Residencia macabra

The godfather of all slasher movies, Black Christmas laid the foundation for an entire sub-genre. Nearly every trope/cliche of the genre can be traced back to this movie. One of the darkest films I've ever seen; even to this day there are some genuinely creepy/disturbing moments. Bob Clark masterfully crafts his sick vision through chilling shots, effective zooms, and some of the single greatest first person pov shots of any slasher. Margot Kidder, Marian Waldman, and of course Olivia Hussey all giving enjoyable performances. A bit slow in some parts, but as a whole it ranks among the best slashers ever made.

Think of the most compelling and interesting modern slasher you've ever seen, and then imagine if it was filmed in 74'. That's what this is. I was put off by the fact that this movie looks and sounds dated by today's standards, just like all movies from that era. For me, that's usually a deal breaker. But goddamn this movie truly is tasteful and classy horror, with well acted characters that make smart decisions and say smart things that a real person would do and say, and a truly terrifying psycho killer! This movie absolutely puts to shame all "slashers" that have come after it. Seeing a brooding atmosphere set up like this really makes me understand just how much my standards have been lowered by the current offering of horror movies out there. I've just gotten used to the mediocre and accepted it as normal, but Black Christmas is true home invasion horror, like I've never imagined. And this might be the creepiest psycho killer I've ever seen.

I could see how this generation might be put off with the slowness of some of the movie. From my perspective, it wasn't slowness, it was absolutely necessary scenes to properly build an atmosphere where the actual terrifying scenes are extra terrifying, but that's getting rarer and rarer to see in modern films.

What a movie.

To those of you Halloween fans, THIS is the film that came first, John Carpenter's Halloween is doused with aspects lifted directly from Bob Clark's Black Christmas. Alongside Psycho it remains one of my personal classics. Very unnearving and in parts horrific - the phone calls for instance. Basically its Christmas time, as the title suggests and an unknown killer has found his way into the attic of a sorority girls house and begins killing them one by one. Kidder's performance of the drunken, outspoken Barb is fantastic, followed closely by Olivia Hussey, who is truly beautiful in this movie. The camera work and direction is first rate, the first person perspective, heavy breathing - which most will know from Halloween, Mr Clark did it here first, and in my opinion, did it better than JC. It's not full of gore its full of suspense and wonderful creepy atmosphere, as I mentioned before, the phone calls really will put you on edge, as will the 'eye' scene. Get ready for a shocking ending and watch it again for all the bits that you didn't catch, believe me there will be some. Alongside Jacob's Ladder, Don't Look Now and The Fog this really is one of the most frightening films I have ever had the pleasure to acquire.

When I rented this film around the Christmas season of 1999, I did not know what to expect. The only reason why I rented it was that Olivia Hussey and Keir Dullea were in the leading roles (I have a strange and sick obsession with Olivia Hussey and I liked Keir Dullea in 2001). But then when I first watched it that dark and cold Saturday night, I was amazed.

The film's style was very dark and mysterious, as well as bizarre. While watching the film, I saw where John Carpenter might have gotten a lot of his filming technique from his 1978 classic, Halloween (one of my personal favorites). It, like Halloween, involves the murders of young women. And in the case of Black Christmas, it's sorority girls.

What set this apart from Halloween is that the killer is less human than Michael Myers. You saw Michael Myers, but you do not see the killer in Black Christmas. Plus the killer is insane, especially when he rants. His rants make no sense, making his intentions unknown. He just kills, not for revenge like most horror films. But he just kills. I don't know about you, but that is what makes this film even scarier, aside from the spooky musical score.

They say that Jamie Lee Curtis is the "scream queen." Well whoever thinks that obviously has not heard Olivia Hussey's lungs in action. That woman can SCREAM.

It's best if you watch this film alone in a quiet house at night during the Christmas season. I did that the second time I watched it. I tell you the truth, I had a hard time walking downstairs to go to the bathroom I was so scared. And no horror film has ever done that to me since the first time I saw Scream about three years ago.

Some may argue that the characters in the film are not very developed, but that does not matter because most of them die anyway. One of the few characters that stood out in this film was Barb (Margot Kidder). She is a drunk, trash-talking sorority girl who manages offend just about everybody. The woman who played the sorority house mother, Mrs. Mac (Marion Waldman), also stood out as a trash-talking, drunken woman. Olivia Hussey's character is a bit snobbish, like any sorority girl, but not to her other sisters. Keir Dullea's character is high-strung and unpredictable, which adds to the film mysterious style. But as for the rest, there really was no room for them to grow. Besides, like I just stated, most of them get killed off anyway.

The end really surprised me. I mean, really. No questions asked. It even shocked me, but I'm going to spoil it for anyone. But if you loved John Carpenter's Halloween, you'll love this film even more. I guarantee it.

"Black Christmas" is truly a forgotten gem. Even though the producers intended the film for cinema, "Black Christmas" has the look and feel of its precursors, the made-for-television gothic suspense thrillers between 1969 and early 1974. This four year period featured inexpensively-produced but having hi-quality production values that older viewers will remember. These include, "A Howling In the Woods", "When Michael Calls", "How Awful About Allen", "Don't Be Afraid of the Dark", "Home for the Holidays", et al. "Black Christmas", produced at the tail-end of this short-lived genre, clearly displays the same suspenseful and moodily atmospheric elements involving human angst, fears, anxieties, and complicated, sometimes destructive relationships. In one small aspect, "Black Christmas" is a transitional film set between the television gothic supsense thrillers and the onset of the slasher genre epitomized by 1978's "Halloween" and 1979's "Friday the 13th". The violence was certainly more graphic than its television precursors, but not gratuitous. Foul language sprinkled throughout "Black Christmas" would never have made it past the television censors. And look again at "Halloween". It's reliance on atmosphere, moodiness, suspense, and the fright of awaiting something that is surely around the next dark bend of the house harkens back to the early 70s gothic thrillers. "Black Christmas" is from a unique genre long gone and will probably not return, but for those seeking quality shockers without the schlock will no doubt find repeat viewings of this suspense film noir satisfying.