CALIFICACIÓN DE IMDb
6.6/10
809
TU CALIFICACIÓN
La marquesa Eugenia di Maqueda, una huérfana criada por las monjas, se casa con Raimondo, pero en la noche de bodas descubre que es en realidad su hermano.La marquesa Eugenia di Maqueda, una huérfana criada por las monjas, se casa con Raimondo, pero en la noche de bodas descubre que es en realidad su hermano.La marquesa Eugenia di Maqueda, una huérfana criada por las monjas, se casa con Raimondo, pero en la noche de bodas descubre que es en realidad su hermano.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Rosemary Dexter
- Floridia di Maqueda
- (as Rosemarie Dexter)
Antonio Anelli
- Military Commander at Commemoration
- (sin créditos)
Toni Luigi Arceri
- Soldato Siciliano
- (sin créditos)
Renato Marzano
- Croupier
- (sin créditos)
Luigi Tasca
- Train Controller
- (sin créditos)
Opiniones destacadas
Brilliant cast and unpredictable comedy - Seductive story line - Antonelli is at her best! - Michele Placido steals the show. An amazing story line that tells the secrets of two generations aristocratic and very eccentric family. The comedy is hysterical and very unamerican. Deals with human nature and the various sexual taboos that most american films would never dare touch. A young naive woman who has been raised by nuns in an orphanage realizes, on her wedding night, that she has married her long lost brother. Rather than create a huge scandal and lose the family inheritance they decide to keep the secret to themselves. The way the end being brother and sister is told through a wonderful flashback sequence. They cover up their secret by publicly taking a religious vow of chastity as a married couple. The young wife however although prude and conservative becomes very frustrated. Michele Placido plays the Chauffer that attempts to seduce her. A definite must see.
This film is a genuinely funny farce of conservative Italian morality. The cycle of absurd events in the film is pretty ingenious and I can see this type of writing as inspirational to writers like Woody Allen and Roberto Begnini. Above all, Luigi Comencici's direction is superb. Even if you don't laugh out loud, you should be able to appreciate his masterful comedic directing style. The lead actress Laura Antonelli is a grade-A fox, so watch it for that at least.
I've seen this movie 4 or 5 times. It is great and very funny! I like all actors very much especially Laura Antonelli and Jean Rochefort. This movie is kind of the parody. Sometimes it reminds me the style of Jane Austen parodies. This is about the "women decorum" or how a woman has to behave with a man in the beginning of XX century.
Even if there is no sex. Isn't it? Well, that's pretty much what happens in the film. Until Eugenia, the character played by the unique beauty that was Laura Antonelli, meets Silvano, the character played by Michele Placido. What a beauty of a woman this Laura Antonelli is, I consider her the most beautiful woman in the world, more beautiful than all the beautiful actresses, like other Italians I have been in love with more or less, Virna Lisi, Monica Vitti, Sylva Koscina, Silvana Mangano, Anonella Lualdi, Rossana Podestà, Sophia Loren, Monica Bellucci, Claudia Cardinale, Gina Lollobrigida, Ornella Muti, Stefania Sandrelli. The film is worth seeing just for her. A little for Michele Placido and Jean Rochefort too. Alberto Lionello's acting is too exaggerated. The talented director Luigi Comencini also delighted me with other films such as: "The Scopone Game Original title: Lo scopone scientifico (1972) and "Misunderstood" Original title: Incompreso (Vita col figlio) (1966). The 10 stars are less for the film than for Laura Antonaz, known as Antonelli.
Laura Antonelli brings whole new dimensions to the word "luscious" in this movie. She makes the seemingly stock character of the barely-reluctant virgin come alive in her scenes with Placido, thanks to her big eyes and adorably trembling lower lip. And then there's that body...
In addition, "Marriage" has a lot of wry commentary on Italy of the early 1900s. The upper class were a ragingly nationalist bunch not unlike some sectors of the U.S. populace today. (It helps the enjoyment of the film if one knows who Gabriele d'Annunzio was.) A conscript's baleful response to a officer's 'fire them up' speech is the funniest line of the film, one I haven't forgotten.
I saw this in a little independent theatre, and went back for a second helping. If you can find this one on video, rent it!
In addition, "Marriage" has a lot of wry commentary on Italy of the early 1900s. The upper class were a ragingly nationalist bunch not unlike some sectors of the U.S. populace today. (It helps the enjoyment of the film if one knows who Gabriele d'Annunzio was.) A conscript's baleful response to a officer's 'fire them up' speech is the funniest line of the film, one I haven't forgotten.
I saw this in a little independent theatre, and went back for a second helping. If you can find this one on video, rent it!
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- ConexionesReferenced in Only in Theaters (2022)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Till Marriage Do Us Part
- Locaciones de filmación
- Noto, Syracuse, Sicily, Italia(town in Sicily)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 50 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the English language plot outline for ¡Dios mio, qué pecado! (1974)?
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