CALIFICACIÓN DE IMDb
7.1/10
22 k
TU CALIFICACIÓN
Un alcaide sádico le pide a un ex-quarterback profesional, que ahora está cumpliendo condena en su prisión, que reúna a un equipo de internos para enfrentarse a (y ser golpeados por) los gua... Leer todoUn alcaide sádico le pide a un ex-quarterback profesional, que ahora está cumpliendo condena en su prisión, que reúna a un equipo de internos para enfrentarse a (y ser golpeados por) los guardias.Un alcaide sádico le pide a un ex-quarterback profesional, que ahora está cumpliendo condena en su prisión, que reúna a un equipo de internos para enfrentarse a (y ser golpeados por) los guardias.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 2 premios ganados y 4 nominaciones en total
James Hampton
- Caretaker
- (as Jim Hampton)
Richard Kiel
- Samson
- (as Dick Kiel)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
You just can't get away with this stuff anymore. In the first ten minutes, Burt Reynolds has beaten his girlfriend, stolen her car, gone on a massive police chase, dumped the sportscar off a bridge, then attacked two cops. Oh, and he's the hero of the movie, too.
Nowadays the remake -- starring Adam Sandler -- is rated PG-13 and he's a total wimp. Back in the '70s you could get away with being vicious, sexist, homophobic and racist and live to tell about it. In 2005, Adam Sandler says the F-word in one of his movies and parents are banning the film companies.
Yup, this film is clearly racist, homophobic and misogynist. Women are treated as sexual objects throughout, from the opening to the part where a prison warden's intern requests sexual favors from Burt Reynolds in return for handing him a movie-reel he needs.
African-Americans are portrayed as racist tough guys who are better than the whites at football, and they call whiteys "honkies" and other such words. In return all the whites are racist towards the blacks and it creates an interesting tension.
The homophobia sneaks into play when it's suggested one of the inmates is in love with Burt Reynolds. Quite a funny scene, actually.
"The Longest Yard" was one of Robert Aldrich's most successful films and many claimed it was him "selling out," but viewed 30 years later this really does stand apart from many of the other sports-comedy films of the decade. What is so special about "The Longest Yard" is probably that it plays like a mix between "Cool Hand Luke," "One Flew Over the Cuckoo's Nest" and "Smokey and the Bandit" -- it's got car chases, it's got sports, it's got funny stuff, BUT it also spends a lot of time developing its characters and creating some very dramatic sequences.
This is well directed, gritty, and fun -- not as much a "comedy" as you might expect, it is actually more serious. By the end of the film we've come to root for a bunch of murderers and rapists and even Burt Reynolds, and let's face it -- when was the last time you saw Burt Reynolds in a movie and actually LIKED his character?! A classic of the genre.
Nowadays the remake -- starring Adam Sandler -- is rated PG-13 and he's a total wimp. Back in the '70s you could get away with being vicious, sexist, homophobic and racist and live to tell about it. In 2005, Adam Sandler says the F-word in one of his movies and parents are banning the film companies.
Yup, this film is clearly racist, homophobic and misogynist. Women are treated as sexual objects throughout, from the opening to the part where a prison warden's intern requests sexual favors from Burt Reynolds in return for handing him a movie-reel he needs.
African-Americans are portrayed as racist tough guys who are better than the whites at football, and they call whiteys "honkies" and other such words. In return all the whites are racist towards the blacks and it creates an interesting tension.
The homophobia sneaks into play when it's suggested one of the inmates is in love with Burt Reynolds. Quite a funny scene, actually.
"The Longest Yard" was one of Robert Aldrich's most successful films and many claimed it was him "selling out," but viewed 30 years later this really does stand apart from many of the other sports-comedy films of the decade. What is so special about "The Longest Yard" is probably that it plays like a mix between "Cool Hand Luke," "One Flew Over the Cuckoo's Nest" and "Smokey and the Bandit" -- it's got car chases, it's got sports, it's got funny stuff, BUT it also spends a lot of time developing its characters and creating some very dramatic sequences.
This is well directed, gritty, and fun -- not as much a "comedy" as you might expect, it is actually more serious. By the end of the film we've come to root for a bunch of murderers and rapists and even Burt Reynolds, and let's face it -- when was the last time you saw Burt Reynolds in a movie and actually LIKED his character?! A classic of the genre.
The Longest Yard refers not to the territory gained and lost in a football game. For Burt Reynolds its that prison yard that he's in for the next 18 months.
Reynolds isn't one of the noblest athletes ever to grace the National Football League. He was a quarterback who was thrown out of the game in a point shaving scandal. Now he's doing time for stealing his mistress's Maserati and causing a lot of havoc and mayhem when she called the cops on him.
The Longest Yard starts to look a little like From Here To Eternity where Monty Clift's company captain Philip Ober wants him to box for the post championship. Reynolds really isn't interested in playing football any more or helping warden Eddie Albert out with his semi-pro team of prison guards. But he's got less redress than Clift did in the army and Reynolds is not a person to make too fine a point of resistance.
What Reynolds suggests is a tune-up game with a squad of the inmates to play the guards to keep them in a fighting edge. Sounds real good to Albert who has a mean streak in him that Reynolds is slow to realize. There's a lot of possibilities to inflict some legal pain and for him to reassert his authority.
The Longest Yard is first and foremost about what Reynolds will do when the crisis comes. His track record doesn't suggest any heroics, but some people do surprise you.
The antagonists Reynolds and Albert are given good support by director Robert Aldrich's picked cast. Foremost among them are Ed Lauter as the chief guard, James Hampton as the team manager, and Charles Tyner in a particularly loathsome role as a prison stoolie. He will really make your skin crawl.
Bernadette Peters is also in The Longest Yard as Albert's secretary with the delightful name of Miss Toot who takes advantage of her position with a little sexual harassment of the prisoners. I do love that Dickensian name that was given her for this film. The only other female of note is Anitra Ford who is Reynolds mistress and whose Maserati he appropriates. When Burt says he earned that Maserati you can well believe it.
The Longest Yard is in a class by itself, a sports/prison movie. A film that created it's own genre. That has to count for something.
Reynolds isn't one of the noblest athletes ever to grace the National Football League. He was a quarterback who was thrown out of the game in a point shaving scandal. Now he's doing time for stealing his mistress's Maserati and causing a lot of havoc and mayhem when she called the cops on him.
The Longest Yard starts to look a little like From Here To Eternity where Monty Clift's company captain Philip Ober wants him to box for the post championship. Reynolds really isn't interested in playing football any more or helping warden Eddie Albert out with his semi-pro team of prison guards. But he's got less redress than Clift did in the army and Reynolds is not a person to make too fine a point of resistance.
What Reynolds suggests is a tune-up game with a squad of the inmates to play the guards to keep them in a fighting edge. Sounds real good to Albert who has a mean streak in him that Reynolds is slow to realize. There's a lot of possibilities to inflict some legal pain and for him to reassert his authority.
The Longest Yard is first and foremost about what Reynolds will do when the crisis comes. His track record doesn't suggest any heroics, but some people do surprise you.
The antagonists Reynolds and Albert are given good support by director Robert Aldrich's picked cast. Foremost among them are Ed Lauter as the chief guard, James Hampton as the team manager, and Charles Tyner in a particularly loathsome role as a prison stoolie. He will really make your skin crawl.
Bernadette Peters is also in The Longest Yard as Albert's secretary with the delightful name of Miss Toot who takes advantage of her position with a little sexual harassment of the prisoners. I do love that Dickensian name that was given her for this film. The only other female of note is Anitra Ford who is Reynolds mistress and whose Maserati he appropriates. When Burt says he earned that Maserati you can well believe it.
The Longest Yard is in a class by itself, a sports/prison movie. A film that created it's own genre. That has to count for something.
Burt Reynolds plays Paul Crewe, a reprehensible character discovering, in a prison, dignity and esteem
You see him, at the beginning of the movieas a rising starbeating up a woman, stealing her car, drunken driving, insulting cops in a bar, resisting arrest
He's seen so funny when he insulted the miniature cop who's about to arrest him, while the cop's partner is laughing openly
Eddie Albert was very charming when he meets Paul Crewe at his arrival to Citrus State Prison Aldrich wanted to play Warden Hazen as the guy who had the veneer of normalcy, the veneer of being a good executive, the veneer of keeping it all together till it starts unraveling He really was just a despicable, oily, warden type In one game scene, we see him over and over again, getting up just with that same look of shock on his face
Ed Lauter (Captain Knauer) is wonderful He runs the football team He is a bad guy and he represents everything that is wrong with that prison system and everything else He changes as a result And to see that is just so delightful He's got the classic Ed Lauter's scene at the end James Hampton plays Caretaker, the character who brings the team all together and pushes Burt's character ahead to win the game
Ray Nitschke plays the toughest, meanest linebacker in football Richard Kiel, Bob Tessier, Charles Tyner, Michael Conrad, and Harry Caesar give the film a certain veracity, you almost thing you are in jail
Eddie Albert was very charming when he meets Paul Crewe at his arrival to Citrus State Prison Aldrich wanted to play Warden Hazen as the guy who had the veneer of normalcy, the veneer of being a good executive, the veneer of keeping it all together till it starts unraveling He really was just a despicable, oily, warden type In one game scene, we see him over and over again, getting up just with that same look of shock on his face
Ed Lauter (Captain Knauer) is wonderful He runs the football team He is a bad guy and he represents everything that is wrong with that prison system and everything else He changes as a result And to see that is just so delightful He's got the classic Ed Lauter's scene at the end James Hampton plays Caretaker, the character who brings the team all together and pushes Burt's character ahead to win the game
Ray Nitschke plays the toughest, meanest linebacker in football Richard Kiel, Bob Tessier, Charles Tyner, Michael Conrad, and Harry Caesar give the film a certain veracity, you almost thing you are in jail
The chase scene in the beginning of this film is still one of my favorites of all time.
Oh, and the rest of the film ain't bad either... 👌
Oh, and the rest of the film ain't bad either... 👌
Bitter former football player Paul Crewe (Burt Reynolds) gets into a physical fight with his girlfriend and gets sent to prison. Everybody dismisses Crewe for suspected point shaving. Warden Hazen (Eddie Albert) manages a semi-pro football team of prison guards. Captain Knauer (Ed Lauter) leads the team and orders Crewe from joining. Hazen is not happy with Knauer's result. Crewe reluctantly agrees to organize a prisoners team and play an exhibition game.
I don't mind the Adam Sandler version but it's nothing great. This version is so much better. It is darker. It's not as jokey but the black comedy hits so much harder. It starts dark with Crewe hitting his girlfriend. At first, it doesn't even seem like a comedy except for Burt's casual sly mannerisms. It reminds me of other serious prison dramas until it turns more into a sports movie. So it works as both genre. It has great emotions and touching relationships. It's a good drama and has a great feel good development. It essentially works in all areas.
I don't mind the Adam Sandler version but it's nothing great. This version is so much better. It is darker. It's not as jokey but the black comedy hits so much harder. It starts dark with Crewe hitting his girlfriend. At first, it doesn't even seem like a comedy except for Burt's casual sly mannerisms. It reminds me of other serious prison dramas until it turns more into a sports movie. So it works as both genre. It has great emotions and touching relationships. It's a good drama and has a great feel good development. It essentially works in all areas.
¿Sabías que…?
- TriviaSports Illustrated's Rick Telander wrote in the Oct. 17, 1988 issue: After the cast and crew of "The Longest Yard" departed from Georgia State Prison, the inmates played Georgia State Troopers using the equipment left behind by the film crew. The game quickly got out of hand, with inmates pummeling the out-of-shape troopers for their alleged arrogance. The game was called at the half, with the inmates ahead 66-0. End of prison football in Georgia.
- ErroresMelissa warns Paul not to touch her Maserati. The car was sold in the US as a Citroen/Maserati SM, a Citroen with a Maserati engine. The owner would be more likely to refer to it as Maserati.
- Citas
Paul Crewe: My, you have lovely hair. You ever find any spiders in it?
- Versiones alternativasThe 1995 VHS USA re-release does not feature the song "Saturday Night Special" by Lynyrd Skynyrd during the chase scene. Instead, there is no music during the chase.
- Bandas sonorasSaturday Night Special
Written by Ronnie Van Zant and Edward King (as Edward Calhoun King)
Performed by Lynyrd Skynyrd
Recording Supervised by Al Kooper
Courtesy of Sounds of the South/MCA Records
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Golpe bajo
- Locaciones de filmación
- Brunswick, Georgia, Estados Unidos(Car chase on Sidney Lanier bridge at beginning of movie)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,900,000 (estimado)
- Total en EE. UU. y Canadá
- USD 43,008,075
- Total a nivel mundial
- USD 43,008,075
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Golpe bajo: El juego final (1974) officially released in India in English?
Responda