Un fiscal de distrito, ferviente partidario de la pena de muerte, se conmociona cuando ocurre una serie de horribles asesinatos que replican casos que ha procesado.Un fiscal de distrito, ferviente partidario de la pena de muerte, se conmociona cuando ocurre una serie de horribles asesinatos que replican casos que ha procesado.Un fiscal de distrito, ferviente partidario de la pena de muerte, se conmociona cuando ocurre una serie de horribles asesinatos que replican casos que ha procesado.
- Dirección
- Guionistas
- Elenco
Máximo Valverde
- Javier Durán
- (as Maximo Valverde)
Julián Navarro
- Inspector Navarro
- (as Julian Navarro)
María Vico
- Dueña pensión
- (as Maria Vico)
Nené Morales
- Telefonista
- (as Nene Morales)
José Lifante
- Comandante
- (as Jose Ruiz Lifante, José Ruiz Lifante)
Antonio Guti
- Acusado
- (as Antonio Gutti)
Ángel Menéndez
- Portavoz del jurado
- (as Angel Menendez)
Ismael García-Romeu
- Juez
- (as Ismael G. Romeu)
Juana Azorín
- Señora Morell
- (as Juana Azorin)
Enrique González
- Cartero
- (as Enrique Glez)
Opiniones destacadas
A most misleading title English for a very fine film, which may be why it has become so neglected. Fernando Rey is great as the ageing judge reflecting upon his career as someone keen to make use of the death penalty wherever he saw necessary. Some of this seems to be coming back to haunt him and we see something of these terrible murders (hence the title, but still misleading, this is no stalk and slash). Instead we have a gripping tale with many twists and turns and if we see little gore or skin for that matter, there are other compensations. Not least the lovely Marisa Mell who puts in a sterling performance matching that of the great man himself. Good solid thriller with giallo undertones and a very good dub plus fine cinematography. Well worth catching if you can.
Seventh film of Jorge Grau that I watched, and it only confirmed he is one of my favorite filmmakers, a great auteur who, for some weird reason, has not received the attention he deserves.
Based on a work of Guy de Maupassant, the film is a breathtaking psychological thriller with one of the most intelligent plot twist I ever saw. Fernando Rey is superb as a magistrate that believes in death penalty as a way of protecting society. He is a troubled marriage, and his wife (played by the excellent Marisa Mell) is having an affair with a writer who opposes to Rey's vision and is determined to prove his thesis in a new book. Strange murders that imitate the ones committed by the criminals condemned to death by the magistrate starts to happen, and an investigation takes place. But, nothing is what seems in this sordid story written by Grau and Juan Tébar, and I can't reveal more to avoid spoilers.
Be careful with the title given to it in the USA, "Violent Blood Bath". Fans of gore may be seduced by this misleading title, and the fact IMDb puts "horror" as one of its genre doesn't help. There is no blood bath here, and the murders all occur off screen. This is the kind of movie where what matters is the character development, and it excells in this department.
Impecably shot, photographed, edited and scored, "Pena de Muerte" deals with a controversial topic without falling in the mere sensationalism or sounding preachy. It is not easy to say if the script is supporting or opposing death penaulty, and this is one of its merits. The last half hour will make you devour all your fingernails, in one of the most brilliant exercises in tension.
Thanks to Vinegar Syndrome for the excellent restoration of this masterpiece. I hope more works of the underrated Jorge Grau receives the same treatment soon.
Based on a work of Guy de Maupassant, the film is a breathtaking psychological thriller with one of the most intelligent plot twist I ever saw. Fernando Rey is superb as a magistrate that believes in death penalty as a way of protecting society. He is a troubled marriage, and his wife (played by the excellent Marisa Mell) is having an affair with a writer who opposes to Rey's vision and is determined to prove his thesis in a new book. Strange murders that imitate the ones committed by the criminals condemned to death by the magistrate starts to happen, and an investigation takes place. But, nothing is what seems in this sordid story written by Grau and Juan Tébar, and I can't reveal more to avoid spoilers.
Be careful with the title given to it in the USA, "Violent Blood Bath". Fans of gore may be seduced by this misleading title, and the fact IMDb puts "horror" as one of its genre doesn't help. There is no blood bath here, and the murders all occur off screen. This is the kind of movie where what matters is the character development, and it excells in this department.
Impecably shot, photographed, edited and scored, "Pena de Muerte" deals with a controversial topic without falling in the mere sensationalism or sounding preachy. It is not easy to say if the script is supporting or opposing death penaulty, and this is one of its merits. The last half hour will make you devour all your fingernails, in one of the most brilliant exercises in tension.
Thanks to Vinegar Syndrome for the excellent restoration of this masterpiece. I hope more works of the underrated Jorge Grau receives the same treatment soon.
Bloodless Soap Opera
This is by far one of the least bloody giallo out there. It is very slow to start. And slow throughout. It's filmed and acted in a manner reminiscent of a soap opera. There is little mystery about who the killer is. You'll figure it out quickly even if you didn't read the tagline.
There is one final twist in the last seconds of the film which I did not see coming, and I really appreciated it. That was the strongest part of the film imo.
Overall, I'd say to skip this lackluster effort.
This is by far one of the least bloody giallo out there. It is very slow to start. And slow throughout. It's filmed and acted in a manner reminiscent of a soap opera. There is little mystery about who the killer is. You'll figure it out quickly even if you didn't read the tagline.
There is one final twist in the last seconds of the film which I did not see coming, and I really appreciated it. That was the strongest part of the film imo.
Overall, I'd say to skip this lackluster effort.
I recently watched the Italian/Spanish 🇮🇹 🇪🇸 film Violent Blood Bath (1974) on Tubi. The story follows a district attorney with a long history of convictions - many of which led to death row. When a copycat killer emerges, recreating crimes from the attorney's past cases (all involving inmates who were executed), things take a dark turn. What's the killer's motive? And will the attorney become the next target?
Directed by Jorge Grau (Let Sleeping Corpses Lie), the film stars Fernando Rey (The French Connection), Marisa Mell (The Great Swindle), Espartaco Santoni (Death Will Have Your Eyes), and Nené Morales (The Night of the Executioner).
This is one of those films where you're waiting for something big to happen... and it never does. The acting is excellent, the women are gorgeous, and it delivers that classic giallo-style nudity. But the kills are underwhelming, and the twist at the end doesn't land with much impact. There just isn't enough substance here to make it truly engaging.
In conclusion, Violent Blood Bath has a promising premise for a giallo, but not enough execution to stand out in the genre. I'd score it a 4/10 and recommend skipping it.
Directed by Jorge Grau (Let Sleeping Corpses Lie), the film stars Fernando Rey (The French Connection), Marisa Mell (The Great Swindle), Espartaco Santoni (Death Will Have Your Eyes), and Nené Morales (The Night of the Executioner).
This is one of those films where you're waiting for something big to happen... and it never does. The acting is excellent, the women are gorgeous, and it delivers that classic giallo-style nudity. But the kills are underwhelming, and the twist at the end doesn't land with much impact. There just isn't enough substance here to make it truly engaging.
In conclusion, Violent Blood Bath has a promising premise for a giallo, but not enough execution to stand out in the genre. I'd score it a 4/10 and recommend skipping it.
It's not very violent, there's just a bit of blood, and there's a swimming pool but no baths in this interesting giallo from the director of The Living Dead at the Manchester Morgue.
Fernando Rey is a nervous, OCD-afflicted Judge on holiday with his young wife Marissa Mell, who is trying her hardest to put up with all his quirks. Both have problems. Fernando discovers that a money order has been sent to a man he condemned to death three years after his execution, and this money seems to have been sent by the dead man himself. This not only prompts some flashbacks, but also leads him to discover that a family has been brutally murdered in the exact same way the executed man carried out his initial attacks.
Marissa Mell's problems is that her ex-boyfriend has reappeared on the scene and Fernando's behaviour isn't exactly helping her stay faithful, so while he's off trying to track down some copy-cat killer this ex of hers is giving her the eyeball, putting the moves on her, but is he legit or is he up to something? When other crimes start to be recreated, things get a bit desperate for Fernando.
If you've watched several hundred of these films already you may find that this one is easy to solve, but when you've got Fernando Rey in the main role that's okay, because he's a fascinating actor to watch. Other than that, this is a bit of a lightweight giallo without the cheese or over the top madness we've come to expect. Not a bad film though.
Fernando Rey is a nervous, OCD-afflicted Judge on holiday with his young wife Marissa Mell, who is trying her hardest to put up with all his quirks. Both have problems. Fernando discovers that a money order has been sent to a man he condemned to death three years after his execution, and this money seems to have been sent by the dead man himself. This not only prompts some flashbacks, but also leads him to discover that a family has been brutally murdered in the exact same way the executed man carried out his initial attacks.
Marissa Mell's problems is that her ex-boyfriend has reappeared on the scene and Fernando's behaviour isn't exactly helping her stay faithful, so while he's off trying to track down some copy-cat killer this ex of hers is giving her the eyeball, putting the moves on her, but is he legit or is he up to something? When other crimes start to be recreated, things get a bit desperate for Fernando.
If you've watched several hundred of these films already you may find that this one is easy to solve, but when you've got Fernando Rey in the main role that's okay, because he's a fascinating actor to watch. Other than that, this is a bit of a lightweight giallo without the cheese or over the top madness we've come to expect. Not a bad film though.
¿Sabías que…?
- TriviaMarisa Mell and Espartaco Santoni were, at the time of filming, lovers / life partners in real life.
- ErroresDirector's name "Jorge" Grau is misspelled "Jeorge" in the credits and translation of an Italian newspaper headline: "Misterious [sic] Money Order."
- Citas
Oscar Bataille: There are many means of satisfying sexual impulses naturally, but crime only merits capital punishment.
- ConexionesReferences The Pink Panther Show (1969)
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