Lucky Luciano

This is the real story behind Lucky Luciano , born Salvatore Lucania November 24, 1897 – January 26, 1962, the high priest of crime , the detailed account the world's most powerful mobster who built an empire on a sea of blood . This international co-production by Italy/US/France deals with the deported crime boss who is sent back to Italy . This picture is plenty of mayhem , strong stuff , drama and amount of gangland violence . Biographic movie about the notorious kingpin Lucky Luciano , though depiction is about the final years , including various flashbacks . Lucky is one of the bosses of the Mafia and leader of Cosa Nostra or Mafia, and soon became a chief in the Reina Family during the height of the Castellammarese War. Then takes place a Mafian War between Salvatore Maranzano, who eventually defeated the faction headed by rival Joseph Masseria . After Masseria's murder , this position was short-lived, as Maranzano himself was murdered in 1931 . Then , the family is headed by Charles "Lucky" Luciano , eventually known as the Genovese Family. He orders the slaughter of 40 other responsible , a famous massacre nicknamed Sicilian Vespers , therefore becoming the only boss. But a few years later he is put into jail.

This landmark mobster movie is strong stuff , being dominated by the tenacious acting of Gian Maria Volonte as the gangster of the title who follows his way venomously since his US expulsion through criminal career in Naples and Sicily . As trivia , previous Federal Narcotics Agent Charles Siragusa , Lucky's real-life nemesis , plays himself . There appears several known gangsters as Vito Genovese well played by Charles Cioffi and the informer named Giannini rightly performed by Rod Steiger . Director Francesco Rosi's body-strewn look at the feud between gangsters , Commissioners and Judges, , but especially concerns about Lucky Luciano given a good interpretation by Volonte . This is a violence-ridden story full of action, drama, thriller , suspense but being overlong . The notorious gangster Lucky Luciano is splendidly played by Gian Maria Volonte who makes a good character study of one of the most colorful mobsters of the history . Glimmer and evocative cinematography by Pasqualino De Santis , though being necessary a correct remastering . Adequate and atmospheric musical score by Piro Piccioni .

The motion picture is well based on true events : Lucky Luciano was an Italian-born, naturalized American mobster born in Sicily. Luciano is considered the father of modern organized crime in the United States for splitting New York City into five different Mafia crime families and the establishment of the first Commission. He was the first official boss of the modern Genovese crime family. He was, along with his associate Meyer Lansky, instrumental in the development of the National Crime Syndicate in the United States. On January 3, 1946, as a presumed reward for his alleged wartime cooperation, now Governor Thomas E. Dewey reluctantly commuted Luciano's pandering sentence on condition that he does not resist deportation to Italy. As two federal immigration agents transported Luciano from Sing Sing prison to Ellis Island in New York Harbor for deportation proceedings . In Italy and Sicily begins becoming one of the chief of the Mafia. The US Army seems to refrain from interfering his business . But in 1946, Luciano secretly moved to Havana, Luciano's objective in going to Cuba was to be closer to the United States so that he could resume control over American Cosa Nostra operations and eventually return to the United States. Meyer Lansky was already established as a major investor in Cuban gambling and hotel projects . In October 1963, Valachi had testified before Subcommittee on Investigations of the U.S. Senate Committee on Government Operations that the Mafia did exist . Although Valachi's disclosures never led directly to the prosecution of many Mafia leaders, he was able to provide many details of its history, operations and rituals, as well as naming many members and the major crime families , Luciano among them . With the death of Maranzano, Luciano became the dominant organized crime boss in the United States. He had reached the pinnacle of America's underworld, directing criminal rules, policies and activities along with the other family bosses. Luciano also had his own crime family, which controlled lucrative criminal rackets in New York City such as illegal gambling, bookmaking, loan-sharking, drug trafficking and extortion. Luciano became very influential in labor and union activities and controlled the Manhattan Waterfront, garbage hauling, construction, Garment Center businesses and trucking.

Reading some of the other reviews of Rossi's Lucky Luciano it is worth remembering that before it's release in 1974 the Italian film censors got their hands on Rossi's final cut and butchered it against his wishes, his protestations falling on deaf ears. It would appear this is the only cut that has survived official interference and, why I suspect it is so disjointed in its chronology. It is with this unwarranted and suspicious interference from the Italian censor that we should view this movie and which makes the content so much more revealing about the Italian state and how it's hidden hand works on different levels.

This is a very powerful and sophisticated film so both character and historical background knowledge is essential before viewing to make this a much more rewarding experience. Rossi is a master of political expose in cinema and deserves credit to agree releasing it in this pared down version - which must have stuck in his throat to do so at 100/110 minutes according to which distributors copy you buy -

In this country, Lucky Luciano is one of those 20s legends who have so often been glamorized in movies; we tend to be fascinated by such characters, and although films tend to either explicitly condemn them or show them coming to bad ends, they are among the most infallibly popular Hollywood staples. We also would concentrate on Luciano's years in America, which could be a familiar plot of the rise and fall of a gang boss. But Rosi's film begins with him leaving this country; it relates the long career that he had in Italy, in the drug trade, a time that Americans know little of -- it doesn't form part of the legend. Most of all, Rosi deliberately downplays the glamor. The drug trade is big business, and this middle-aged Luciano is a very solid businessman; the director (and the actor) have undercut the expected charisma. The efforts of police and government against him are portrayed as "factually" as possible (which makes aspects of their discussions rather unintelligible to Americans). Of course, all these things will make the movie seem rather boring to many viewers here! If you're looking for gangster thrills, go elsewhere; this is a movie of ideas, a critique directed at Italy in particular.

Francesco Rosi's film is a very fine and unglamorous treatment of the most famous mafioso of the 20th Century. Filmed in a quasi-documentary style, with un-enhanced sound recorded directly in real-life settings, we constantly have the feeling that we are watching real characters and not actors, even if one of the greats, Gian Maria Volontè, plays Luciano. And apparently many of the cast are indeed non-actors, and a few are even playing themselves. The movie is genuinely refreshing in that it does not romanticize or glorify or gloss over Luciano or the gangster's life. Early on it shows extremely violent scenes that condense a tremendous amount of background story into just what we need to know about Luciano's rise to preeminence in the underworld. And it's a great hook to start the film when the gangster's famous American life is ending. It's definitely a film for thoughtful adults, no cartoonish tidbits that would appeal to adolescents.

A sort of biography of Lucky Luciano the Italian mobster who was deported to Italy by USA's government after years in the jail, directed by the fine Francesco Rosi, the movie starts in this point when Lucky Luciano (Gian Maria Volonté) has been headed toward to Sicily at Italy by boat, mixed with few flashbacks concerning his violence background, he established at Sicily his homeland and Naples, where he manages all drug smuggling targeted to Europe and America, at its time post war the whole Italy was occupied by USA's Army and all major positions were chosen by American authorities, suggesting some agreement with local corrupts practices, upon this establishment the smooth Luciano feels free to work hidden over the shadows and becoming untouchable, however the unrelenting traffic ongoing peeves the American justice, sending to Italy an inspector to catch Lucky Luciano, the casting is the highlight of the slow paced picture, Gian Maria Volonté simply is great as Lucky, the almost unknowable Edmund O'Brien as Commissioner Anslinger also Rod Steiger as akind cheap mobster and Vincent Gardenia as the corrupt Colonel Charles Poletti, but don't expect too much, has many striking flaws strangely allowed by Rosi as portraits a modern New York as if it was on 1946, I'm trying wondering how it should happened over so magnificent director!!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 7