Magnum 44

Clint's Back!...Errrr....Dirty Harry's back I mean. Two years after the successful DIRTY HARRY comes its first sequel. Here, someone is out there killing all the city's dirtiest criminals. Soon enough Inspector Harry Callahan is on the case with his new partner Early Smith (Felton Perry).

Really gets a strong 7 out of 10 from me and has some great memorable scenes like the original, but it does bring some problems. Like the film does seem to go on for a little long after the biggest surprise is revealed. So the film may work better as a deeper look into Harry Callahan and his further thoughts on justice or injustice than it being looked at as a mystery which it pushes itself as. For there are way too few possible suspects especially when you watch the killer and his face.

Like the original a spectacular score from Lalo Shifrin and really some pretty good actors in supporting roles such as Hal Halbrook as Harry' boss Lt. Briggs and four new cops to the force in David Soul as Davis, Tim Matheson as Sweet, Kip Niven as Astrachan and the late Robert Urich as Grimes. Written by Michael Cimino and John Milius (who did uncredited work on the screenplay from DIRTY HARRY). In the end though, if you enjoyed the first one you will likely enjoy this one too. Followed by THE ENFORCER.

I sometimes wonder if "Magnum Force" is a better movie than "Dirty Harry." In the latter, Harry Calahan is up against a psycho causing panic, while in "Magnum Force" Harry opposes a number of enemies: enemies he would not have expected at first. Crime is still on the rise, there is too much corruption and too few 'real' cops, like him. When he meets some young, aspiring cops he is amazed by their qualities. Great acting by Clint Eastwood who is just perfect in playing the old-fashioned Harry Callahan. There is violence, but the strange thing is you support Callahan in 'cleaning' the city. One of the best in the Dirty Harry-series.

After a known criminal, with clout over the city, manages to escape the punishment of the law, he and his partners are gunned down by a vigilante dressed as a cop and with a .44 Magnum. Drawn to the case Infamous San Francisco Detective "Dirty" Harry Callahan starts to investigate as the vigilante continues to take out criminals citywide. Soon there are suspicions that the criminals are getting their information from inside the police force.

If there is one actor that can be plainly badass, macho, and tough in the most stereotypical way without making a fool of himself, it's Clint Eastwood. Never has an actor been so plain and stoic, yet so entertaining and funny at the same time. That's because Eastwood knows his limitations and, as a result, never becomes totally ridiculous. Whether he's dropping one liners, shooting his cannon of a revolver, or mysteriously seducing women with no effort whatsoever Clint Eastwood just plays it cool. Steve McQueen also managed the same with his classic "Bullitt" and Dirty Harry uses essentially the same formula, but it does it well with its own unique spin and style. Also Clint Eastwood has lived well past McQueen's early death so his films are more prevalent in the current movie mindset.

The film isn't quite perfect and there is one sequence in particular - at the airport where Harry takes out two hijackers single handedly - that seems to be just there to show that Harry Callahan is a badass who makes his own rules and gets things done. Yet this scene does nothing to advance the plot. With the film clocking in at over two hours this could have easily been dropped. Along with a few trimmings here and there for a slightly brisker film.

That said, the movie remains entertaining and a good part of Eastwood's action era. --- 8/10

Rated R for violence

Second outing for Clint Eastwood's anti-hero is an absorbing thriller, let down by some sloppy characterisation and the lack of a killer (no pun intended) scene or even iconic dialogue. It starts off poorly with the title credits lamely played over an almost static shot of the title weapon (very "Sledge Hammer") but once we get past the token scene reminding us of Harry's "shoot first, ask questions later" policing policy, the main plot strand about an internal police death-squad violently taking out known felons dominates the film.

There are some humanising touches around Harry's character, although these stereotypically show him as irresistible to women, rebellious to authority and almost friendly and caring for his young black sidekick, so that nothing new is revealed about what makes him tick. There is something condescending about the treatment of these supporting characters, especially the portrayal of Callahan's young Oriental neighbour who despite hardly seeing him around, seems desperate to jump into bed with him.

Better to stick with the action of which there is plenty. There's intrigue as Callahan's instincts lead him to find the true identities of the assassination bureau and a good twist as their ringleader emerges from the shadows.

The acting is mostly fine, Eastwood naturally dominating in his typical laconic manner. Hal Holbrook is also excellent as his testy superior and David Soul shines in a pre-Hutch role. Ted Post directs with some flair with some blunt lapses while Lalo Schifrin contributes a typically gritty soundtrack. The film makes its main point about the dangers of vigilantism and cleverly uses Harry Callahan of all people as a counterpoint to its proponents.

Some might argue as to whether all the violence was necessary and I felt the grisly death of a black prostitute bordered on the gratuitous but on the whole this was superior cop-fare and a good sequel to the trailblazing "Dirty Harry".

Sometimes you just want to spend your evening hanging out with someone cool. So maybe you hang out with the Fonz in 'Happy Days', or just crank some Tom Petty - or perhaps like me tonight, you opt for Clint Eastwood as 'Dirty Harry' Callahan.

I actually enjoyed 'Magnum Force' more than the original 'Dirty Harry'. With this the longest of all the Dirty Harry films, it truly has a bit of everything.

Classic instantly-quotable bad-ass one-liners? Check.

Attractive 1970s women and romance? Check.

Plane hijacking? Check.

Bombs and explosions? Check.

Lots of shooting? Check.

Controversial murder scenes? Check.

Crazy car and motorcycle chases? Check.

Stunning San Fransisco scenery? Check.

Corrupt cops? Check.

Plot twists? Check.

This film felt right at home in 2019, despite being made all the way back in 1973. Definitely ahead of its time. You can't help but smile when Clint Eastwood delivers killer lines throughout this film. It seems rare to encounter films so satisfying as this nowadays.

"Nothing wrong with shooting as long as the right people get shot! "

I won't be pulling over for any shady-looking motorcycle cops anytime soon.