La venganza de la momia

... but unlike The Mummy (1959) or The Curse from the Mummy's Tomb, La Venganza de la Momia looks like all Naschy movies - flatly shot, cheaply made and clumsily staged, especially the Egyptian prologue. In Victorian London, some of the costumes and sets look better, though, and the story has nice feel of pulp Gothic. The cult favourite Helga Line as the villainess has screen presence sadly missed these days.

Are all the plots of Mummy films the same? It seems like that to me. Even those Brendan Fraser ones has the mummy being some evil guy murdered for being a dick then being reanimated only to look for the reincarnation of his lover and enabler. This one, like that one, and Voodoo Black Exorcist, has that plot.

Paul Naschy is the jerk Pharoh who thought that murdering loads of women for a laugh was a long-term career move, so when his side-kick murders him and his missus he vows revenge, which he doesn't get as by the time his ancestor gets him resurrected the guy who killed him is long dead. Nevertheless, it's strange that the daughter of the guy who arranged to have him dug up looks a lot like that chick who was involved in all that blood drinking.

Yeah, the plot's boring and crappy but the execution of said plot is not, despite Jack Taylor being the bland hero. This is because Naschy knows what horror fans want, so the mummy cuts a swathe through London's cops and anyone else who gets in his way, including some security guard who gets his head crushed for his trouble.

It's business as usual to be honest, but if you like Paul Naschy films, you'll like this one. He doesn't put a foot wrong and even has a random bit of gore when the mummy goes around smashing his victim's heads like they are over ripe melons.

THE MUMMY'S REVENGE opens in ancient Egypt, where the psychopathic sadist, and ruler, Amenhotep (Paul Naschy), spends his days torturing and killing beautiful women. He is helped in this by his concubine, Amarna (Rina Ottolina). Unfortunately for them, Amanhotep's nemesis has a cunning plan for their removal.

Many centuries later, archaeologists uncover Amenhotep's tomb, unleashing his diabolical curse upon the modern world.

Fans of Mr. Naschy should love this movie. He gets to play one of his best eeevil roles. Two actually, since he's both the mummy and the bizarre Assad Bey. There's lots of great killer mummy action, and some of it's pretty gory. The body count is surprisingly high.

Another Naschy classic with a fiery finale...

A correct and estimable horror film starring Paul Naschy embodying nothing less than the Mummy.

In this case the story revolves around a cruel and sadistic Pharaoh who along with his queen enjoys executing innocent young people. But the fun ends when a priest decides to end forever the diabolic couple, stabbing her and burying him alive, but not before swearing eternal revenge.

After the centuries, the once powerful pharaoh, will return from the underworld in the heart of London, now become a monstrous mummy, unleashing his fury on those who have the bad luck to cross his path.

The film has a more than acceptable technical section, both in photography and decorated giving it an aspect of a film of the Hammer, really could pass without problems by a movie of the legendary British producer. The film is also really set in the British capital which is a very positive point.

As much the interpretations of the North American resident in Spain Jack Taylor as the one of Paul Naschy rayan to a good level without forgetting like no, to the feminine beauties that appear in all production of Spanish Fantanterror that boasts.

A decent and acceptable horror movie that without being a wonder is entertaining and well done.

I don't really want to be too harsh on this film because it did have its moments, a cast of lovelies and a London location. Also, surely anyone watching a Paul Naschy knows pretty much what to expect. Average acting, wooden sets, predictable storyline... and yet it is likable enough. Far too many short and unnecessary scenes that far from taking the story forward simply slow it down and people like Helga Line, great though she is, could have been so much more profitably employed had she been given more of the action. But then, this is a Paul Naschy film and wouldn't have that distinctive feel to it if it were any other way and he certainly has his fans.