Un administrador de una mina de oro de Sudáfrica descubre un complot de los propietarios de la mina y los banqueros de Londres para inundar la mina para frenar la producción de oro y así man... Leer todoUn administrador de una mina de oro de Sudáfrica descubre un complot de los propietarios de la mina y los banqueros de Londres para inundar la mina para frenar la producción de oro y así manipular su precio en las bolsas de valores.Un administrador de una mina de oro de Sudáfrica descubre un complot de los propietarios de la mina y los banqueros de Londres para inundar la mina para frenar la producción de oro y así manipular su precio en las bolsas de valores.
- Nominado a 1 premio Óscar
- 2 nominaciones en total
- Radio Commentator
- (as Dennis Smith)
Opiniones destacadas
Roger Moore is the eponymous hero of the film, as first The Underground Manager and later General Manager of a deep gold mine in South Africa. Susannah York provides classic English beauty in the form of the love interest and John Gielgud and Bradford Dillman exude villainy in it's most obtuse form. Simon Sabela is the quiet spoken, understated "Big King", a giant of a black miner and champion of workers treatment underground.
Filmed in 1974, this was Roger Moore's first film since his debut as James Bond in "Live and Let Die" and was sandwiched between his next outing in "The Man with The Golden Gun". It was also Susannah York's first film for two years since taking time out to have children. Producer Michael Klinger wanted to take another Wilbur Smith novel, "Shout at the Devil" to the screen but couldn't raise the finance so he made "Gold" first, which allowed him to raise the finance for the former.
This film is a fascinating insight into gold production and how both the price and availability of gold was strictly controlled and the lengths unscrupulous speculators would go to in order to cut production and increase the price. John Gielgud excels as the quintessential English financier, a role he played again in the same year in "11 Harrowhouse".
Bearing in mind that Moore was 46 years old, he makes a fine, handsome hero, as Rod Slater and the 35 year old Susannah York oozes class as Terry Steyner, the grand-daughter of mine owner Hurry Hirschfeld (Ray Milland). And a little golden nugget to boot is the performance of Tony Beckley, the mildly camp but almost psychotic geologist turned henchman. The action underground is first class and indeed quite gory in parts. It is perhaps. surprising that a film showing a miner having his face ripped off in an accident only has a 12 rating on DVD but then we live in different times.
The soundtrack for the film, composed by Elmer Bernstein, is both very "hip" for the period and has some beautiful orchestral pieces, particularly for the love scenes. Jimmy Helms' title track rendition is superb as are the two Don Black penned songs "Wherever Love Takes Me" (Oscar Nominated) and "Where Have You Been All My Life".
Finally, on a somewhat sombre note, virtually everybody of note from the actors and crew are sadly no longer with us. Only the writer, Wilbur Smith, lyricist Don Black and title song singer, Jimmy Helms remain. However, the film is a poignant reminder of a world where the colour of your skin literally determined your worth in life and in death.
Unlike similar movies of the time, the production values hold up well, in part due to being filmed on location in South Africa, with a lack of green screen. In the mine scenes, you feel like you're under the ground - it's oppressive and claustrophobic - because that's where it was partly shot. That contrasts well with the action above ground, including some spectacular aerial work. The plot is fine, occasionally lacking pace, but engaging and entertaining, giving an insight into the gold industry and market. There is little social commentary: one of the villains of the story is a white racist; one of the heroes, a black man; there is a shadowy London-based elite. Overall, it does its job with some great set pieces - my favourite, a mountain-top scene with a Rolls Royce.
The apartheid regime setting - controversial, when the film was shot - makes it a rare and interesting watch. Aside from actually being made in the country, there is very little that is objectionable specific to the film. Proceedings are captured in a matter-of-fact, almost fly-on-the-wall style, which includes the gold mines, city life and the beautiful surrounding landscape, with some authentic African dance scenes. There are no awkward verbal faux pas, as there can be from this period. Generally - wisely, perhaps - it doesn't make any strong political statements. The backdrop is presented as more a slice of life, with bigger themes going uncommented on and of less concern than its own particular story. It was not aiming to be on the right side of history - or the wrong side - it was just trying to be entertaining. It does that but also works on a relatively neutral, documentary level.
I hadn't seen Gold for 20-30 years. The film stayed with me from my childhood but has largely disappeared from our screens, partly due its age but almost certainly because of where it was filmed (there was even a trigger warning on Talking Pictures TV). I don't fully understand the controversy as it is now more of a monument to its time, like being transported back to the 1970s - both literally and fictionally - without the social commentary or agenda that biases so much contemporary work. An initial choice for director was Steven Spielberg who probably wouldn't have given the film the same hard edge as Hunt. Laughably - for political reasons - Wales was put forward to double for South Africa, something that would have produced a hollow counterfeit of what the film is. Released between Moore's first two Bond films, it stands the test of time better than either.
Gold is still very watchable and, with the passing of several decades and all that has happened since, has the added benefit of being an interesting and genuine historical work. Well worth your viewing time.
It's difficult to picture the suave, immaculate Moore spending years in the dirt - he sure cleans up well. But, the main problem with "Gold" lays with the boring romance - Moore and York look good together, but are saddled with a long, unexciting aboveground "who cares?" affair. The less seen Dillman and Milland are better without even kissing. And, frankly, the characters played by Tony Beckley (Stephen Marais) and Simon Sabela (John "Big King" Nkulu) seem more interesting. With at least six degrees of Oscar-connections, Maureen McGovern's non-hit "Wherever Love Takes Me" received "Academy Award" notice.
***** Gold (9/5/74) Peter Hunt ~ Roger Moore, Susannah York, Bradford Dillman, Ray Milland
Roger Moore is terrific as our mine manager hero (and unknowing pawn) and he shares an entertaining chemistry with co-star, Susannah York. Bradford Dillman also impresses in his role as one of the more conflicted of the conspirators. With Ray Milland, Sir John Gielgud and Simon Sabela supporting, it's a great cast all round.
Director Peter Hunt (On Her Majesty's Secret Service) ensures that the audience feels the ominous, claustrophobic atmosphere of the mine, and he doesn't shy away from showing the impact of a flood in such surroundings. Along with Hunt, many James Bond veterans worked on Gold, and this shows particularly in how smoothly the location work in South Africa has been integrated with the soundstage work at Pinewood.
Composer Elmer Bernstein uses Jimmy Helms' title song as an orchestral theme to stirring effect, while Maurice Binder (another Bond veteran) gets the ball rolling with his uniquely designed opening credits.
Gold comes highly recommended!
¿Sabías que…?
- TriviaThe movie was only released as part of a double bill in the U.S.
- ErroresAlthough signage usually says "independent blasting", the label on the control panel for the explosives is misspelled as "independant blasting".
- Citas
[producing King's helmet]
Plummer (John Hussey): We found this down there.
Rod Slater: It's King's. It's gold, I hate the lousy stuff.
- Versiones alternativasTwo versions of the opening credits exists. The first half of the credits feature the word GOLD in huge chunky letters on a black background. Within the letters, film has been optically added, showing gold being mined, processed, made into bars and finally, as a selection of jewellery. In the rough cut version, the final shot shows a woman's hand gliding into frame and selecting one of the pieces of jewellery. In the correct version, this is replaced by a slow zoom away from jewellery on a black velvet display. The rough cut also has Giulgud, Milland and Dillman billed at the same time, whereas the correct version has each actor billed separately. ITV in the UK always show the 'hand' version of the credits, although the DVD features the other version.
- ConexionesFeatured in For Our Eyes Only: John Glen (2021)
Selecciones populares
- How long is Gold?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Great Gold Conspiracy
- Locaciones de filmación
- Johannesburgo, Sudáfrica(Buffelfontein and West Rand mines)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 1,000,000 (estimado)