La mansión sangrienta

A horror movie star (Vincent Price) returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.

This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.

This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.

I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).

Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.

There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").

Despite its star trio of 1970s horror masters--Vincent Price, Peter Cushing and Robert Quarry--"Madhouse" is not so much a horror film as a murder mystery with horror trappings. Very loosely based on Angus Hall's rather trashy novel "Devilday" (in which the central character of horror movie actor "Paul Harvard Toombs" is much more sinister), it features Price in a role that was at the time not too far removed from his real life situation: a film actor who would really like to move past horror films, but who for a variety of reasons was duty bound to keep making them. Price's character suffered a breakdown after his fiancé was horribly murdered. Several years later, after he is contracted to return to his signature role of "Dr. Death" for a television series, a new rash of murders occur and even Toombs himself does not know whether he is responsible or not. Cushing appears as the writer of the "Dr. Death" show and Quarry, in an uncharacteristically amusing performance, plays the producer, a parody of Amicus Films' Milton Subotsky (Amicus and Subotsky co-produced). Adrienne Corri has a bizarre role as a crazed, burn-scarred former actress, who has taken to living in Cushing's basement and raising spiders, which doesn't really fit in with the rest of the film. Still, as a quasi-horror film, "Madhouse" is fine; it contains some great, atmospheric scenes of "Dr. Death" stalking his victims, and despite its flying in from left field, the whole Corri subplot is undeniably unnerving. As a mystery...well, it's not really very hard to figure out who is responsible for the killings. But what "Madhouse" was obviously intended to do, and what it pretty much fails at, is to provide Price with the kind of career summation picture that Peter Bogdanovich gave Boris Karloff through 1968's "Targets." Old film clips from "House of Usher," "Pit and the Pendulum," "Tales of Terror," "The Haunted Palace" and "The Raven" are interspliced to give us a look at the actor's background, but they are not presented in a way that offers any kind of resonance to Toombs/Price's career. I had the opportunity to talk briefly with Vincent Price about this film a couple years after it was made, and he was not very happy with the way it turned out. But purely on the surface level, "Madhouse" is an entertaining, grisly whodunnit that offers good roles to its three stars.

Following the grisly murder of his fiancee,Hollywood film star Paul Toombes(Vincent Price)withdraws into his own world.Some time later,he is persuaded by an old actor-friend(Peter Cushing)to revive his famous horror role as Doctor Death.Life soon becomes a living nightmare for Toombes when friends and colleagues are brutally murdered one by one."Madhouse" is a rather cheaply made horror film that manages to create only a little bit of suspense.The story,which is based on the novel 'Devilday' by Angus Hall is also not very intriguing.Director Jim Clark uses clips from old Roger Corman horror films featuring Vincent Price as reenactments of the murders.Still the film is slightly entertaining and it's nice to see two horror veterans Vincent Price and Peter Cushing together.Check it out.7 out of 10.

The general consensus surrounding this film seems to be that it's a disappointment; and while I admit that Madhouse could have been a lot better considering the cast and ideas involved, in general; I'm very happy with the film. Every Vincent Price film that I haven't seen (not many left) is an automatic target for me, and this one also features a performance from the great Peter Cushing, which is a bonus. The central plot isn't all that original, but it still stands as a nice tribute to Vincent Price's career, and the way that director Jim Clark uses clips from classic Vincent Price movies such as Tales of Terror, House of Usher and The Pit and the Pendulum is good and reminds us of what a huge asset to cinema Vincent Price has been. The plot sees Price playing hammy horror movie actor Paul Toombes, famous for the role of 'Doctor Death'. When his wife is killed, Toombes vows never to play Doctor Death again; but on the advice of his friend and Doctor Death writer some years later, he reprises the role - and the murders continue.

The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.

An ageing horror star comes out of retirement only to find murder follows him everywhere he goes.

There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.

With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).

Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.

All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.