Acoso mortal

I found this movie disturbing. Young girl putting a piranha in a woman's bathtub, while the others hold her down. The sheer frustration of the triumph of evil over good. The hopelessness of fighting an evil that outsmarts you every turn, with no weapons either. I had to stay up a while after seeing this movie. I just found it disturbing.

This movie is messed up. If you can get past the first 1/2 hour of cheap gratuitous sex and horrid seventies music this movie will really do a number on your fragile sensibilities. I really had to make sure the front door was securely locked about five minutes ago. Oh my God, it's just wrong. A movie like this would never be made today with all the codes that are in place. It's about as unwatchable as Faces of Death which is not entertainment at all but exploitation at humankind's worst. These kids never crack a smile except when they are bickering with each other over futile nonsense. Whoever said there was a hopeless feeling to this movie is right. This is some creepy stuff.

Five little evil bastards escape a van crash that most assuredly would have killed them had they been normal children. After a little wandering the five find themselves at a remote chalet where three couples and a mentally challenged handyman (try figuring that one out) are spending time in yelling at each other and getting drunk. Sounds like most of my Christmas'. Soon the incompetent adults are dispatched by the little tykes deathtraps that never seem to fail followed by an annoying Pop Goes the Weasel score. Aren't you scared yet? Watch for the catfight when at the end Lovely's robe is only partially open then the next glimpse it is wide open exposing the only things worthy of notice in this film.

What a disaster of a movie! It's not without promise but this could have been done so much better. The editing is so poorly done that it is hard to know who certain people are in the film such as the mystery man that emerges from the van wreck. Was it a clown car for chrissakes? This is rated R and yet the death scenes make me wonder if the director decided to pull back on the gore. The five plus minute slo-mo black and white death scene is so painful to watch it defies belief that the director would stoop to this to extend the runtime. Leif Garrett's hairstyle changes inexplicably from a goofy wig to shoulder length from one scene to another. The children refer to a character twice that is no where to be found such as when David kills Harvey and blames it on this mystery "Greg". How can you be so lax? On top of that the murders are so lame that only an idiot would fall for them and yet this chalet is packed with idiots. One scene in particular has two of the kids drown Lovely in the tub while dropping Piranna fish in. The fact that these kids are exposed to the large breasted Carolyn Stellar to begin with is a little disturbing but the scene is followed with all the "devils" dragging her naked body through the snow. One more juicy tidbit is Carolyn Stellar is the real life mother of Leif Garrett and Dawn Lyn who plays Moe. One of the writers is John Durren who plays Ralph the retarded handyman (I wonder if he wrote this channeling his character?) who in a very cringe inducing scene is sexually harassed by Lovely. I would recommend seeing this once with a bunch of friends and adult libations just to laugh at the sheer silliness of this movie. Aren't "peopletoys" marital aide products?

Over the years, many writers as well as filmmakers discovered that seemly innocent and cherubic looking children make extra-creepy horror villains! Demonic kids almost form an entire sub genre of horror by themselves! There usually is an explanation for their abnormal and murderous behavior, though. Either it's the influence of a satanic cult ("Children of the Corn"), a nuclear meltdown ("The Children of Ravensbeck"), a temporary blackout caused by a comet ("Village of the Damned") or even an ordinary solar eclipse on the day of their birth ("Bloody Birthday"). The youthful maniacs in this film have no real excuse for what they do. They were just born evil. And when their bus to the mental institute crashes down atop some snowy mountains, they become youthful maniacs AT LARGE! They make it to a holiday resort where some wannabe godfather Corleone runs his crime syndicate and they start killing all the residents. "Devil Times Five" is not a very good movie, but that's mainly due to a lack of budget and a shortage of talented cast & crew members. There's very little going on in the first hour, apart from a spectacular bus crash and THE longest murder of an institute employee (filmed in slow-motion). When approaching the last third of the film, the creepy moments and gory murders begin to follow each other at fast pace and the atmosphere really gets morbid. The adults are all pitiful and uninteresting characters but the five kids have quite interesting backgrounds. The oldest girl pretends to be a young convent sister, another girl is obsessed with fire and the funny black kid constantly acts like he's in the army. Their incontrollable urge to slaughter unknown people is a bit difficult to believe at times, but overall these young actors do a terrific job. "Devil Times Five" is recommended 70's exploitation, with a fairly high cult-value and several unforgettable murder scenes (piranhas in the bathtub!!)

This is one of them seventies horror films your grandfather would tell you about while settling you down to sleep when you were a toddler. Five crazy kids escape from a mental institution and play the scared kid card at the house of Papa Doc, who is currently playing host to all sorts of unlikeable adults, so, basically, you can tell where this is heading. What got me about the Devil Times Five is the way that the first hour passes almost lightheartedly, before heading for Grimsville. When the kids start wasting the cast, a kind of darkness settles on the film and never let's up. I don't know if it's just the playful way the kids massacre people (hence the title: Peopletoys), but I was left with a bizarre bad taste in my mouth after watching this. I guess that's the whole point though. You don't really get that from watching modern splatterfests. This is seventies horror in a nutshell, this film.

Plus, for UK viewers, check the name of one of the producers of this film (the IMDb won't let me use his second name here). I bet he's glad he didn't go to school in Glasgow!