Lolly-Madonna XXX

I saw this movie when I was a boy and it had an indelible effect on me. I am 41 years old and I still remember how its simple folk and their seemingly insurmountable problem touched me. Like another reviewer I also recall the score as being perfect. See this movie if you can. I am only sorry it is not available on VHS or DVD. I would surely buy it.

Like a number of movies from Metro-Goldwyn-Mayer that were made in the first half of the 1970s, "Lolly-Madonna XXX" was hard to see for many years until quite recently. I'd always been curious about it, so when it popped up on Turner Classic Movies one night, I was sure to record it and subsequently watch it. After seeing it, I think I can understand why the movie was held back for so long. As I said in my summary line, the movie is not awful. It is well acted, both by established stars Steiger and Ryan, as well as by the members of the cast who hadn't become stars yet. The movie feels authentic; you really get a taste of what run down and poverty-stricken life the characters live. However, there is one big flaw that sinks the movie, and that is that it's extremely slow. Scene after scene goes by with no real consequence - even the ending feels incomplete. If there had been more real plot, we might have had something here. But as it is, the movie will probably only appeal to film buffs with interest in the cast as well as with major studio movies that are obscure.

I saw this movie on TCM late at night (must be around 2 AM) when I was channel surfing. I was actually intrigued by its title and decided to watch it assuming it was a campy 70's sex romp. But once you see established names like Rod Steiger, Robert Ryan, Jeff Bridges, Randy Quaid, Scott Wilson, Ed Lauter and Gary Busey, you know you are wrong.

Though not everybody's cup of tea, Lolly Madonna XXX is a surprise treat - one of those movies that surprise you just when you think you know whats going to happen next or assume nothings going to happen at all. With terrific performances especially by Ed Lauter, a(very thin looking)Randy Quaid and a very young Jeff Bridges besides a beautiful score thats just right,this is a movie you shouldn't miss.

This is a movie I, like many others, caught on late night TV. Being a long-time Jeff Bridges fan, I thought I would give this a whirl when it showed up on TBS back in the 80's. I was immediately transfixed by the atmosphere, the haunting music and most of all the casting. All of the characters were on target and I can't recall a movie with more "character" actors than this one. Scott Wilson, Randy Quaid, Ed Lauter, Keil Martin and 70's staple Paul Koslo all add to the richness of this flick. There were no real bad guys in my mind. Even Rod Steiger's psychotic yet tortured portrayal evoked sympathy. I was able to tape a showing about 15 years ago and still have the VHS. I am half afraid to watch it because if anything happened to it it's practically irreplaceable. With all the garbage being released on DVD these days I would love to see more quality pictures such as this being released.

This viewer had been wanting to see this little movie for years. Not only does it have a strong cast of veterans and then up-and-coming young stars, but it sounded like fun. He expected something trashy and action-driven, but ended up getting something more. This is really a pretty thoughtful melodrama with very convincing rustic atmosphere and efficient direction by Richard C. Sarafian (of "Vanishing Point" fame).

Rod Steiger and Robert Ryan (the latter in one of his final film roles) play Laban and Pap, the patriarchs of the Feather and Gutshall families. These families used to be close, but eventually things got bad, real bad. The Hatfields and McCoys type feud starts out somewhat mild, with pranks being pulled. The title comes from a phony postcard, signed by a made-up woman, "Lolly-Madonna", designed to get one family to abandon their still. This leads the Feathers to kidnap a young traveller (Season Hubley) who they are convinced must be this "Lolly- Madonna".

It's interesting to note that this was an early credit for the famed author Sue Grafton, who also wrote the screenplay with producer Rodney Carr-Smith. It's a very serious meditation on the utter futility and madness of any war, especially the Vietnam war. The material gives some juicy acting opportunities to a superb ensemble. Steiger and Ryan mostly play it low key (although Steiger *does* eventually erupt into typical Steiger-esque acting) in order to let the younger generation make their mark. And what a supporting cast: Jeff Bridges, Scott Wilson, Timothy Scott, Kiel Martin, Ed Lauter, Randy Quaid, Gary Busey, Paul Koslo. Lauter is especially fun as Hawk, who has fantasies of being an Elvis-like rock star. Bridges plays Labans' son Zack, and as he and Hubley make a connection, you realize that they're the biggest hope for some semblance of sanity and reason in this story. Still, it's hard to deny the somber feeling of inevitability to everything here.

The rough, grainy look is actually appropriate for the mood, and Fred Myrow contributes a very affecting music score.

This is an intriguing, now somewhat obscure, movie deserving of another look.

Eight out of 10.