Malicia

I wasn't sure of what to expect from this film, and what I got was a so-so movie that had some good individual scenes but didn't manage to keep me all that interested. The movie was more consistently entertaining towards the end, but by then I was already getting somewhat bored. The ending was the best part of the movie, but it wasn't enough to make the film satisfying as a whole. For me, at least, it took too long for the story to focus on one particular relationship, and it would have been considerably better if the spotlight would have always been on two of the characters. As it is, it has good moments, but not enough to make it worthwhile.

i got pulled into watching more of Italian sex comedies after watching this film ,The film is true brilliance amazing work by the director and just love laura antoneli shes just amazing and gorgeous i wish i was born in the 60ts and i could watch this movie in my teens in a theater. the best part in this movie is the dining table scene where in young alesandro momo tries to slip in his hand in lauras undergarments and she doesn't resists she gives in to his deeds and the worst part is the ending wherein she rapes him why did that have to happen moreover the movie has some excellent acting by the actors laura antonelli in special and i wish alessandro momo was alive today he had to die so soon

This film is excellent! does away with norms and moral regulations that seem to be the norm these days even in independent cinema, where things must in the end be "right" or explained from a psychobabble ethical point of view blah blah..

This movie surprised me in that in a very beautiful magnificent yet simple way explores the desires of youth with humor and honesty, fantastic ending, great acting, gorgeous visuals and I loved the soundtrack!!

I would love to see this in HD because the color treatment is great and that soundtrack would be amazing to have.

This is supposed to be an erotic comedy, and is widely acclaimed as such, but I sincerely wonder if it should really be categorized like that. The premise, film poster, light-hearted musical score and even the first 10-15 minutes of the film definitely qualify as a comedy. And a prototypic Italian one to boot, what with the film solely revolving around how Italian men, regardless of age and standing, perceive women.

The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.

And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.

Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".

Although this movie is ostensibly a comedy, I personally found it pretty perverse and disturbing at times. Laura Antonelli is a maid who comes to work for a grieving widower and his rather disturbed adolescent son. She soon finds herself engaged to marry the widower but at the same time being sexually black-mailed by the son. She finds a way to turn the tables on the latter (although you'll hardly feel to sorry for him).

The idea of a young boy losing his virginity to his stepmother-to-be seems pretty perverse, especially today, but there's also a scene where the boy and his overweight friend spy on the latter's slumbering and half-nude sister (who he later takes on memorably sexy bike ride). The sister is played by a young Tina Aumont, so you not only get a double dose of incest but a little Lolita with your Madonna.

This is the movie that made Antonelli an international sex star and features the famous scene where she's standing on a ladder in a short skirt and no underwear, but frankly she's a lot more memorable in other films I've seen like "Venus in Furs", "The Divine Nymph", "The Venetian Lady", and even Lucio Fulci's "The Eroticist". This also doesn't really quite make it as a comedy (although these dark and perverse continental variations are almost always preferable to the painfully unfunny American and British variety). It functions somewhat as a coming-of-age film I guess, even if the disturbed young protagonist isn't necessarily a very sympathetic character. You could do worse I suppose.