Under Milk Wood

a beautiful adaptation of Dylan Thomas' "Play for Voices". An amazing cast, beautifully shot by people passionate about the project. Do notice the "second voice", the wonderful late and much lamented Ryan Davies, an actor and comedian revered here in Wales, probably the biggest star who never became known outside his own country, he sadly died in 77 at a tragically young age, 42 i believe. An educated and cultured man, his loss was a dreadful blow to all of Wales. Also look out for a very young David Jason as "no-good Boy" and topless performances from a young Susan Penhaligan and Ruth Madoc!

So much to see in this film there just arent enough words! Peter O'Toole was brilliant as Captain Cat, and Elizabeth Taylor wonderful as raunchy Rosie....vulnerable, sexy, sad all in one delicious bundle! Do try to catch this film...you wont be disappointed.

A film of rare magic. This little known but top-notch production is whimsical, thoroughly engaging, and delicately controlled.

The atmosphere is consistent throughout, with universal types exaggeratedly peopling and animating a small Welsh seaside town.

This is as close as any British film has come to creating a Fellini-like mood.

Narrative lyricism overpowers any actor's personal performance, though Peter O'Toole excels as Captain Cat. Glynnis Johns's performance also stands out, as do those of a motley mix of more minor characters.

Over it all, Richard Burton's driving cadences worthily guide Thomas's verse to an eccentric and vibrant cinematic life.

Thoroughly enjoyable.

Dylan Thomas' play for voices has always worked best as a radio text, where its rich poetry can be fully appreciated. This film version is indeed true to the text but as a visual medium, is saddled with the need to open out and show scenes as described in the text - with sometimes risible results.

However, there are certain strengths that even the filmed treatment can't ruin. Chief amongst these are Peter O'Toole's interpretation of the blind Captain Cat, dreaming of his lost love, Rosie Probert (played by an overly made-up Elizabeth Taylor); and O'Toole's then wife, Sian Phillips, as Mrs Ogmore-Pritchard, abusing both her dead husbands as they lie with her. Polly Garter and Myfanwy Price, Thomas' corrupt and innocent, are well-played by Ann Beach and Glynis Johns.

Richard Burton is 1st Voice, as he was in the memorable radio production of the 1950s. But here he is also a malevolent presence wandering quietly round the village of Llareggub, influencing the action at some points (the scene in the barn seemed out-of-place and slowed the pace of this film). I'm not knocking Burton's voice, which was superb for the material, but perhaps his presence would have been better restricted to a narrator.

I agree with many of the review comments already posted here, so I won't say more about the film itself. Instead, it hasn't yet been pointed out that the DVD (produced by Sundance and Hart Sharp Video) also contains an hour-long documentary about Dylan Thomas, tucked away in the extra features. "Dylan on Dylan" is in some ways more interesting than the film adaptation of _Under Milkwood_. It runs through a biography of him along with old photos and audio, bits of biodrama reenacted, and especially includes footage from the WWII wartime morale propaganda films that Dylan Thomas wrote! One of those is a genuinely forceful parody: he appropriated the original propaganda film made _for_ Hitler by Reni Riefenstahl, and redid the sound -- so that Hitler's speech is more of an honest description.

This feature documentary also includes a brief interview with two actresses who performed with Dylan Thomas live in _Under Milkwood_ virtually on the same day that he collapsed and died.

The movie is a painting of scenes, and a romance with English words that, oddly enough, only Celtic people seem capable of; Welshman Burton's riveting voice gives life to his countryman's work like perhaps none living could, today . The language is so lively and the metaphors so concentrated that the film may leave some scratching their heads; but for lovers of poetry, or literature at large, this well-conceived and directed interpretation of Dylan is worth the viewing. Peter O'Toole and Elizabeth Taylor give interesting performances, and the film contains several scenes that will stay with the viewer long after the film is over. The lush countryside of seaside Wales, and the sleepy little village in which the action plays out, are also quite haunting. Llareggub, indeed.