Rising Damp

Rigsby was the third of the golden trio of bigots on British TV sit coms in the 70's, the others of course being Alf Garnet and Eddie Booth. Alf Garnet was an obnoxious and overbearing loud-mouth who never knew when to shut up ( he mellowed a bit by the 1980's in the revamped IN SICKNESS AND IN HEALTH). LOVE THY NEIGHBOUR was a comedy centered at all times on blatant "in your face" racial goading as well as infantile boorish insults that even back then was tiresome .

I can't say this about RISING DAMP or the main character Rigsby. Sure racial remarks were part and parcel of Rigsbys repertoire.For example in one episode you only had to look at the expression on Rigsbys face to see what he was thinking when Philip said he did not like the color of an ashened face sick tenant, or the episode when Rigsby mocked hunger and poverty in Africa!

However, by contrast with RISING DAMP you could also laugh at Rigsbys Scrooge like and eccentric behavior over money and his shortcomings when dealing with women; i.e his narcissistic obsession over Miss Jones is point in case. No matter how hard he worked he couldn't get this man hungry spinster to take an interest in him! In addition his pre WWII upbringing and social values were often at odds with the social changes in 1970's, i.e long haired students living on a grant. Also his insensitivity and impatience towards his tenants and their problems provided an extra dimension of comedy.

In one episode he was trying to reason with a suicidal tenant to come down off his roof rather than jump then asked him while up there if he could straighten the TV aerial to improve the reception. This was a real party piece that had a Tony Hancock style of incompetence to it rather than it being mean spirited.

He was not well educated but he was likable and despite obvious flaws in his character, when forced to, often displayed loyalty towards Alan and Philip despite there different values. For example in the episode PERMISSIVE SOCIETY he stood up and confronted an irate father of one of Alans girl friend's also, in the episode NIGHT OUT he stood no nonsense and made a fool of the waiter and insulted the owner.

Lastly, women were not spared Rigsbys rudeness, the episode WINE AND ROSES he runs into an old battle-axe who he mistakingly thinks is his blind date. "I've never been so insulted in all my life" she barks, "well you should try to go out more often!" Rigsby snaps -- utterly hilarious. I.e. he spread his ignorance and rudeness evenly across class and gender boundaries! Politically incorrect? Of course, what isn't nowadays, yet, certainly watchable today which I can't say for TILL DEATH AS DO PART or LOVE THY NEIGHBOUR.

Despite the fact that many posters seem to think Rising Damp was guilty of racism, the reverse was actually true. Don Warrington's character Philip was often the target of boorish remarks by Leonard Rossiter's landlord Rigsby (not really malicious by the standards of 1970s England, just ignorant: a real 1970s racist wouldn't rent a room in his own house to a black man anyway), but it's Rigsby that we find ridiculous, not Philip. Throughout the series, Philip is consistently portrayed as the most intelligent, charming, attractive, sophisticated and grown-up of all the characters, and he's certainly no deferential Uncle Tom. ... that's not racism, is it?

This is what sometimes happens when you're a student and you've only got enough money to live in a dingy hovel... you get a landlord like Rigsby. What few standards he has are outdated, so sensitive lads with long hair and intelligent young black men are almost too much to take. Leonard Rossiter's portrayal of a character who could easily be completely beyond redemption is absolutely pitch-perfect. The more episodes you watch, the more you find yourself becoming strangely endeared to his mannerisms and tics, despite the fact that his attitude makes him a thoroughly unpleasant man. Aside from superb comic timing, Rossiter was also a master of the pratfall, so some of the most memorable sequences owe a lot to slapstick (I'm thinking particularly of the arranged boxing match.)

It isn't quite a one man show though. All of the supporting parts were perfectly cast, so even when someone like Don Warrington pops up in more modern fare such as "Red Dwarf", he's still likely to be instantly associated with playing "Phillip" in "Rising Damp". I can't think of a bad episode in the bunch that I've seen. All of the scripts are so polished that they gleam, and this combined with the acting talent is what makes the show stick in the memory as the loved favourite it is.

The sitcom was indeed one of the best from Uk. A lot of people in Britain will be surprised to learn that the sitcom is often on TV in countries in Africa. I fell in love with it a long time ago when I first saw an episode in Africa. Just watched an episode on ITV today (2015) and could not stop laughing. Rigsby got into a boxing match with Philip. The plot was hilarious. I can understand why some people find the comedy racist in today's PC world.

In my view the writers were using the sitcom to educate people with views similar to those of Rigsby back then. If they succeeded in changing the thinking a few such people then they achieved a lot. That crusade is still relevant today.

I don't find it racist even after years in the Uk as a black man. Art is a great way to initiate change and in my view to seek to remove from TV anything that we perceive as controversial or uncomfortable is a wrong approach.

Until I saw a documentary on Leonard Rossiter as a bonus on the video of The Fall and Rise of Reginald Perrin (one of my favorite British series), I knew nothing about Rising Damp. Based on the clips, I knew I had to see this series if it was available. Thankfully, all four series and the motion picture are on DVD. The writing is sensational and the cast is wonderful; the chemistry between them is as good as can be imagined. But as good as they all are (and it is particularly good to see some of the work of Richard Beckinsale), Rossiter is the star without question. He is brilliant; one cannot imagine anyone else playing this part. He took me totally by surprise. As good as he was in Perrin, his timing and delivery here are just amazing; he is clearly one of the great actors of his generation. These words are not written lightly.

While it is possible that this series is not seen on U.S. television because of Rigsby's racist statements, one has to look at this in the context of the seventies, when television was exposing many different realities to audiences, and they were loving it (remember the Jeffersons and Good Times?). If Archie Bunker is still to be found on television, there is no reason why Rigsby shouldn't be seen either. Another possible reason is that this is not a BBC or Granada series. At least it lives on DVD in the U.S., and if you are a British comedy fan, this is way up there.