La mansión sangrienta

I thought this "diamond in the rough" was masterfully done. Vincent Price is his old self as the true the master of macabre. It is easy to see that this movie contains many characteristics found heavily in the modern day, surprise ending, slasher flick. With many exciting and suspenseful chase scenes, a wicked masked murderer, quick slashing deaths, and an emotionally disturbed main character, "Madhouse" reminds me of a sick mixture of "Scream" and Hitchcock's classic, "Psycho." In addition, the scenes and camera shots beautifully convey the mood and emotion of the awkward story line. Although obviously low budget, it baffles me that "Madhouse" isn't more recognized on the ongoing list of cult classics. Not the best movie in the world, but certainly worth checking out.

A horror movie star (Vincent Price) returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.

This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.

This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.

I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).

Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.

There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").

In MADHOUSE, horror film icon Paul Toombes (Vincent Price) has his big New Year's Eve bash interrupted by the brutal murder of his fiancee. Twelve years later, Toombes arrives in England to visit his old friend and screenwriter, Herbert Flay (Peter Cushing), who joins him in hopes of revitalizing Toombes' old movie persona, Dr Death.

Enter slimy TV producer Oliver Quayle (Robert Quarry), who plans on cashing in on his new Dr. Death show. Meanwhile, new murders ensue. Has Toombes gone insane, believing himself to be Dr. Death, as Scotland Yard speculates? This is a fun, entertaining movie, with Price both paying homage to, and lampooning his own career. Many clips from his movies abound, and it's always cool to see other luminaries like Cushing and Quarry involved.

MADHOUSE is a misunderstood film, having more to do with the end of an era than with real scares. The 1950's-60's were over, and the 70's changed everything, including horror movies. The Gothic gave way to the modern, gory, more suggestive films of the period. Price plays his character with a bit of a wink, and perhaps a tear. Horror would never be the same again. At least not the way it was when Vincent Price filled the screen...

I saw this movie for the first time about a year ago and thought it was genuinely pretty creepy. I am from the Scream generation and believe it or not, saw comparisons between this movie and Scream. It made me feel the same way. It was horror with a little bit of mystery. I am hoping for a dvd release of the film. If you haven't seen the movie, give it a try. You might be surprised.

Despite its star trio of 1970s horror masters--Vincent Price, Peter Cushing and Robert Quarry--"Madhouse" is not so much a horror film as a murder mystery with horror trappings. Very loosely based on Angus Hall's rather trashy novel "Devilday" (in which the central character of horror movie actor "Paul Harvard Toombs" is much more sinister), it features Price in a role that was at the time not too far removed from his real life situation: a film actor who would really like to move past horror films, but who for a variety of reasons was duty bound to keep making them. Price's character suffered a breakdown after his fiancé was horribly murdered. Several years later, after he is contracted to return to his signature role of "Dr. Death" for a television series, a new rash of murders occur and even Toombs himself does not know whether he is responsible or not. Cushing appears as the writer of the "Dr. Death" show and Quarry, in an uncharacteristically amusing performance, plays the producer, a parody of Amicus Films' Milton Subotsky (Amicus and Subotsky co-produced). Adrienne Corri has a bizarre role as a crazed, burn-scarred former actress, who has taken to living in Cushing's basement and raising spiders, which doesn't really fit in with the rest of the film. Still, as a quasi-horror film, "Madhouse" is fine; it contains some great, atmospheric scenes of "Dr. Death" stalking his victims, and despite its flying in from left field, the whole Corri subplot is undeniably unnerving. As a mystery...well, it's not really very hard to figure out who is responsible for the killings. But what "Madhouse" was obviously intended to do, and what it pretty much fails at, is to provide Price with the kind of career summation picture that Peter Bogdanovich gave Boris Karloff through 1968's "Targets." Old film clips from "House of Usher," "Pit and the Pendulum," "Tales of Terror," "The Haunted Palace" and "The Raven" are interspliced to give us a look at the actor's background, but they are not presented in a way that offers any kind of resonance to Toombs/Price's career. I had the opportunity to talk briefly with Vincent Price about this film a couple years after it was made, and he was not very happy with the way it turned out. But purely on the surface level, "Madhouse" is an entertaining, grisly whodunnit that offers good roles to its three stars.