Escape sangriento

I bought this movie for $2.99, thinking it would be amusing trash. I had no idea how awesome, wrenching, complex, invigorating, and just downright GOOD it was. A lot of comments here have focused on how fun and awesome it is (and it totally is), but I don't see anyone talking about it as a legitimately good movie, so that's what I'm going to address here.

First of all, they just don't make movies like this anymore. Movies today are so sanitized and wiped free of emotion that one doesn't have much of a reaction to them. This movie features RAW emotion, mainly rage and anger. It also doesn't play nice on the brutality. I could not believe Foxy was actually going to be raped... that would NEVER happen in a movie today, and if it did, it would never be treated as casually as it was here. The way she is brutalized in this movie is genuinely shocking, and the ways in which she gets her revenge are equally shocking... and exhilarating. What I'm saying is that you have a real visceral reaction to this movie, and that's a lot more than can be said for most movies nowadays.

Secondly, I don't see anyone talking about the moral complexity of this movie. The whole thing of it being Foxy's own brother who sets the plot in motion brings a lot of ambiguity and depth to both his and Foxy's characters. And then there's Juanita Brown's performance as Claudia. The scene where she goes from drugged-up laughter to hysterical shrieking is just breathtaking... I've seen lots of Best Supporting Actress statues given out for a LOT less. I also liked how the movie didn't make a big deal of how Foxy arranged for Claudia to get out of the business and get back to her husband--and I like that the movie had Foxy do this: i.e. she's helping others around her, not just out for her own revenge.

Finally, there's Pam Grier herself! This movie made me a convert. There's just something so compelling about her; tough, vulnerable, tender, and MEAN when she has to be. There was a moment in this movie where the thought flitted through my head: "How am I going to survive in life if I don't have Foxy to protect me?" I am offically obsessed. I have the DVD of this film on order, and have plans to watch "Coffy" with a friend in a few days. Pam, you are a national treasure!

And let us not forget the awesome title sequence and catchy song by Willie Hutch!

As I was watching, I was thinking "I'm amazed no one has tried to remake this. Who would they choose? probably Halle Berry, though there's no way she could hold a candle to Pam." Well, it was no surprise to see that next year a remake is due out with Halle Berry. (But is Halle's Foxy going to get raped? I highly doubt it). You can just imagine how that's going to be. It will be all sanitized with some decorative "suffering," and then some bloodless revenge. That's why I keep harping on the rape in this movie: it was balls-out NASTY and BRUTAL and pulls no punches. Let's just see how Halle does.

One thing more: I'm not a Tarantino fan, but this film provided a lot of insight into a) Why he would want to make Jackie Brown, and b) a lot of the form and conventions (including the rape) that he followed in Kill Bill. Too bad, in my opinion, this movie is four times as complex and emotionally involving and cathartic as Kill Bill. A lot of that, I think, has to do with how technically proficient and writerly composed Kill Bill is, and a lot of the power of this comes from it being low-budget and without a feeling of being "guided" by a ironic and proficient director.

What the world needs now is Pam, sweet Pam.

--- Check out my website devoted to bad and cheesy movies: www.cinemademerde.com

Foxy Brown is one of the most graphically violent urban action films around. Jack Hill delivers a solid story to compliment pulp-style action sequences. Peter Brown and Kathryn Loder are remarkable as the villainous couple, whose passion for oneanother contrasts the hateful crimes they commit. Pam Grier is marvelous as Foxy Brown, both visually and emotionally. Foxy Brown, like Grier's previous character Coffy, is a strong-willed and able woman, who wants justice in her community, and personal life. The film's content, while slightly dated, is still timely enough to resonate with some viewers. Finally, I would like to address some rather ignorant critics of this film: yes, the villains are white. THIS IS A BLAXPLOITATION FILM!!!! WHAT DO YOU EXPECT????!!!!! While it is not easily stated, Foxy Brown and so many of the blaxploitation movies were originally produced so that Hollywood could capitalize on the vibe of the black community. These films were created, marketed, and displayed to an audience that was often belittled and ignored during the decades leading up to the 1970s. They are action flicks that pull on the heart strings of some, while others get a cool chuckle watching them. Trust me, whenever a bigot ruins my day, it is always nice to watch Foxy Brown bring whitey down!!! Power to the People!!!! And as the immortal Bob Ross always said, "God bless."

Foxy Brown has seen her boyfriend taken out, a tip off from her brother there's no doubt, now revenge is on her mind, drug dealing villains she will find, along with others, they'll receive almighty clout - amongst other things.

Another absolutely wonderful Pam Grier performance, what's not to like about a black women dolling out justice with style, elegance and class against a load of craven drug pushers and peddlers. A little bit racy in places, certainly of its time, and wholly unrepresentative of reality, but it moves along at pace, there are some great fight scenes, and the leading lady keeps you glued to the screen throughout.

This was one of the most violent, nonhorror films that I can recall from the 1970s. Beyond the blaxploitation label, Foxy Brown is a solid adventure film, that remains timely to this day. Kudos to Jack Hill, who worked up another treasure with the lovely Ms. Grier. Peter Brown and Kathryn Loder truly deliver unforgettable performances as depraved, sadistic villains, who love each other, but care little for anyone else. The love their characters share is a contrast to the evil that Mr. Elias and Ms. Wall do. As a note, I try to keep things in perspective, and stick to reviewing each film that I write about. But to whoever chooses to read this particular comment, please keep something in mind about the blaxploitation films:

1. They are action films, for the most part, beyond race. 2. These movies were made to play up the social issues of the time, and even today; so yes, most of the villains were white--deal with it!! 3. Because the blaxploitation films were produced in Hollywood, you should take note that the strong, physical prowess exhibited by the heroes and heroines of the films eventually find their way into the mainstream, as the Die Hard, Lethal Weapon, Commando, and Cobra movies of the 1980s and 1990s utilize the same, over-the-top action in urban settings. These films, with white leads, are more inline with the blaxploitation formula, than Dirty Harry and Death Wish pics; the Eastwood and Bronson characters mainly used their guns, and rarely duked it out with any villains.

So maybe I am rambling, but my point is this: enjoy each film for what it's worth. And keep in mind, the target audience for blaxploitation movies was ignored by studios during the decades before the 1970s. If you are white, and like blaxploitation, or of any race and think of these movies as cliched slices of the 1970s, please open your minds and keep a proper perspective of the times.

Pam Grier is absolutely dazzling in her outfits in this film, of which there are about a dozen. She's obviously the reason to watch this film, and her character, Foxy Brown, is a strong, smart, sexy black woman, which is a wonderful thing. Aside from Grier's charms, the film features revenge for a brutal rape sequence and entertaining grindhouse moments, so it's no wonder it's a Tarantino favorite. Despite the B-movie vibe with a script that seemed written by a high school boy (apologies to Jack Hill), the film has a feminist streak to it because of its lead character.

As for the exploitation elements, I have to say, it was tough to hear a black man say this when asked about getting a normal job: "Foxy look, I'm a black man, and I don't know how to sing, and I don't know how to dance, and I don't know how to preach to no congregation. I'm too small to be a football hero, and I'm too ugly to be elected mayor." It just reinforces all of the stereotypical roles usually assigned to African-Americans by Hollywood (though in the film, we do see a black man with a normal job briefly as he attempts to rescue his wife from sex slavery). On the other hand, I guess you could view it as a statement on limited opportunities in a white man's world, and the film does critiques the racism of its white characters as well as corruption in the justice system.

If you're willing to put up with low production quality (or laugh along with it) and enjoy the sight of Pam Grier dole out some beatings, this could be your film. I liked Coffy from the preceding year a little bit more, but this one is entertaining too.