Seducción diabólica

ABBY DOESN'T NEED A MAN -- THE DEVIL IS HER LOVER NOW!! This very rare film which I was lucky enough to see the one week it played here in downtown Los Angeles during the Seventies (the prints were destroyed soon after the makers of The Exorcist sued for copyright infringement and won) is not only a great entry into the possession genre, but also one of the prime examples of true blaxploitation cinema. It stars William Marshall of Blacula fame as the exorcist, Carol Speed from The Big Bird Cage as the possessed woman, Austin Stoker from Assault On Precinct Thirteen, Terry Carter, and Juanita Moore from Imitation Of Life... truly an exceptional cast brought together in a film that must be seen to be believed.

Carol Speed portrays the girl named Abby who is a minister's wife and marriage counselor, qualities that do not prevent a demon from entering her body in one unusual shower scene. Abby then spouts foul language, goes nuts in a church, scares a white woman to death, jumps a funeral director in a hearse, acts like she's on drugs and generally gets very weird throughout. William Marshall is the man who must deal with the demon, and here his Shakespearean training shows. Austin Stoker is the friend who helps Terry Carter deal with a possessed wife. Juanita for some reason keeps talking about having a good man and eating fried chicken. All the cliches are in this one, and only the truly jaded won't be offended in some way!

SEE Abby throw a man across a room! SEE Abby seduce a man in a hearse! SEE Carol Speed talk like Isaac Hayes! SEE one obviously derivative yet well done scene after another! SEE an exorcism in a disco! SEE Abby fight her way out of a hospital! SEE Juanita Moore look like she wished she was elsewhere! Try and catch this one if you can, and become one of the initiated!

There are a few good performances in Abby, but it's never anywhere near as shocking or memorable as the film it's trying copy, The Exorcist. After the midpoint, things take a nosedive and it becomes repetitive and boring as Abby goes out to bars trying to seduce men and her husband and father-in-law trying to find her.

One of the strangest, wildest, and weirdest blaxsploitation movies, Abby is an African-American retelling of The Exorcist, with Carol Speed as the possessed title character. The chaste and devout wife of a reverend, Abby spends her time as a marriage counselor in her neighborhood parish. Through mind-boggling misfortune having to do with the accidental release of a vicious demon, Abby begins to exhibit odd behavior (giving out salacious marital advice in one hysterical scene) and a noticeable change in the vocal register. Transforming from the practically virginal naif into a sex-starved ghoul with a hyena's chortle, Abby takes off into the night of dance clubs and singles bars. Father-in-law William Marchall races home from Africa to perform the exorcism, but will he be too late?

The blaxploitation genre sometimes went into horror territory - everyone has heard of Blacula, most people have heard of Blackenstein but considerably less folks have heard of Abby. What this one was, was a black version of The Exorcist. It actually made millions at the box office on release but was pulled from theatres after Warner Bros accused producers AIP of ripping off their movie. And to this day it has barely been released on any format of home media and there is even a strongly believed theory that Warners not only put out a lawsuit but in fact confiscated all prints! All of this is a poor show from Warners really, as this is no more of a rip off than various other films from the time and its African voodoo element in fact gives it an entirely original angle.

Its story has a professor unwittingly unleashing a West African sex spirit in Nigeria, which goes on to possess a woman back in the U. S. This leads to her vomiting in church and exhibiting all manner of other anti-social behaviours. The title character is played with some energy and commitment by Carol Speed and Blacula actor William H Marshall takes on the gravitas role of the professor. It's a pretty good film overall and not as campy and silly as you may expect. Hopefully it will get a proper release on home media one day.

Though I knew there were some DVD copies around, I guess I should thank YouTube for finally being able to watch this movie since that's where I discovered it. Having seen it, I can see why Warner Brothers sued and won their lawsuit against American International for blatantly copying WB's hit The Exorcist. Sure, the differences are that one involved a girl child and the other a grown woman but they both have shaking furniture and demonic possession in which they both say very vulgar things involving sex. Okay, with that out of the way, let me say what I think of it. I thought it was hilarious whenever the title character played by Carol Speed had-through the voice of Bob Holt-said all those blatantly provocative remarks to various people but after that, I managed to also find some genuine scares and thrills. Both Ms. Speed and William Marshall as Bishop Garnet Williams who tries to get the demon out of her provide great presence in their scenes together. But the supporting players of Terry Carter (Rev. Emmett Williams, Abby's husband and Garnet's son), Austin Stoker (Abby's brother Det. Cass Potter), and especially Juanita Moore (Miranda "Momma" Potter) also hold their own against them. If there's one thing I have a beef with, it's the print I watched. Perhaps because of that lawsuit, no one's bothered to restore it. So the one I saw looked washed out. Still, the sound wasn't bad so that's a plus. Really, all I'll say now is if you get the chance to watch Abby, go for it! P.S. How interesting that after not sharing a scene in The Mack, Ms. Speed and Ms. Moore played daughter and mother in this. And nice to hear Carol's writing and singing skills with the song "My Soul is a Witness".