Locura satánica - Necromanía

Ezra Cobb (Roberts Blossom) loves his mother and is intimated by women. When his mother dies, he still hears her voice and decides to keep her around the house. But he does not want his mother to get lonely and has to get her some new friends...

Blossom is amazing as Ezra Cobb. You can say what you want about this film, but one thing you cannot say is that Blossom is a horrible actor -- he made Cobb come to life and seem as believable as such a character could be. Cobb, being the movie version of Ed Gein, is more or less exactly the way I picture Gein being. Blossom's facial expressions make this whole picture worthwhile.

I would like to commend them for the faithful version of this story. So many people take the Ed Gein story and add all these elements to it or just take a grain of it and run wild (as in "The Texas Chain Saw Massacre" or "Silence of the Lambs"). While not all of this movie is factually what happened in Gein's life, the similarities are quite striking -- right down to the death of the hardware store clerk and the gutting of the woman like a deer.

Although this film is now almost forty years old, almost nothing is lost from the passage of time. In some ways, the film quality really adds to the setting (the story could only take place in the past). Another great feature is the narrator, who enters the story at random intervals to do an overview of the situation. Not only is he great, but watch the camera -- in one scene, the camera leaves Ezra in one room, goes to the narrator, and returns to Ezra in another room, in a seamless fashion (no cuts or edits) and visually showing the passage of time. It is quite well put together.

For a great Gein film, check this out. Whether Tobe Hooper admits to it or not, I do not know, but he owes a debt to this film (much as John Carpenter owes a debt to the late Bob Clark -- who coincidentally produced this). This film is plotted wonderfully, acted wonderfully, and flows wonderfully. With one small detail changed (the plastic looking blood) this would probably be considered a lost classic. Heck, maybe it already should be. (Okay, and maybe we should not be able to read the license plate saying Ontario.)

For a bonus: not only is the legendary Bob Clark an uncredited producer, but Tom Savini worked as a makeup artist for the film's corpses. This was Savini's first film, and the undisputed horror effects master is still going stronger today.

If you can stomach the plot of this movie, then I think that it's fair to say that you will like it. The bloodshed is kept to a minimum (considering the subject matter), but the film should still probably be avoided if you are squeamish or easily offended. However, for people like me who can enjoy a warped sense of humour and don't mind a little gore, it's a pleasant way to spend some time.

I have to say that I wasn't really expecting much from this 1974 movie from writer Alan Ormsby when I sat down in 2022 to watch it for the first time. Sure, I hadn't ever heard about the movie, but as I had the chance to watch it, of course I did so.

Turns out that "Deranged" was actually a rather wholesome and entertaining movie. Sure, it was a bit far out there, given the contents of its storyline, so it is not a movie that will appeal to just anyone in the audience. But take into consideration that this was made in 1974, so the movie is not so visually brutal as newer movies of the same genre.

What made "Deranged" work was a combination of the well-written storyline and the stellar performance by Roberts Blossom - playing Ezra Cobb. He was really nicely cast for that role, and he put on a good performance in bringing the deranged Ezra to life on the screen.

Sure, the movie is 48 years old already and the visual effects are definitely showing signs of aging. But luckily "Deranged" is not a movie that is really depending on visual effects to carry it, because of a properly written storyline and the acting performances.

I was genuinely entertained by "Deranged" from directors Jeff Gillen and Alan Ormsby.

My rating of the 1974 movie "Deranged" lands on a six out of ten stars.

FINALLY got to see 'Deranged' recently after wanting to for years, and what a surprise it is. Low budget yes, but takes its subject matter much more seriously than you would expect. There are some touches of black comedy in places, but overall this is no "funny" gorefest ala the 'Evil Dead' flicks. Roberts Blossom puts in an excellent performance as Ezra Cobb, the Ed Gein inspired protagonist. You may not totally understand why he ends up doing what he does, but Blossom successfully conveys Cobb's loneliness and isolation, which explodes into full blown delusional behaviour.

The only negative comment I have about 'Deranged' is the clumsy and unnecessary intrusions of the narrator into the plot. Without that we'd be looking at a complete classic. Even so, 'Deranged' is much more than a "video nasty" and deserves a much larger audience.

I picked up the DVD for "Motel Hell," and -- after getting a few good laughs out of it -- decided to watch the double-feature as well. I expected a cheap, gratuitous exploitation film with no redeeming features. What I got was a surprisingly subdued, well-made, and well-acted film that -- strangely -- had a lot of heart and compassion in it. And it's funny too, but in a down-to-earth manner. You could almost view this as an homage to Ed Gein, as opposed to an expose.

I also got a kick out of the crime reporter who kept on popping up in the scenes, waxing eloquent about "Ezra's" horrible habits, while Ezra himself sits next to the reporter, going about his business.

"Deranged" is a very strange movie, but not in an over-the-top way. It's strange with everyday life: the family who tells Ezra to stop kidding around when he repeatedly talks about committing the well-publicized crimes in the area, the old guy in the bar who talks trash about the state of his withered sex organs, and -- best of all -- the woman who uses her dead husband to seduce Ezra. Speaking of which, this lead to my favourite line in the film, as Ezra describes this woman to his mummified mother: "You were right, momma, she sure is fat! And I like that. But it would be scary to get stuck in all that fat. Real scary. I'd better take something along to protect myself."

As uneven as this movie is, it's got a strange oddball charm, as though the people involved felt they were creating a cross between an enduring work of art and a true-life crime story, but threw in a healthy dose of gore in order to make it more interesting. I'm glad I watched it, and would gladly see it again.