Save the Tiger

Save the Tiger is about lost illusions of youth and the things some of us have to do to merely keep treading water. Jack Lemmon is the head of a garment factory which has suffered some losses over the past few years and he and partner Jack Gilford see few options that will save them from bankruptcy or worse.

The best of these options is to start an arson fire in their factory and hope the insurance payoff will cancel their debts and afford a fresh start. Gilford is against it on moral principles, but Lemmon is a guy who can't afford morals at this stage as George Bernard Shaw once put it.

Still he looks back on his youth and the things and people that moved him back in the day and wonders how he got in the mess he's in. It's not supposed to be like this for people like him who've had ideals and tried to play by the rules.

In his facial expressions, his vocal intonations, in every move of his body and soul, Lemmon becomes Harry Stoner the latest convert to cynicism. It's what got Jack Lemmon his Second Academy Award, this time for Best Actor. Interesting that this very cynical film came out the year that a whole lot of Americans became very cynical as Watergate was unfolding before them.

Arson fire is a tricky business and Lemmon puts himself in the hands of Thayer David who I think gives his best screen portrayal here as the professional arsonist. Listening to him, as creepy as he sounds, he comes off as a man who knows his business. He even at one point offers to return the down payment given him when he explains that insurance will never pay off with all the fire regulation violations Lemmon and Gilford have in their place. It's a business with him and no fatalities must occur, otherwise it's a Law and Order episode.

Jack Lemmon was one of the best around, could do all kinds of comedy and drama with equal skill. Building on the characters he created for Billy Wilder, he's an older man now who's in no position to start from scratch again. Lemmon plays a character that all of us over 40 can definitely relate to.

Save the Tiger is a serious and thought provoking drama about choices each and every one of us could face some time in our lives. It's universality of theme will make it an enduring classic.

I saw this movie on cable when I was probably 18 or 20 years old, and from the first time watching it, I was enthralled. It really does engross you. I think the credit (and Im happy to say the Oscar) goes to Jack Lemmon, an actor who

really did have the everyman down to a science. The movie is an excellent

commentary on dreams coming apart, the loss of old friends, and realizing

youre time may have come and gone. Not exactly the most uplifting movie but it is raw and honest. Lemmon and his partner run Capri Casuals, a women's wear

line based in southern California in the early 70's. (incidentally the name comes from the island where most of Lemmons war time buddies were killed and

buried) When times get tough and Lemmon is lowering himself by becoming a

pimp to a big customer, he realizes his American dream might be over. In

consultation with his partner he decides to hire an arsonist to destroy his factory for the insurance. An intense, searing performance from Lemmon, makes Save

the Tiger a movie that should be watched for years to come.

Highly Recommended.

The wife is out of town, the kids are in bed, it's just me and the dog.....Save the Tiger came on AMC. I remember going to the theater in 1973, at age 18 and seeing this movie. I was impressed by Jack Lemmon's performance back then. Seeing it now, at age 44....Wow! Jack was my father back then, now I'm my father. I think save the Tiger was the first movie I ever saw that didn't have a happy ending. Except for some dated parts, it is still a very powerful movie about the harshness of life. In real life, well dressed men and women spend every day trying to continue while burdened with almost impossible problems on their back. And we do what we have to do to get by. Little honor in that, but it's real life. Save the Tiger reminded me to be a little nicer to the next grump I meet, I may not know what is hiding behind the nice suit. Laurie Heineman as Myra the hippy chick excited me then and now and is still that fantasy oasis every aging, harried man dreams of to escape the world of his own making.

Jack Lemmon's wonderful gift for portraying the every day man is fully at work here.

The film almost has a low budget, made-for-television feel and look. But it still delivers an engrossing story of people under stress.

This is a well-crafted movie, directed in 1973 by John G Avildsen in a conventional, theatrical manner, harking back to social dramas of 10 or 20 years before, but reflecting the more uncertain '70s in its unresolved ending.

Jack Lemmon delivers a brilliant, Oscar-winning performance as Harry Stoner, a middle-aged man at the end of his tether, who confuses his personal midlife crisis, and the failure of his fashion business, with what he sees as the USA's moral decline in the post-war years. Obsessed with the lost cameraderie of his active service in the war, with the baseball and jazz giants of yesteryear, and with the slain and fallen idols of the 60s (Kennedy, King, Monroe etc), he sleepwalks into his own moral abyss of an arson plot, comforting himself that he is no worse than the times in which he lives.

Lemmon's character is countered by those of Phil Greene, his business partner, convincingly played by Jack Gilford, and Meyer (William Hansen), the firm's veteran, expert cutter and refugee from Nazism. Phil does not suffer Harry's sense of disillusion, because he is too down-to- earth to have experienced the illusion in the first place; Meyer, also, despite superficial discontent with the changing times, gains strength from his skill and family life.

For me, the main theme here is the familiar one of the lost American Dream, and the film brings to mind the final lines of the seminal exploration of that theme, the Great Gatsby - "So we beat on, boats against the current, borne back ceaselessly into the past." Harry's American Dream is not of a golden future, but of a golden past; it isn't lost, it simply never existed. But, that said, in this movie thematic analysis definitely takes second place to appreciation of Lemmon's bravura performance.