Jimi Hendrix

Jimi Hendrix (1973)

*** (out of 4)

This documentary was made and released three years after the death of Jimi Hendrix and it really shows what a masterful talent he was. When viewing this today people might not get its full impact because it features clips from various concerts that have since been released complete and on their own. With that said, it's important to remember that for a time this here was the only way to see much of this footage. Eric Clapton, Paul Caruso, Billy Cox, Pete Townsend, Mick Jagger, Little Richard and Lou Reed are just some of the people who talk about who Hendrix was and what he was able to do with his guitar. Through the interviews you really get a great sense of what other artists thought of his talent and it's interesting hearing them talk so shortly after his death. Many of the stories are very entertaining and especially the reactions from them in regards to the first time they saw Hendrix and his talent. We also get an interview with Hendrix's own father who discusses his sons early days and how he got to playing guitar to begin with. Overall this is a very entertaining documentary that tells you some good stories about the legend but the majority of the running time come from various concert and television performances. No matter how many times you watch him perform you really can't believe that he was actually human and pulling off all of this music. Fans of Hendrix will probably own many of these shows in a complete form but this documentary is still very good for those unfamiliar with the work of Hendrix or those who just want to kick back and enjoy the music.

Made several years after the death of Jimi Hendrix, this film looks back at his career through the eyes of his family, peers, friends and fans. Recollections and anecdotes are broken up by various live performances and interviews with Hendrix himself.

I have never taken the time to find out whether I am a fan of Hendrix or not; sure I like everything I have heard but that is different from being a fan. However watching this film made me more interested in hearing more from him because of how well put together it is. Ignoring the subject for a minute, the strength of the film is in the structure and delivery. The film is not trying to factually capture Hendrix from cradle to grave but rather look at him as an entertainer and a man. To do this we get live footage of him mixed with plenty of contributions from others who knew him. To make the point that these contributions are good, the edit overlaps several people telling the same stories and I liked the way this worked.

The film also manages to keep focused while also allowing the contributors to speak personally and from their own experiences of him – not in glib sound bites but mostly in natural chatting and recollections. These are worked well to produce a narrative flow, building on what we know about the man and his music. Structure wise it is an impressive biography and you could nearly watch the film for this alone. Of course the film itself is not about the way it is put together but rather about the title character. Here the film is also strong as we see him on stage and instantly get what it was that people like/liked about him. He has a great stage presence and is recognisable as being a creative force. However the use of interviews etc also shows him to be quite a quiet and shy type and I liked this aspect of his character and the way the way the film brought it out.

For fans then, it is a given that you will enjoy this but it will also work for the casual viewer with a passing interest in his music; this is what I was and the film drew me into the man more than I had been. I think it is unlikely anyone would watch it for structure alone, but I must comment that it is this that is another reason why the film works as well as it does.

This documentary will give you the heart and soul of James M Hendrix, from the people who loved him to the thoughts and performances of the man himself. The performances are predominately taken from The Monterey Pop Festival, widely regarded as the best set Jimi ever played. Unlike most music biopics that seem to be afraid of the music they chronicle, this one gives you nice long stretches of performance, never cutting off a solo to give some little pearl of wisdom. Songs are played in their entirety.

The interviews are engaging and sometimes enlightening; such as The Who's Pete Townshend explaining how the appearance order at Monterey was decided, and Jimi's long-time girlfriend Fayne Pridgon retelling tales of Jimi turning her on to such new experiences as LSD and a strange little folk singer named Bob Dylan.

I HIGHLY recommend this movie to anyone who loved Hendrix for his amazing contributions to the halls of rock history. He truly was the impresario of his generation, and maybe all others, before and since. Turn the speakers way up, sit back, and ENJOY! You will not be disappointed.

Jimi Hendrix: Delux DVD Edition Movie: The documentary is very interesting, and not just for guitar players like myself, I'm a big acoustic guitar fan not electric at all. It concentrates solely on who the man was and his amazing playing, it doesn't get distracted and bogged down with stories of drugs, mismanagement and the circumstances concerning his death. It really does give a sense of the person and the passion behind Jimi Hendrix and his music.

The film comprises of a series of a series of performances, some very rare and some considered classic, interspersed with clips of interviews of Eric Clapton, Pete Townsend, Little Richard, Lou Reed, Mick Jagger, Hendrix himself and the all important ones, from his friends and family.

The interviews are very frank and relaxed, and when interviewing friends you get a sense of sitting chatting with someone rather than the usual interrogation that half hearted interviews can become. With the interviews with other famous stars of the time, and indeed other amazing guitarists like Clapton, there is a real feeling of respect and admiration. They don't hold back about how good or influential he was and there doesn't seem to be any back stabbing or slapping, just genuine conversation and respect.

These aspects are something you can't just make in a documentary, and they enrich the interviews so much making them thoroughly engaging and make for much better documentary.

One of the most interesting parts for me were the live performances, they are excellent to listen to and some are pretty amazing just to watch his performance. These are absolute classic performances and should be watched by any aspiring guitar player, I certainly had a huge desire to grab my guitar and start playing...just don't set it alight!

My favourite piece was Hendrix playing a beautiful twelve string, I love the acoustic guitar and strive to find as many recordings of unusual songs and artists playing their songs acoustically, and this is undoubtedly the pinnacle of that search. It's amazing to see him play, and particularly interesting to see how nervous he was when he makes a mistake (like I heard!) and asks if he can start again. When he steams into the second play you can see he wasn't just an electric virtuoso. His talent is unmistakable and these performances have been selected to really show off his best playing.

Picture: Presented: 1.85:1

The picture quality is very good with a lot of restored and remastered footage. Still some sections show their age and that's not taking into account the hairstyles and clothes! Overall though, it's excellent quality for remastered 1973 footage and some of the older and more worn performances.

The interviews are perhaps the highest picture quality, however here it's the words that matter more than anything, and in the performances it's the music.

Sound: Presented: English Dolby Digital 5.1 and 2.0 Subtitles: English and French

I didn't quite understand this one, presenting the film in DD5.1 seemed a waste of channels without a proper remix to bring you into the performances, or let you feel you're sitting in the studio, park or stage that the interviewees were. It doesn't add anything to the experience over the DD2.0 track. The sound sticks firmly at the front, although at times it does spread wider, but just as much is achieved with the DD2.0.

Some of the older performance footage does sound old with cracks, clicks and hiss. Yet this achieved something else, like that feeling with vinyl, it just adds to the atmosphere and performance.

Extras Presented: From the Uklele to the Strat (63:00), The making of Dolly Dagger and Stone Free performance

From the Uklele to the Strat provides you with what appears to be the full interviews that were used to cut together to make the documentary. Although I did start to find this hard going, it really does provide a level of authenticity and would appeal to the hard bent Hendrix fan. The interviews are wide and extensive, and considering the purchase base for this I would think that there will be many Hendrix fans watching this.

The making of Dolly Dagger is a superb and very insightful feature into the recording process for any song, never mind one of Hendix's. Sitting with the Producer\Engineer from the recording, Eddie Kramer, we're treated to a break down of the track, how it was recorded, insights into the process, and even sections that never made it to the final cut. This was fascinating.

Finally there's a performance of Stone Free from the Atlanta Pop Festival in 1970 on July the 4th, apparently never seen before. This is a blistering watch, and much like the rest of his performances, amazing and very entertaining. Watching his guitar work just astounds me, and listening to how easily he produces the music fills you with envy. Roughly shot, but it again adds to the raw feel of the performance.

Overall: I think this is an excellent documentary for fans of Hendrix and of the guitar. It's an insightful film which doesn't get hung up on any of the contentious issues of the man's life, and instead tells us from his friends, co-workers and peers who he really was and how dedicated to his music he was.

However, if you're not a Hendrix or guitar fan, I think you might find this much harder going. I'd have preferred a more expansive DD5.1 track, or just sticking to the DD2.0, and some more intimate performances would have added to the overall attraction.

A good purchase for the performances, and in particular the acoustic performance, but add the interviews and the making of featurette, and you have a classic DVD for the fan.

Have been watching this movie since the mid-1980's on home video. For quite a long time this and Rainbow Bridge were really the only selections a Hendrix fan could purchase in terms of home viewing until the 1990's when the full-length performances of Monterey Pop, the Isle of Wight, Woodstock and Berkeley were made available.

Unlike the original Rainbow Bridge theatrical release, where Hendrix is a featured performer for 20 or so minutes, the 1973 film Jimi Hendrix focuses entirely on Hendrix. Mostly on Hendrix as a musician and a performer, and mostly on the period of his life between late 1966 to his death in 1970.

Since the film was made within a few years of Hendrix passing, recollections of him are fresh. The interview subjects are a selection of groupies, fellow musicians - some famous, some not - who either played with him or saw him play, roadies, journalists, hangers on and the like. Virtually all of whom personally knew Hendrix and were speaking about their interactions with him from recent memory. There is an equal amount of performance footage as there is interview footage. Hendrix at Monterey in 1967. Hendrix at Woodstock in 1969. Hendrix at Berkeley in 1970. Hendrix at the Isle of Wight in 1970.

All of which amounts to a balanced documentary of what made Hendrix memorable, which was his songwriting/performing. There are some references made via the interviews about the groupie scene and the drug scene, but nothing approaching a tabloid tell-all. No blathering conspiracy babble about Hendrix being murdered as opposed to how he reportedly died. No urban legends about Hendrix taking LSD a million times a day. The focus throughout by and large remains on the music Hendrix made.

My only criticism would be actually wanting more performance footage than was included in the initial theatrical release, rather than the one or two tunes from each of the concerts mentioned above. However, this is small potatoes.