El emisario de Mackintosh

While never actively bad, this thriller just isn't exceptional. The first half isn't bad (we keep wondering why Newman is doing these things, and we wonder where he's going and what's going to happen), though it somehow lacks "oomph" to everything. In the second half, it starts to get dull. You won't be clear on everything in the end, and the climax came off more as a whimper than a bang. Nowhere near the worst movie in the world, but you can give it a miss despite Huston directing and Newman starring. This didn't do very well at the box office when it first came out, and it's easy to see why.

The Mackintosh Man is taken from the excellent novel The Freedom Trap by Desmond Bagley. The book is far, far better than the film.

Paul Newman plays Reardon, a spy who poses as a convict. He goes to prison and befriends Slade, a Russian double agent played by Ian Bannen. When Slade is sprung from prison by a secret organisation, Reardon goes with him and infiltrates their gang.

The action moves from Ireland to Malta, and there's lot of intrigue and double-crosses. You'd think with all that going for it, the film would be entertaining, but it isn't. For one thing, it has a murky look throughout. For another, it is badly scripted and leaves out far too much of the important explanatory information that makes it work in the novel. The result is intolerable, because it is a confusing mess. Owing to the script's muddled nature, the actors give downbeat performances which further hurt an already disappointing film.

John Huston ("The African Queen" "The Maltese Falcon" "The Treasure of the Sierra Madre") directs this spy thriller scripted by Walter Hill ("The Driver" "48 Hrs." "Undisputed") which stars a top tier cast that includes Paul Newman, Dominique Sanda, James Mason, and a host of British actors who you're sure to recognize. There's also photography by Oscar winning cinematographer Oswald Morris and music by multiple Oscar winning composer Maurice Jarre. Sadly, what ends up on screen is dullsville. Newman plays a British secret agent who pretends to be an Australian criminal who later pretends to be Canadian, in order to infiltrate a secret spy organization run by villainous James Mason. The dullness of the film may be explained by some behind-the-scenes politics. Walter Hill was in the process of suing Warner Bros. but came to an agreement to adapt this book, which he halfheartedly did in order to complete his obligation. Hill later stated he only wrote the first half of the film and the rest was re-written by Huston and others, with the script not even completed two weeks into shooting. Cinematographer Oswald Morris also reported that Huston was rather disinterested in the film, showing up late to set and that Morris and crew were the ones who had to set up the shots for the day and catch up the unprepared Huston when he did finally show up. Newman was also reportedly disappointed at Huston's lack of enthusiasm for the project. Given all that, it's understandable that this spy thriller is rather lifeless. Still, Mason and Newman are compulsively watchable and even a disinterested Huston is still a better than most, so although lackluster, "The MacKintosh Man" is still watchable. Also, I think this is probably the first and only time you'll ever see Paul Newman coldcock a dog and drown it.

A very stylish opening with James Mason as holier and smoother than thou top-politician making a high speech instantly gives a feeling of things not being quite how it seems. And quite rightly so, most things in the story have a feeling of being very cool and calculated. And with Huston's experience it is all handled very well. Compared to Huston's many sanctified classics this film has been seen as more of a minor work of his. But it does have things boiling underneath its cool surface and deserves a deeper look and maybe several viewings. This movie is largely not in-your-face action, but gets parts of the mood and style from earlier movie works and periods. For example the music reminds me of 'The Third Man'. And when action and violence finally occur, it gets surprisingly tense and raw in its effect.

The movie crosses interestingly several genres, like a cold war spy thriller and prison movies. Some of the scenes manage to catch something familiar from early Hitchcock, specially the runaway and chase scene on an Irish moor. The locations in London and Ireland with real local people add much to the realism and fascination of the story. Even the car chases use old beaten up vehicles keeping far away from usual top agent style.

Paul Newman as Joseph Rearden does a strong role but the cool center of the story is Dominique Sanda as an almost emotionless beauty whose appearance covers secrets and surprises. The plot holds up very well all the way to the final moments with some nasty surprises. A film worth seeing for Huston fans and others.

British agent Joseph Rearden (Paul Newman) meets his superior MacKintosh and Mrs Smith who direct him to steal diamonds from mysterious mail deliveries. He gets arrested after an anonymous tip and sentenced to 20 years in prison. He joins Slade, a KGB mole in British intelligence, in a prison escape. They are drugged and brought to a vast secret organization. Meanwhile, politician Sir George Wheeler (James Mason) rails against the government and MacKintosh informs him of infiltrating the escape organization.

The first act is rather stale. John Huston directs the material in a standard manner. The trial is boring. It would have worked much better to start with Newman arriving in prison. His intelligence background should be revealed much later as a shocking twist. The pacing and plotting is rather slow and methodical. It is competently made and it has the great Paul Newman. It's well into the second half when they finally have a car chase. Otherwise, the drama is rather limited.