Jaula caliente

Ahhh... 'Caged Heat'! I get a big grin on my face just typing the title! Look, you either dig Women In Prison movies or you don't, and if you do 'Caged Heat' is the second best one ever made, in a tie with Jack Hill's 'The Bird Bird Cage'. (The best for me is still 'Chained Heat' starring Linda Blair and Tamara Dobson, made a few years after this genre is generally regarded as being at its peak). I think the only thing stopping it from being number one is the absence of Pam Grier. If she had played the character of Pandora instead of Ella Reid, 'Chained Heat' would be IT. Funnily enough, three of the major cast members (Juanita Brown, Roberta Collins and Rainbeaux Smith) had co-starred in various Grier vehicles ('Foxy Brown', 'The Big Doll House', and 'Drum' respectively). This is Jonathan Demme's directorial debut after serving his apprenticeship with Roger Corman as a writer and producer, and he really came up trumps. Demme manages to make a tough and tense W.I.P. movie and a playful, tongue in cheek parody of one simultaneously. He has made more accomplished and successful movies since this, but arguably none more entertaining. The cast is an impressive one, not just Brown, Collins, Smith and Reid, but Russ Meyer bitch goddess Erica Gavin ('Vixen!') and horror legend Barbara Steele ('Black Sunday', 'Pit And The Pendulum', 'Night Of The Doomed', 'Shivers',etc.). I also liked the perverted Dr. Randolph played by Warren Miller. 'Caged Heat' is first class trash, and a perfect example of 1960s/70s exploitation movies exemplified by the energetic and fun output of American International and New World Pictures. We will never see their likes again! Enjoy!

Jonathan Demme's feature length first unit directorial debut was this women in prison favourite, done for his boss in the 1970s, Roger Corman. It stars Erica Gavin as Jacqueline Wilson, a young woman nabbed by the police during a drug bust. While serving time, she meets a variety of convicts, among them the ultra tough Maggie (Juanita Brown), the equally feisty Belle (Roberta Collins), and the more low key Lavelle (Cheryl "Rainbeaux" Smith). When two of the ladies perform a risqué routine in order to entertain the others, the superintendent (Barbara Steele) decides to come down hard on her charges.

Once one stops to think about it, they do realize that there is more going on than in the standard issue type of W.I.P. feature. It *is* exploitative, of course; Demme does realize what's required of him. Still, he waits until about 24 minutes into the movie before he even begins showing off the birthday suits on the babes. There are shower scenes, and cat fights, and generally agreeable mayhem. There's also a decent subtext about the degrees to which males exploit females, and take advantage of them, and what can happen when enough females band together to take preventative steps. One can hardly fail to notice the depravity of a central male character, the nefarious prison doctor Randolph (Warren Miller), who has a taste for electro shock therapy and for taking nude photos of his patients at their most vulnerable.

The script by Demme is also laced with humour at appropriate moments. The characters maintain a good amount of rooting interest, with exploitation veterans like Brown and Collins offering standout performances. However, the most intriguing person here is Superintendent McQueen, played as being very repressed by Ms. Steele. In the real world, McQueen is confined to a wheelchair, and has one very erotic dream sequence.

Fans of the 1970s B movie will recognize a number of the supporting and bit players: Crystin Sinclaire, Carmen Argenziano, John Aprea, Patrick Wright, Gary Littlejohn. Pay close attention to catch Demme's regular cinematographer Tak Fujimoto as a sex emporium customer.

"Caged Heat" is sexy and violent, paced reasonably well, and delivers some excitement in its climactic prison breakout sequence.

Seven out of 10.

We have a bunch of chicks that looks pretty good and they have balls too. They are not some amazing actresses but they are OK: Juanita Brown, from "Foxy Brown"(1974), directed by Jack Hill, Erica Gavin, from "Vixen!"(1968) and "Beyond the Valley of the Dolls"(1970), both directed by Russ Meyer, Roberta Collins, from "The Big Doll House"(1971), directed by Jack Hill, "Women in Cages"(1971), "Death Race 2000"(1975), Ella Reid and Cheryl Smith are "the good girls". Barbara Steele is the "bad girl", the crazy Supt. McQueen, the prison boss. And Warren Miller is the "bad boy", the crazy Dr. Randolph, the prison doctor. They are all doing their best in this debut of Mr. Jonathan Demme, it's not so bad like somebody wrote right here, watch it, without high hopes, and judge for yourself! At least, you'll see some naked women...

There's lots of naked showering in this movie about women in prison. It's all young woman, ranging in age from 19 to 30, except for elderly, wheelchair-bound Barbara Steele (who's 37) as the warden, who wears glasses. There's also Warren Miller as the doctor who likes to experiment with his unconscious subjects and take pictures.

It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.

It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.

Arguably the finest women in prison (WIP) film ever made, CAGED HEAT proves that even a trash exploitation film can aspire to decent artistic values. Jackie (Erica Gavin), an accomplice in a drug related crime, is sent to a southern penitentiary run by an oppressive, wheelchair-bound warden (Barbara Steele). Jackie's cell mate Lavelle (Cheryl Rainbeuax Smith) suffers from suicidal nightmares while another prisoner, Pandora (Ella Reid), is reprimanded for entertaining her fellow inmates with a mildly lewd vaudeville act and placed in solitary confinement. Her loyal friend Belle (Roberta Collins) begins sneaking through the ventilation ducts to bring her food from the kitchen until she's caught when she surprises an elderly staff member who abruptly dies of a heart attack. Meanwhile, the prison bully Maggie (Juanita Brown) picks a fight with Jackie and gets them both in hot water. Though the warden is a bit stern, the real threat turns out to be the demented prison doctor (Warren Miller). He subjects Jackie and Maggie to illegal electric shock therapy and prescribes a more permanent `cure' for Belle: corrective brain surgery, which he intends to perform with a Black and Decker power drill (!). Jackie and Maggie finally work out their differences and manage to escape in a highjacked prison truck. But Jackie can't bring herself to abandon Lavelle, Pandora, and especially the doomed Belle. With Maggie's help, she plans a daring prison break to rescue her friends.

Jonathan Demme's script provides believable characters and several imaginative dream sequences, and his direction is filled with impressive camera angles and novel wipes and dissolves. He even commissioned an appropriately down and dirty soundtrack from blues legend John Cale. Because of these frequent artistic flourishes, CAGED HEAT is one of the few WIP movies to win the respect of critics. In spite of the abundant exploitation and nudity, the film unexpectedly also won the approval of some feminist groups who praised its positive depiction of `Woman Power.'

A hugely appealing cast helps the movie immeasurably. Ms. Steele earned a reputation as the original `Scream Queen' with her edgy performances in horror classics like Mario Bava's BLACK SUNDAY and Roger Corman's THE PIT AND THE PENDULUM (both 1961). She's cast largely against type here as the prudish warden, but a dream sequence in which she performs a raucous Vegas style dance number wearing glittering tights and sheer stockings reveals her character's repressed eroticism, a quality Steele projected in all her roles. Leading lady Ms. Gavin made her screen debut several years earlier in one of the first hardcore adult features, Russ Meyer's VIXEN! (1968), which was a gutsy career move in an era when many actors were arrested for performing sex acts on film, then still a punishable crime. The petite Ms. Smith enjoyed a busy career in exploitation films during the '70s and early '80s; she tragically died of hepatitis in 2002. But beautiful blue-eyed Ms. Collins, who had already appeared in two previous WIP movies (THE BIG DOLL HOUSE and WOMEN IN CAGES, both made in 1971), steals the show as the endearingly faithful Belle. The character takes considerable personal risk to help her friend Pandora and ultimately suffers for her effort. When we see her molested by the perverted doctor and learn that she's scheduled to become his next lobotomy victim, the news is genuinely shocking and upsetting, which nicely sets up Jackie and Maggie's race against the clock to save her. In other words, Belle ultimately becomes the emotional focus of the entire plot, and Ms. Collins handles the pivotal role with winning charisma and grace. She went on to appear in countless more cult B movies, including a fourth WIP film, VENDETTA (1986).

Demme of course went on to even bigger and better things, becoming one of the most successful directors of his generation. He won a Best Director Academy Award in 1991 for THE SILENCE OF THE LAMBS, which also won the Best Picture Oscar.