theme of the movie.

An amazing drama of a leader that not many people know much about. The film gives a true insight into the last days of his life, and we see him as more of a man than as a diabolical Fascist leader. For being so professional and stunning in every way, I give it a 10 out of 10.

It is interesting that Rod Steiger has attempted two ambitious epic-roles in his career - Napoleon in Waterloo, and now Mussolini in Ultimo Atto - both European co-productions outside the normal auspices of Hollywood. Although it may be decidedly the minor of the two, the subject matter of the film still captivates the viewer as it chronicles the last few days of the Italian Leader.

Mussolini: Ultimo Atto portrays the demise of Italy's one-time Dictator from a leader of emperor-like proportions to that of a desperate fugitive. Mussolini is hunted by four separate groups each with different ideas of his fate. Hitler wants him to fight until his final breath, the Allies and the new Italian government want him to stand trial for war crimes, and the Italian partisans want to shoot him on site.

Rod Steiger plays Mussolini credibly (from what I know of him) and Henry Fonda is also notable in his role as a Cardinal.

Ten years earlier Carlo Lizzani directed 'Processo di Verona' which depicted the trial and execution of Count Ciano, son-in-law of Benito Mussolini. In that film Mussolini is only spoken of and appears briefly in newsreels. He is very much in evidence here in the person of Rod Steiger. In what is for him a subdued performance he captures brilliantly the air of resignation of a man stripped of his power who has a growing realisation that he will not be saved by the Allies and that his days are numbered. This is a far cry from the strutting, bombastic Mussolini that Steiger was to portray later in 'Lion of the Desert'. There is also an outstanding performance by Lisa Gastoni as his mistress Claretta Petacci who wishes to die with him and whose wish is certainly granted! Scene stealer Henry Fonda appears as Cardinal Schuster which serves to remind us of the connection between the Catholic Church and Fascism, although by all accounts Schuster distanced himself from Mussolini's extreme policies. Lizzani's film lacks the edge and momentum of his earlier one but still has some excellent scenes, is visually impressive and serves as a powerful historical document.

Rod Steiger once again showed his ability to play roles of political and historical men. In the past he was Al Capone, Napoleon, Gen. Ulysses S. Grant, Pontius Pilate, and Mussolini twice (also in "Lion of the Desert" ,1980). At his last minutes he was a kind of Mussolini humble, lost, not knowing what to do once he was arrested. Very good acting also from Henry Fonda playing the role of Milanese Cardinal Schuster, he worries more about Mussolini's fate than of those innocents who may have died during those days. The film showed well how Germans wanted to keep Mussolini and the efforts of the Americans to capture him. The director Lizzani did an excellent work trying to show these last hours of the dictator and his lover, Claretta Petacci (Lisa Gastoni). Very interesting dialogues were shown between the guerrilla fighters and Mussolini. He claimed that only Germans guilty of the war, and that he had very little responsibility on what happened, but the fighters refused all his coward arguments with real facts. Mussolini destroyed Italian democracy, eliminated political parties and unions, and also killed many innocent people. He supported well Hitler although he was a puppet in the hands of the Germans. I do not know whether Mussolini was killed together with his lover in a way it is shown in the film. What is known is that he tried to cross the border disguised as a German soldier in a convoy of trucks retreating toward Innsbruck, Austria. He was recognized and together with Claretta shot in an area closed to Como. Until here the plot must be accepted, but I wonder why Lizzani did not want to show further this history, i.e. that the bodies were hung, head downward, in the Milanese Piazza Loreto in Milan.

This is a great movie showing what a histrionic character and opportunist Mussolini was, double crossing until the end between the Italians, the Germans and the British, worried only about himself and not caring about the devastation he brought in his country and trying to escape to Switzerland where to live a comfortable life. Well depicted also his emotional life with her lover Petacci - which probably he exploited to the end for her devotion and total love. I was sorry that the story of the documents he was carrying with him, with all the letters exchanged with Churchill - and that would compromise Churchill if brought to the public - was totally ignored - probably too delicate a topic to be dealt with in this kind of commercial movies.