Los 7 vampiros de oro

Although Hammer's audiences [and budgets] were declining in the 70s, they still made some interesting movies which are ripe for reappraisal. This film is a case in point. A collaboration with the Hong Kong martial arts film studio Shaw Brothers[ there was also another one, the very poor Shatter, a routine modern day thriller], it mixes horror and martial arts to extremely entertaining effect. Yes, the idea of mixing the two genres was done better in later Hong Kong films like Spooky Encounters, but there is a great deal of trashy fun to be had here.

Shot in extremely lurid colour, the first half hour has two amazingly vivid scenes- Dracula possessing a Chinese priest in Transylvania, and a terrific setpiece in China soon after with a peasant trying to rescue some women from a castle and encountering the wonderfully decrepit looking Seven Golden Vampires and than an army of zombies who come out of the ground in a stunning sequence, the use of speeded up film to convey their movement oddly effective. Thereafter, as our bunch of protagonists sets off to rid China of this evil, the film does tend to become a series of very bloody battles, but they are blisteringly staged. David Chiang has little charisma as the main hero, but Peter Cushing is solid as ever as Van Helsing ,and does look as if he his having fun. John Forbes-Robertson has quite a bit of presence as Dracula, but he's only in the opening and ending, and after all the terrific action beforehand, his death at the hands of Van Helsing is something of a damp squib. There are some somewhat stilted dialogue scenes, but James Bernard's music is typically exciting [Hammer fans will spot the cues from Taste The Blood Of Dracula though!].

Hardly classic Hammer, or Shaw Brothers for that matter, but this just sets out to provide a fun gory time, and succeeds.

Well as you have been reading the reviews of this film, two definite trends seem to emerge. One is that this film has been critically panned for a couple of decades, and, two, this film seems to be genuinely liked by those that take actual effort to watch it. The film surely has its faults, but the overall effect it creates diminishes its shortcomings. The film is about a small town in China that has been ravaged for many years by a band of seven vampires. Professor Van Helsing, giving a lecture in China, is approached by someone from that village that requests Van Helsing's assistance. The rest of the story concerns Van Helsing, his son, a lady benefactor, and seven Chinese brothers and their talented sister trekking across China to get to the village and face the seven deadly vampires in the charge of the one and only European Count Dracula. Along the way, we the audience are treated to some first-rate martial arts, scary atmospheric settings which include zombie servants rising from fog-filled cemetaries, and the ultimate climax of good fighting evil. All in all it is one exciting piece of entertainment. The story at the end is a bit weak, as is the character of Van Helsing's son, who seems to manage to stay alive despite being a weakling.

In 19th century China Count Dracula takes the form of a Chinese tyrant who has control of a cult that contains six sword -wielding vampires and hordes of zombies. The legend is said that they mount a bloody reign of terror on a cursed remote village by taking young woman from the village to feed on them. Professor Van Helsing (Peter Cushing) leads an expedition with some martial art experts, his son and a wealthy widow to the village to prove the legend is true and to rid the undead from this earth.

Hammer production gives us something a bit different in this film by making a far journey to the east: Honk Kong. Hammer horror meets Kung Fu for this outing, with a lot of exorbitance and flair to show. It might be a bizarre mix and ridiculously over-the-top hokum, but you can't deny the shocks and fun factor it achieves. It's rather silly stuff and that makes it enjoyable viewing. What's a Hammer film without Peter Cushing as Van Helsing, but Christopher Lee didn't return to play Dracula and John Forbes-Robertson took his place. He just lacked the charisma and gave a rather odd, if dour performance. Cushing on the other hand gave a solid performance and some value-added class to the film. Julie Ege is fine as the elegant Vanessa Buren the wealthy lady who funded the expedition. This film gives us what we expect, a lot of horror, flesh and blood.

The premise is a rather engrossing adventure even though it has a very formulaic narrative. The plot might be flawed, make not much sense and come across as disjointed. But it totally makes up for it with some unpredictable sequences of suspense and an intriguing mythology involving vampires of the East. Showing how their customs are far different to those of the traditional vampires. The colourfully taut action sequences are well set up and are terrifically paced. When these rather hectic martial art battles start they really do go on, but still don't overshadow the horror element of the film. The battles involving the golden vampires are dazzling and the zombies coming out of the ground was well established and a sight to see. The final set-up for the grand battle scene reminded me very much of "The Seven Samurai" and "The Magnificent Seven", especially in protecting them from an onslaught. The difference is that they weren't asked or paid to protect them. One thing it lacked was a seductive female vampire (there was one for 10 seconds or so). The plot's thin love story felt out of place in the overall context and so did Helsing's son Leyland who came across as nothing more then a annoying bystander. So was Dracula, as he didn't do that much and only had a small amount of screen time. The climax between Dracula and Helsing isn't much of a tussle. It was that brisk it felt like they wanted to get the film over pretty quickly.

The film was very atmospheric, especially at night with the howling wind, blankets of mist and menacing shadows. On the journey to the village the scenery provided by the countryside is fairly graceful. Ranging from the grassland, rocky terrain and the woodlands. The heart pounding score goes in hand to hand with the scenes. The production valves weren't great, but not bad. The set designs of Dracula's domain and the village are somewhat vivid. The effects were rather shoddy (rubber bats on strings) and props looked ludicrous (the weapons). The make-up and costumes on the vampires and zombies were rather fair. You get some close ups of rotting vampire's faces after dying. This is when you get some oozing, bubbling and steaming skin decay. Also there are cheesy sound effects and a glorious amount of blood splattering.

Rather entertaining, if unconventional horror by Hammer productions.

This lovely Hammer Horror blending of the traditional vampire tale with martial arts stars Peter Cushing as Professor Van Helsing. The plot follows Van Helsing, who is drawn into a plot involving a legendary seven golden vampires, the prince of darkness; Dracula himself, the undead and a load of martial artists. Our hero must, along with his son and an escort of kung fu fighters travel to a cursed village somewhere in China to rid it of the vampire curse that holds it. One of the reasons why Hammer horror is so brilliant is that it isn't afraid to make a film that most other film studios would regard as stupid and then make it work. The main reason why Hammer horror does work is that the films, despite showing many macabre images, are always good natured and made with a lot of heart so they're easy to like; and this one is no different.

The Eastern style makes for a very different vampire film to what we're used to, and Legend of the 7 Golden Vampires seems keen to capitalise on that as it changes many of the traditional vampire rules to suit the east (for example, the traditional cross to ward off vampires is replaced by the image of Budha). As usual with Hammer, the effects are hokey to say the least, the production values are low and everyone except Peter Cushing leaves a lot to be desired acting-wise...but without these traits, this film wouldn't be Hammer, so these things are not only forgivable, but welcome. Peter Cushing's performance in this movie isn't his best, but fans of his will still relish it. There's something about Cushing's persona that makes him very watchable, and every film with him in it is worth watching, if only for that reason. He also gets involved in some of the martial arts fights, which is nice to see. The fights themselves are very well staged, much better than I was expecting with this being a horror film with kung fu elements, rather than a full blown fight-fest.

This is the fifth film I've seen by Hammer director Roy Ward Baker and although it's not the best, it's still a very solid offering from the man who was probably Hammer's finest director. This film is a lot of fun, and I don't doubt that it will delight anyone who sees it, and therefore it comes with the highest recommendations from me.

By the beginning of the 1970s, Hammer Studios, once a world leader in horror, found itself struggling to compete with the harder hitting, more explicit fare coming out of the US. In a last ditch effort to appeal to a wider audience, the ailing studio began to experiment with horror 'cross-overs', injecting their traditional Gothic fare with elements from whatever other genres were enjoying global success at the time.

In 1974, the studio released two such genre-bending 'mash-ups': The Satanic Rites of Dracula, an espionage/vampire film in which Dracula was reinvented as a Blofeld-style villain intent on destroying the world, and The Legend Of The 7 Golden Vampires, which saw Hammer join forces with Hong Kong's Shaw Brothers for some martial-arts monster fun.

For a Hammer film, Satanic Rites was an uncharacteristically drab affair, lacking visual flair and any sense of excitement; in fact, rather than turn the studio's fortune around, it probably helped to drive a few more nails firmly into its coffin. Legend Of The 7 Golden Vampires, on the other hand, was a much more enjoyable effort: helmed by Roy Ward Baker, it delivered stylish colourful photography, great fight choreography by kung fu legend Liu Chia-Liang, sexy ladies from around the world (Norwegian babe Julie Ege and Taiwanese cutie Szu Shih), as well as blood, boobs, bats and bonkers action set-pieces. Despite the high fun-factor, however, AND another quality performance from Peter Cushing, it too failed to lure back the fans.

Count Dracula, it seemed, had finally met his match, not in Van Helsing, but in chainsaw wielding maniacs and possessed girls vomiting pea soup—a pity, because I would have loved to have seen more joint ventures from Hammer and Shaw Brothers, two of the greatest studios in the history of cinema.