Il plenilunio delle vergini

Unlike the only other reviewer of this title, I thought this was quite terrific. Actually I was amazed at how good it is.

My overall impression was of a film that had a Hammer vibe, with a couple twists - the twists being more blood (though there's not a tremendous amount), and more overt nudity (several topless shots).

Other than that it is as good - and silly - as Hammer vampire flicks of the day. Sure the plot is a bit daft, the whole thing turns on possession of an ancient ring, but what do you expect from a vampire film of this era? It didn't matter to me at all.

The copy I saw was from tape, so the quality wasn't great. Never mind though, seeing it was better than missing out.

As for the previously mentioned "lesbian" sequences, they're tame, and along the lines of the classic Hammer film "The Vampire Lovers".

So, if you're a Hammer fan who doesn't mind a slight Euro influence on the ambiance, then this is a film you simply must seek out. I think it's terrific and would buy a remastered edition in a heart beat.

Mark Damon and his twin brother Mark Damon are academic types out to find the ancient ring of Nibelungen for reasons that passed me by. The two are quite different - one is a bookish, academic type who has an amulet to protect him and the other is a hunky type who steals the amulet and heads off to a creepy castle, stopping on the way to bed a local innkeeper's daughter. He gets her in the sack when she tells him that the local creepy castle calls five virgins from the village every year who fall into a trance and walk up to the castle. Hunky Mark effectively says he'll save her life by popping her cherry - looks like another Italian film with a feminist agenda is well underway.

He gets to the castle and finds a dozy-looking maid who tells him that the sexy countess isn't around and he might as well have a trippy walk around the castle. After finding the tombs, and hearing strange screaming,he finds the maid dead in one of the coffins, and heads back to the castle to find sexy Rosalba Neri who is definitely not an evil vampire. Rosalba hits it off with Hunky Mark when she introduces the alive again maid, but to keep your mind off of why nothing up to this point makes any sense, Rosalba gets Hunky Mark in the sack for some filthy squeezy, then turns into a giant bat and bites him.

By this time Nerd Mark arrives at the castle and doesn't believe Rosalba when she says his brother wasn't there. Just when you think the last scene is going to repeat itself Rosalba gives Nerd Mark some drugs and while he's rolling about laughing gets the maid in the sack instead and has her pour blood all over her naked body. Up periscope!

This is all leading to the big virgin sacrificing scene where one brother has to rescue the other brother from a sexy vampire and although Luigi Betzella is associated with bottom of the barrel trash like the Beast in Heat, this is a decent film with a lot of effective scenes, and one particularly hilarious one of someone superimposed in front of a giant real bat. I'm not the hugest vampire film fan in the world so if I like it then it must have something good going for it.

There are also a huge amount of nude scenes in this one too, most of them by Rosalba Neri. There's a rat staring at me. Not much else to say, except that the image of Roslba emerging from a crypt nude and covered in blood is one you won't forget in a hurry,

Some bright red gore, the naked charms of several sexy women, including star Rosalba Neri, and a few unintentional laughs are the main attractions of this otherwise rather tedious vampiric potboiler. Appearing opposite a bland Mark Damon, Neri plays bride of Dracula La Contessa Dolingen de Vries, who uses the fabled ring of the Nibelungen to lure virgins to her castle. Damon plays dual roles (when he isn't really up to just the one), that of archaeologist Franz Schiller, who goes to the castle in search of the ring, and of his twin brother Karl, who follows, too late to save his sibling but not too late to end the Contessa's reign of terror.

As is often the case in such Gothic Euro horror, there's an awful lot of wandering around the castle, with an obligatory storm raging overhead, all of which is fairly mundane, but at least director Luigi Batzella sees fit to punctuate the boredom with the occasional spot of sleaze: the Contessa has sex with Franz, giving the viewer a good eyeful of Neri's bod; Neri also gets naked whilst taking a blood bath, the red stuff poured all over her chest by faithful housemaid Lara (Esmeralda Barros); the Contessa and Lara have a lesbian romp; and five virgins are stripped naked before being stabbed in the neck, their blood gushing over their bare breasts. All good stuff.

Also reasonably fun: the fight between Karl and a bald hunchbacked vampire; the trippy laughing scene (I haven't a clue what that was all about); Karl hacking off the Contessa's hand; the Contessa turning into a huge bat to attack comely innkeeper's daughter Tanya (Francesca Romana Davila); and the silly surprise ending.

5.5 out of 10, rounded up to 6 for the hilarious moment when the Contessa holds up the magical ring to Karl and he starts to do Tai Chi. At least that's what it looked like to me.

The kind of movie one has to not think about, just sit back and enjoy the lush visuals, and abundant nudity. Great looking topless girls in this Euro shocker/ sex flick, about Dracula's oversized joke shop ring, with a red amulet almost as large as girl's hand, and the various people are hoping to possess it. Film is kind of like an old Hammer Horror, with a bit more graphic sex and nudity: beautiful lesbian vampire lures young girls to castle to frolic with them, then offers them as sacrifices to the devil.

Several sequences are devoted to prowling through the old castle, to show off the film's well done sets and eerie lighting and smoke effects. Several scenes are devoted to showing off the female cast members' ample tits. Both held my attention.

Good fight between Shiller and vampire ghoul, defeated by a stake driven through his heart and a fall out a window, but mostly just an excuse for atmospherics and nudity.

It's a European horror movie from the '70s and has what you'd expect it would: a fairly predictable premise that alters the standard scenario a bit, slow pacing that adds to the tension, creepy supporting characters, and some vague reason for adding sexual content. This movie is not very interesting except as an example of a period piece that is heavily stylized.