CALIFICACIÓN DE IMDb
6.3/10
3.8 k
TU CALIFICACIÓN
Un viudo y dos de sus hijos se encaprichan de su hermosa ama de llaves y los tres se proponen seducirla utilizando sus propios métodos.Un viudo y dos de sus hijos se encaprichan de su hermosa ama de llaves y los tres se proponen seducirla utilizando sus propios métodos.Un viudo y dos de sus hijos se encaprichan de su hermosa ama de llaves y los tres se proponen seducirla utilizando sus propios métodos.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 3 nominaciones en total
Opiniones destacadas
"Malizia" was a big hit in 1973 -it launched Laura Antonelli's career and established the reputation of director Salvatore Samperi, an "iconoclast" film-maker (he started "erotic" comedies, which teased Italian sexual taboos...!)
The film is not vulgar at all. It tells the story of a young maid, Angela, who works in a house for a widow and his sons. One of them will conquer, a teenanger who's discovering sexual instincts, will blackmail and conquer her...
It is a very elegant picture, superbly photographed by Vittorio Storaro. It takes place in Sicily, the family is very bourgeois and society very conservative. Samperi and screenwriter Ottavio Jemma choose to adapt this "sexual" comedy in this context, in order to create a contrast.
The film won several prices and critics praised the picture. Today "Malizia" is quite old, it is a typical Seventies movie -it was made after '68, after the breakup of many sexual and morals frontiers, it is a provocative opus, very provocative. But never vulgar, as I said. An Italian classic.
The film is not vulgar at all. It tells the story of a young maid, Angela, who works in a house for a widow and his sons. One of them will conquer, a teenanger who's discovering sexual instincts, will blackmail and conquer her...
It is a very elegant picture, superbly photographed by Vittorio Storaro. It takes place in Sicily, the family is very bourgeois and society very conservative. Samperi and screenwriter Ottavio Jemma choose to adapt this "sexual" comedy in this context, in order to create a contrast.
The film won several prices and critics praised the picture. Today "Malizia" is quite old, it is a typical Seventies movie -it was made after '68, after the breakup of many sexual and morals frontiers, it is a provocative opus, very provocative. But never vulgar, as I said. An Italian classic.
Cult film that despite its fame did not strike me very much indeed I found the relationship between the young scion of the family and the housekeeper too morbid, especially since hers will end up marrying her father.
This is supposed to be an erotic comedy, and is widely acclaimed as such, but I sincerely wonder if it should really be categorized like that. The premise, film poster, light-hearted musical score and even the first 10-15 minutes of the film definitely qualify as a comedy. And a prototypic Italian one to boot, what with the film solely revolving around how Italian men, regardless of age and standing, perceive women.
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
If you enjoy rapid-fire wit this film pleases like few others. Unfortunately some versions of English subtitles do not capture many of the best lines. There is some full frontal nudity at the end but most of the eroticism and comedy comes from two of the three brothers who are being driven crazy by the hot new maid, through no fault of her own. The youngest boy is also funny as the oblivious locomotive not interested in propriety. The father and two brothers fall in love and lust and while she is trying to be loyal to the widower dad, one of his sons cannot stop provoking and enticing her. He is also the most interesting character suffering with raging hormones, inexperience and a Machiavellian streak.
This film is excellent! does away with norms and moral regulations that seem to be the norm these days even in independent cinema, where things must in the end be "right" or explained from a psychobabble ethical point of view blah blah..
This movie surprised me in that in a very beautiful magnificent yet simple way explores the desires of youth with humor and honesty, fantastic ending, great acting, gorgeous visuals and I loved the soundtrack!!
I would love to see this in HD because the color treatment is great and that soundtrack would be amazing to have.
This movie surprised me in that in a very beautiful magnificent yet simple way explores the desires of youth with humor and honesty, fantastic ending, great acting, gorgeous visuals and I loved the soundtrack!!
I would love to see this in HD because the color treatment is great and that soundtrack would be amazing to have.
¿Sabías que…?
- TriviaThere is a scene in the film where the father played by Turi Ferro tries to bribe his son Nino (Alessandro Momo) by buying him the motorcycle that he wanted so badly, even though the boy is not old enough to ride the vehicle. Nino does not accept the offer and justifies it by saying that motorcycles are very dangerous. In a sad, macabre coincidence, actor Alessandro Momo died the following year in a motorcycle accident - and when he was 17, that is, not yet legally authorized to ride the vehicle.
- ConexionesEdited into Lo schermo a tre punte (1995)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 109,133
- Tiempo de ejecución1 hora 37 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Malicia (1973) officially released in Canada in French?
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